Bea Wain born 30 April 1917

Bea Wain (April 30, 1917 - August 19, 2017) was a American Big Band-era vocalist.

Bea Wain (born Beatrice Weinsier) was considered by many to be the best vocalist of her era. Born in new York, Wain sang with bandleader Gene Kardos in the mid 1930's. She also appeared on NBC's Children's Hour and as a member of Ted Straeter's Choir as well as with her own Bea and the Bachelors. The Bachelors consisted of Al Rinker, Ken Lane, and John Smedberg. The quartet performed on Fred Waring's radio program as part of the vocal group V-8, a combined effort with the Modernaires, before joining Kay Thompson in 1937, where they formed part of Thompson's Rhythm Singers.

Later that same year, while she and the Bachelors were working on Kate Smith's radio show, bandleader Larry Clinton offered Wain a job in his newly-formed orchestra based solely on the strength of an eight-bar solo he had heard her sing on Thompson's radio program. She accepted and quickly emerged as the band's star attraction, singing on their biggest hits, including "Martha" and "Heart and Soul".

On a 1937 recording with Artie Shaw she was credited as Beatrice Wayne, which led some to assume that was her real name. On record labels her name was shortened (without her
permission) to "Bea" by the record company, ostensibly for space considerations. As she explained, "They cut it to 'Bea Wain. They cut the 'Beatrice' out to 'Bea.' I was just a little old girl singer, but that's the truth. So that's how my name became 'Bea Wain'."

In 1939, she was voted the most popular female band vocalist in a Billboard, and that same year she began her solo career. She had four #1 hits:"Cry, Baby. Cry," "Deep Purple", "Heart and Soul" and her signature song, "My Reverie."

                              

She is considered by many to be one of the best female vocalists of her era, possessing a natural feel for swing-music rhythms not often found among white singers of the day. With regard to technique, she excelled in pitch and subtle utilization of dynamics. She also communicated a feminine sensuality and sang with conviction in an unforced manner.

On May 1, 1938, Bea Wain married radio announcer André Baruch. Their honeymoon in Bermuda was cut short when Fred Allen called Baruch asking him to return to New York to substitute for his ailing announcer, Harry von Zell. They were married for 53 years. Baruch died in 1991.

The recording ban of 1942 marked the end of her commercial recording career. She continued to sing, perform, and appear on radio, however, throughout the 1940s. Bea and her husband worked as a disc jockey team in New York on WMCA, where they were billed as Mr. and Mrs. Music.

In 1973, the couple moved to Palm Beach, Florida, where they did a top-rated daily four-hour talk show for nine years before relocating to Beverly Hills.

The couple had two children: Bonnie Baruch and her husband, Mark Barnes, operate a vineyard in Northern California and run the Daisy Foundation, an organization which recognizes nurses for their critical role in patient care and supports research towards the cure of auto-immune diseases. Wayne Baruch has a career in the music and theatre business, and his wife, Shelley Baruch, is a theatrical producer and filmmaker.

In James A. Michener's 1971 novel The Drifters, characters discuss Bea Wain and her recording of "My Reverie" in two separate chapters of the book. In 2002, her recording of "My Reverie" was used in the Robin Williams movie One Hour Photo.

In a 2004 interview with Christopher Popa, she reflected: Actually, I've had a wonderful life, a wonderful career. And I'm still singing, and I'm still singing pretty good. This past December, I did a series of shows in Palm Springs, California, and the review said, "Bea Wain is still a giant." It's something called Musical Chairs. I did six shows in six different venues, and I was a smash. And I really got a kick out of it.  

Wain died of congestive heart failure at a retirement home on August 19, 2017 in Beverly Hills, California at the age of 100.

(Info edited from Wikipedia & Parabrisas)

Russ Morgan born 29 April 1904

Russ Morgan (April 29, 1904 – August 7, 1969) was a big band orchestra leader and musical arranger in the United States during the 1930s and 1940s.

Best remembered for his ''wah-wah'' trombone style, Russ Morgan was born in Scanton, Pennsylvania, in 1904 and began studying music at an early age. Both his father, a coal-mine foreman, and his mother were former professional musicians. Morgan himself began to work in the mines at an early age to pay for piano lessons. At age 14 he earned extra money playing piano at a Scranton movie theatre and bought a trombone. He spent a year with the Scranton Sirens, working alongside Jimmy Dorsey, before heading off to New York in 1922, where he arranged for Victor Herbert and John Philip Sousa. He toured Europe with Paul Specht's orchestra in 1923 and a year later was invited to Detroit to arrange for Jean Goldkette.

Morgan soon left Goldkette to serve as musical director at WXYZ radio. He also arranged and played for the Detroit
Symphony. After a serious automobile accident in 1929 put him out of the music business and the stock market crash finished Detroit as a major music centre he went back to New York, where he found steady work writing arrangements and playing in studio orchestras.

Another automobile accident sidelined Morgan in 1933. Unable to play his trombone during a long period of recuperation he went to work for Freddie Martin in 1934 as a pianist and later became musical director at Brunswick Records. He formed his own orchestra in 1936 with the help of friend Rudy Vallee and spent the next two years at the Biltmore Hotel. He later served as a staff conductor at NBC radio and was musical director for the Lifebouy and Philip Morris radio series.

Morgan both sang and played trombone in his new orchestra, which used the famous moniker ''Music in the Morgan Manner.'' His music was soft, loose, easy-going, and well-blended, and had an infectious lilt. His style leaned toward the commercial, and he had a knack for knowing what the public liked.

After suffering financially in the early 1940s Morgan experienced his greatest popularity after the war. In 1949, four songs he recorded made it big on the charts. They were "So Tired", "Cruising Down the River", "Sunflower" and "Forever and Ever." On the latter he used a vocal quartet that was just starting out and would later become famous as the Ames Brothers. The Decca Records recording of Dogface Soldier, released to coincide with the film version of To Hell and Back, based on the best-selling novel by Audie Murphy, sold over 300,000 copies.

During the 1950s, his orchestra continued to be a popular one for dancing and listening music. He continued to set house records with his appearances in California and New York as well as his many tours across the entire nation. During this decade, it was mostly the long-established veteran "sweet bands" that were supplying the music for dancers, and Russ Morgan was one of them. The veterans included Jan Garber, Sammy Kaye, Wayne King, Guy Lombardo, Freddy Martin and Lawrence Welk.

In 1958, Morgan's nineteen-piece band had been reduced to eleven men, with his sons Jack Morgan on trombone and David Morgan on guitar. In 1965, he was then booked for an eight-week engagement at the Top O' The Strip at the Dunes Hotel in Las Vegas. However, it ended up lasting until 1977, a total of twelve years.

In 1969, Morgan died at the age of sixty-five in Las Vegas. Morgan’s son, Jack, took over the leadership and has led the band ever since. Morgan has a Star on the Hollywood Walk of Fame for his contributions to recording. (Info from www.parabrisas.com & Wikipedia)


From a recently discovered print of the original film, which includes two songs not shown in the 1980s video version of this film ("Meet the Band Leaders"). Also original credits and close. Band leader, trombone, piano: Russ Morgan. Singers: Lewis Julian and Linda Lee. Band members include 22-year-old Billy Fisher on clarinet and alto sax, featured in "Wabash Blues." Julian was a former NBC page when Morgan discovered him. Fisher also arranged for Morgan and later arranged for Ed Sullivan and Jackie Gleason as well as the Tony Awards.

Claudine Clark born 26 April 1941

Claudine Clark (born April 26, 1941, Macon, Georgia, United States) is an American R&B musician, best known as the singer and composer of the 1962 hit "Party Lights", which reached #5 on the Billboard Hot 100. 

Born in Macon, GA, Clark grew up in Philadelphia and received formal musical training at the local Coombs College, where she earnt a degree in music composition. She recorded her first single, "Angel of Happiness," backed by the Detroit Spinners in 1958 for the Herald label, but it failed to attract much attention, as did a brief stint at Gotham.  

Clark subsequently caught on with Chancellor, a label best known for teen idols like Fabian and Frankie Avalon. Her first single, "Disappointed," initially flopped, but when DJs started playing the Clark-penned flip side, "Party Lights," it became a huge hit. Sung from the point of view of a teenage girl ordered to her room while her friends were out having a good time, "Party Lights" struck a chord and shot into the Top Five on both the pop and R&B charts. 

Apparently she had recorded Party Lights earlier for another label, with a different tempo - maybe for Herald Records where she also worked briefly, turning out Teenage Blues b/w Angel Of Happiness on Herald 521 in 1958 billed as Claudine Clark & The Spinners. But as it would turn out, Party Lights would be it insofar as a hit single was concerned, which enshrined her in the One-Hit Wonder Club, as two follow-up releases failed dismally - The Telephone Game b/w Walkin' Through A Cemetary (Chancellor 1124 in 1962) and Walk Me Home b/w Who Will You Hurt? (Chancellor 1130 in 1963).

Switching things up, she released a single the following year as Joy Dawn ("Hang it Up"), then in '64 had a couple of singles on the Jamie label, including a remake of The Supremes' "Buttered Popcorn" (it hadn't been a hit for them either when released as their second single in 1961), followed by a couple of others over the next few years.

Clark later attempted to compose a rock & roll operetta, and also recorded for Swan under the alias Joy Dawn, all to little avail. In the mid-'70s she gave it another try with a single under the name Sherry Pye, but she was married by this time and focused on raising a family. Some gospel recordings followed, and she reportedly continues to sing regularly in church, while keeping her personal life out of the public eye.

The one smart move Claudine Clark made, it turns out, was getting her own composition on the B-side of that first Chancellor single. The radio airplay and many reissues of "Party Lights" have provided her with the royalty payments through the years that too many acts with even more than one hit have unjustly had to do without.  (Info edited mainly from All Music & Way Back Attack)

Cliff Bruner born 25 April 1915

Cliff Bruner (né Clifton Lafayette Bruner; 25 April 1915 – 25 August 2000) was a fiddler and bandleader of the Western Swing era of the 1930s. Bruner's music combined elements of traditional string band music, improvisation, blues, folk, and popular melodies of the times.

Born in Houston, in 1915, a child of a poor, south Texas family,  Bruner learned to play fiddle at the age of 4, later boasting: ‘I could play fiddle before I could talk’. While still at school, he played at local dances. He had become an itinerant musician in his teens, carrying his fiddle in a flour sack, picking cotton by day and playing for cotton-pickers by night. Bruner was performing professionally and wandering around Texas in search of gigs by the late 1920s. The medicine show provided him with early employment, as it did for many other early country stars; he had signed on with Dr. Scott's Medicine Show, a travelling caravan hawking a cure-all called Liquidine Tonic.

In 1934, Bruner joined the path breaking Western swing band Milton Brown & His Musical Brownies, an act which billed itself as "The Greatest String Band on Earth." He cut close to 50 songs with the group before Brown was killed in an auto accident in April 1936; the twin fiddles often heard in the Brownies' music (setting a pattern that lasted for decades in country music) are those of Bruner and the classically trained violinist Cecil Brower.

 

After Brown's death, Bruner returned to Houston and formed a group called the Texas Wanderers (sometimes called Cliff Bruner & His Boys). The band settled into a slot on Beaumont radio station KDFM, whose listenership crossed the state line into heavily Cajun South-western Louisiana. As did other Western swing bands, this one fused traditional fiddle-led country music with elements of 1920s and '30s pop and jazz. But Bruner, from the start, favoured a strikingly contemporary sound. He brought the wildly experimental electric steel guitarist Bob Dunn on board from the Brownies and featured an electric mandolinist, Leo Raley, and an energetic barrelhouse pianist, Moon Mullican. the Texas Wanderers' recordings on the Decca label crowded jukeboxes along the oil-rich, heavily industrialized Texas Gulf Coast.

 

                                   

Cliff Bruner is an unsung star of the little-noted Country music charts that appeared in Billboard prior to 1944. His hit It Makes No Difference Now spent 20 weeks atop the chart. Other hits in 1939–1942 included "Sorry", "Kelly Swing", "I'll keep on loving you" and "When You're Smiling". Perhaps his most famous hit was "Truck Drivers' Blues", the first truck driving song. Many of these recordings featured Dickie McBride and future singer piano star, Moon Mullican, on vocals.

 

In the early '40s, Bruner dissolved the Texas Wanderers, but he continued to work with Mullican and with other musicians who were forging modern country music out of the forms of Western swing: he performed with former Texas governor W. Lee O'Daniel and with Louisiana governor-to-be Jimmie Davis. Bruner and Mullican headed a band called the Showboys, and he made some recordings for Mercury and for small Texas labels after World War II.

In 1950, Bruner's wife, Ruth, died from tuberculosis, and, for the sake of his two young daughters, he gave up professional music for the safety of the insurance business. When the Western swing revival flowered in the 1970s, however, he gained proper recognition as an enormously influential figure. He appeared on Johnny Gimble's 1980 LP Texas Swing Pioneers and his trio appeared in the 1984 Sally Field movie Places in the Heart. In the mid 90’s, he was still playing on weekend events with local musicians in Houston and, according to reports, he was still amazing younger musicians with his fiddling skills.

On August 25, 2000, Bruner's long lifetime of making music came to an end when he died due to complications from cancer and heart problems at the age of 85 in Texas. (Info edited mainly from All Music & Wikipedia)
 

Cliff performs Ted Daffan song "Over The Hill" . Accompanied by Shelly Lee Alley Jr. andThe River Road Boys at Stafford Opra House, Columbus, Texas March 30, 1996

George Tomsco born 24 April 1940

George Anthony Tomsco (born April 24, 1940) was one of the most popular and influential instrumentalists of Tex-Mex styled rock music. As one of the founding members of the Fireballs, George is a true rock & roll pioneer. In the late ‘50s and ‘60s, his guitar playing was ubiquitous on the radio waves with hits as “Torquay,” “Bulldog,” “Sugar Shack” and “Quite a Party.”

He was born and raised in Raton, New Mexico and has one sister, Alberta. His father ran a Conoco service station and he worked there part time when he was a teenager. Tomsco was always interested in music and in 1957, while still in high school; he started a rock and roll band “The Fireballs.” They never had music lessons; all the band members learned by ear. The Fireballs had a unique, popular sound, and they performed in the Raton High School to standing ovations. The original 1958 line-up was: George Tomsco (lead guitar), Chuck Tharp (vocals), Stan Lark (bass), Eric Budd (drums), and Dan Trammell (rhythm guitar).

 

The Fireballs. The photo was taken as the group had just started to become known and had recently been signed to a contract with Kapp Records. From left: George Tomsco, Stan Lark, Eric Budd, Don Trammel, and Chuck Tharp.

After high school, Tomsco attended the New Mexico Institute of Mining and Technology in Socorro. He really wasn’t interested in school because he had always wanted to be a musician but didn’t know how to get into the business. The Fireballs continued to play on weekends in local clubs. One day someone heard him playing a home recorded acetate and remarked that the band should record their music. They auditioned for Norman Petty who owned a famous recording studio in Clovis, New Mexico. Petty liked their style and this started their career. In 1959 the Fireballs recorded their first release, Petty negotiated a contract for the group and they never looked back.

In addition to playing with the Fireballs, Tomsco played on numerous sessions in the late '50s and 1960s. Although he was most frequently heard as a session player on instrumental records that bore some similarity to those of the Fireballs, or with vocalists who were trying to imitate Holly, he was versatile enough to also contribute to sides by folksinger Carolyn Hester and soul artist Arthur Alexander.

 

                                 

George Tomsco's nimble guitar work was influenced by rockabilly, country & western, and Latin music. Although few fans would recognize his name, he was one of the most popular and influential instrumentalists of Tex-Mex styled rock music, finding particular favour in Britain with the Shadows, who covered some Fireballs songs.

In 1960 the Fireballs appeared on the Dick Clark Show and American Bandstand. Tomsco said that meeting Dick Clark was a great experience and this really helped their career. They recorded many albums in the next several years.

In 1963 they brought singer Jimmy Gilmer into the group and recorded “Sugar Shack.” This became the number one hit for five weeks and was the largest selling single that year and is perhaps their most well-known song.

By 1972, Gilmer and Lark had left the Fireballs, leaving Tomsco to carry on with just his guitar and replacement players. He sold insurance for a few years; Lark did technical work for local coal mines. When original singer Chuck Tharp rejoined Tomsco in 1989, Lark followed. The three original Fireballs performed from 1990 until Tharp’s death, in 2006.

In 1989 the Fireballs were inducted into the Norman Petty Walk of Fame and in 2001 they were inducted into the West Texas Rock and Roll Walk of Fame. Tomsco was introduced to the Huerfano Community Bible Church in Walsenburg through his sister Alberta. He joined the church band called Standfast. This band provides music at church and other functions around Walsenburg.

 

From left: Rick Dunn, George Tomsco, Carol Dunn, Lee Adams and Bruce Stevenson of the praise band StandFast.

Tomsco and Lark still played a handful of Fireballs concerts around the country for a few years and Jimmy Gilmer, today an artists’ manager in Nashville, joined them for a couple of shows. At present the Fireballs is in a state of “neutral/ idle,” according to Tomsco.

“I still perform as a guest guitarist with other bands in the U.S., England, Canada and Spain as George Tomsco of the Fireballs, playing instrumentals and vocal recordings from more than 50 years ago.”

 

George Tomsco didn't record on his own often, but a 30-song anthology consisting mostly of tracks he did with the Fireballs and as a session musician, The Tex-Mex Fireball album, was issued under his name in 1998.

(Info edited from All Music & World Journal Huerfano)

Ernie Maresca born 21 April 1938

Ernest "Ernie" Maresca (born April 21*, 1939, The Bronx, New York) is an American singer-songwriter and record company executive, best known for writing or co-writing some of Dion's biggest hits. 

He began singing and writing in a doo-wop group, The Regents, who later had a hit with "Barbara Ann". His song "No-One Knows" came to the attention of Dion DiMucci, who recorded it successfully with The Belmonts on Laurie Records, the record reaching #19 on the Billboard Hot 100 record chart in 1958. Maresca then began songwriting full time, writing "Runaround Sue" with Dion, and then "The Wanderer" - his biggest success, although his run of hits with Dion continued with "Lovers Who Wander" and "Donna the Prima Donna".  

He also wrote for a great deal of other artists throughout the 1960s, usually in a style that combined doo wop with the developing sounds of girl groups or Dion's boastful Bronx pop/rock; the Regents' modest modern doo wop hit "Runaround" was the biggest of these. Although he didn't think of himself as a singer, and was an average nondescript vocalist at best, he was persuaded to record as a solo artist. 
 

 

 

In mid-1962, he ended up with his one and only hit under his own name, "Shout Shout (Knock Yourself Out)." A fun if extremely basic rocker that used the same chord pattern that anchored Dion hits like "Runaround Sue" and added the dance-rock energy of bands like Joey Dee & the Starliters, it made number six. 

Maresca made an album in 1962, and continued to record, without success, for Seville through 1965 and then for Laurie during the remainder of the 1960s. He kept on writing for plenty of artists, too (often on the Laurie roster), and in that capacity had some modest hits with Reparata & the Delrons ("Whenever a Teenager Cries"), Bernadette Carroll ("Party Girl"), and Jimmie Rodgers ("Child of Clay," co-written with Jimmy Curtiss).

 

While some of his songs for Dion were classics, Maresca was a limited songwriter, many of his compositions limited to variations (or replicas) of the ascending, circular basic doo wop chord structures heard on Dion's "Runaround Sue," "The Wanderer," "Lovers Who Wander," and "Donna the Prima Donna." By the 1970s he was head of Laurie Records' publicity department, which concentrated on reissuing the label's catalog, and as of 2000 was working as a consultant to EMI and administrator for Laurie's publishing.  

Despite the success of Shout Shout stateside, little happened for the song on the other side of the Atlantic.  This changed dramatically when in 1982, twenty years after its initial success, a cover by British retro-band Rocky Sharpe & The Replays broke into the UK Top 20 singles charts. The renewed activity on the song led to a further cover later that same year - a French lyric version entitled Chante by Les Forbans. The French recording exploded onto the European scene, far outselling both its English counterparts. An official list of France’s best selling singles of all time broadcast in 2004 placed Les Forbans’ Chante at #8, not bad going for the kid from the Bronx who by his own estimation “couldn’t sing”.

(Info mainly edited from All Music & Wikipedia. *Some sources give 21 August as birthdate)

Johnny Fuller born 20 April 1929

                 

Johnny Fuller (April 20, 1929 – May 20, 1985) was an American West Coast and electric blues singer and guitarist.  Fuller showed musical diversity, performing in several musical genres including rhythm and blues, gospel and rock and roll. His distinctive singing and guitar playing appeared on a number of 1950s San Francisco Bay Area recordings. 

Johnny Fuller was born in Edwards, Mississippi, but moved to
Vallejo, California with his parents as a young child. As a child, he taught himself to play guitar and by his teenage years, he formed a gospel group known as the "Gold West Gospel Singers." By the early 1950's, he began recording for the Heritage Record label in Oakland, California. During this time, he taught himself to play the piano and the organ.  

Fuller recorded for a number of independent record labels, sometimes those associated with Bob Geddins. These included Hollywood, Flair, Specialty, Aladdin, Imperial and Checker Records. His debut recording was made in 1948 on the obscure Jaxyson record label, with a couple of gospel based songs. In 1954, he began a regular recording career which lasted until 1962. Fuller recorded twenty sides in 1954 alone for Geddins. 

 

 

  

Fuller had local hits with his singles "All Night Long" and the original version of "Haunted House," the latter of which was written and produced by Geddins. Fuller's ability to switch styles, saw him appear in late 1950s rock and roll package tours, performing on the same bill as Paul Anka and Frankie Avalon.

While touring with these acts, he found time to record for the Aladdin and Rhythm Record labels. However, this same factor lost his black audience, which left him neglected in the 1960s blues revival. 
 

During the 1960's, he toured Europe and continued touring throughout the United States. By the 1970's, however, Fuller was limited to performing in local venues around the Oakland, California area. In 1974, Fuller issued his debut album, Fuller's Blues which was well received, but saw little commercial success. Fuller played at the San Francisco Blues Festival in 1973 and 1977.

He latterly worked as a mechanic in a local garage from 1968 to 1983 yet continued performing in the Oakland area during the 1980's. He died from lung cancer in Oakland, California, in May 1985, at the age of 56. (Info edited from Wikipedia & Findagrave)

Alan Price born 19 April 1942

Alan Price (born 19 April 1942, Fatfield, Washington, County
Durham) is an English musician, best known as the original keyboardist for the British band The Animals and for his subsequent solo work. 

Playing piano from an early age and graduating to the organ (not to mention guitar and bass), Alan Price played with a variety of bands in his native North East, including  The Pagans, The Kansas City Five, The Black Diamonds, and The Kontours. 

1961 saw him establish his own band – The Alan Price Rhythm and Blues Combo – which by 1964 had been rechristened The Animals. Featuring Eric Burdon  they would enjoy success on both sides of the Atlantic, notably with the single, “House of The Rising Sun” - with Price’s characteristic keyboard sound to the fore.

 

Internal tensions within the group would see Price depart in 1965, ostensibly due to a dislike of flying. Forming a new Combo, line-up changes then saw The Alan Price Set sign with Decca Records. Their debut album came out in 1966. The Price To Play was a fine mix of R&B and pop. Price wasn't as powerful a vocalist as Burdon, but to be honest he wasn't far off, with a quite similar voice. His use of a three-piece horn section gave him access to some excellent arrangements, with his signature organ remaining the featured instrument. 

 

 

 

 

 During 1966, he enjoyed singles success with "I Put a Spell on You", which reached No. 9 in the UK singles chart, and "Hi-Lili, Hi-Lo", which reached No. 11 in the same chart. In 1967 the Randy Newman song "Simon Smith and His Amazing Dancing Bear", reached No. 4 in the chart as did his self penned song, "The House

That Jack Built". "Don't Stop the Carnival" followed in 1968 and rose to No. 13 in the UK singles charts. 

Price went on to host shows such as the musical Price To Play in the late 1960s, which featured Price performing and introducing the music of guests such as Fleetwood Mac and Jimi Hendrix. 

Going under his own name from 1968, Price also teamed up on record with Georgie Fame for tracks such “Rosetta” which became a Top 20 hit (1971), reaching No. 11 in the UK Singles Chart. An album followed Fame and Price, Price and Fame Together. During this period Price and Fame secured a regular slot on The Two Ronnies show produced by BBC Television also appearing on the Morecambe and Wise Show.  

1973 then saw him deliver a soundtrack album for (and appear in) the Lindsay Anderson film “O Lucky Man!” (featuring the fine single, “Changes”), before recording something of a lost gem in the form of his album, “Between Today and Yesterday”(1974) from which the single "Jarrow Song" was taken, returning Price to the UK singles chart at number 6.

Price participated in three reunions of The Animals between 1968 and 1984. In July 1983, The Animals started their last world tour. Price's solo performance of "O Lucky Man" was included in their set. In 1984, they broke up for the final time and the album Rip It To Shreds – Greatest Hits Live was released, comprising recordings from their concert at Wembley Stadium in London. 

Price recorded two albums with the Electric Blues Company featuring guitarist and vocalist Bobby Tench and keyboardist Zoot Money, the first Covers was recorded in 1994. A Gigster's Life for Me followed in 1996 and was recorded as part of Sanctuary's Blues Masters Series. 

In 2009 Price was touring the UK with his own band and others including the Manfreds, Maggie Bell and Bobby Tench. 2010 meanwhile saw Alan appear in the acoustic tent at the Glastonbury Festival and he was involved in a different reunion the following year, with the Alan Price Set playing the Meltdown Festival in London at the instigation of guest curator. 

In 2015 he is still performing regularly, including his long-standing monthly slot at The Bull's Head, Barnes in London. (Info mainly edited from Wikipedia & Properganda online).