Sophie Tucker (January 13, 1886* – February 9, 1966) was a Ukrainian-born American singer, comedian, actress, and radio personality. Known for her powerful delivery of comical and risqué songs, she was one of the most popular entertainers in America during the first half of the 20th century. She was widely known by the nickname "The Last of the Red Hot Mamas".
She was born Sonia Kalish to a Jewish family in Tsarist
Russia. Her family emigrated to the United States when she was an infant, and
settled in Hartford, Connecticut. The family changed its name to Abuza, and her
parents opened a restaurant.
She started singing for tips in her family's restaurant. In
1903, at the age of 17, she was briefly married to Louis Tuck, from which she
decided to change her name to "Tucker." (She would marry twice more
in her life, but neither marriage lasted more than five years.)
Tucker played piano and sang burlesque and vaudeville tunes,
at first in blackface. She later said that this was at the insistence of
theatre managers, who said she was "too fat and ugly" to be accepted
by an audience in any other context. She even sang songs that acknowledged her
heft, such as "Nobody Loves a Fat Girl, But Oh How a Fat Girl Can
Love." Not content with performing in the simple minstrel traditions,
Tucker hired some of the best African American singers of the time to give her
lessons, and hired African American composers to write songs for her act.
Tucker made her first appearance in the Ziegfeld Follies in
1909, but didn't last long there because Florenz Ziegfeld's other female stars
soon refused to share the spotlight with the popular Tucker. William Morris,
the founder of the William Morris Agency booked Tucker fresh off her Follies
debut at his new American Music Hall. At a 1909 appearance, the luggage
containing Tucker's makeup kit was stolen shortly before the show, and she
hastily went on stage without her customary blackface. Tucker was a bigger hit
without her makeup than with it, and, at the advice of Morris, she never wore
blackface again.
Tucker made several popular recordings. They included
"Some of These Days," which came out in 1911 on Edison Records. The
tune, written by Shelton Brooks, was a hit, and became Tucker's theme song.
Later, it was the title of her 1945 autobiography.
In 1921, Tucker hired pianist and songwriter Ted Shapiro as
her accompanist and musical director, a position he would keep throughout her
career. Besides writing a number of songs for Tucker, Shapiro became part of
her stage act, playing piano on
stage while she sang, and exchanging banter and wisecracks with her in between numbers. Tucker remained a popular singer through the 1920s, and hired stars such as Mamie Smith and Ethel Waters to give her lessons.
stage while she sang, and exchanging banter and wisecracks with her in between numbers. Tucker remained a popular singer through the 1920s, and hired stars such as Mamie Smith and Ethel Waters to give her lessons.
In 1925, Jack Yellen wrote one of her most famous songs,
"My Yiddish Momme". The song was performed in large American cities
where there were sizable Jewish audiences. Tucker explained, "Even though
I loved the song and it was a sensational hit every time I sang it, I was
always careful to use it only when I knew the majority of the house would
understand Yiddish. However, you didn't have to be a Jew
to be moved by 'My Yiddish Momme.' 'Mother' in any language means the same thing." She also made the first of her many movie appearances in the 1929 sound picture Honky Tonk.
to be moved by 'My Yiddish Momme.' 'Mother' in any language means the same thing." She also made the first of her many movie appearances in the 1929 sound picture Honky Tonk.
In the 1930s, Tucker brought elements of nostalgia for the
early years of 20th century into her show. She was billed as The Last of the
Red Hot Mamas, as her hearty sexual appetite was a frequent subject of her
songs, unusual for female performers of the era. She made numerous popular film
appearances, including Broadway Melody of 1938. In that film, Tucker sings a
song during the big finale; even though she is playing a character and not
herself, several neon lights displaying her real name light up in the
background of the stage in tribute.





