Dick McDonough (July 30, 1904 – May 25, 1938) was an
American jazz guitarist and banjoist. He was best known for his duets with
guitarist Carl Kress.
McDonough began playing banjo and mandolin in high
school. An athlete, he played left-handed because, according to McDonough, that
was how he held his hockey stick. At Georgetown University,
he performed
professionally at weekend dances and two years later started a band. He
attended Columbia Law School after college and while there played with bands in
New York City.
he performed
professionally at weekend dances and two years later started a band. He
attended Columbia Law School after college and while there played with bands in
New York City.
McDonough played with Red Nichols in 1927 as a banjoist,
and soon after played with Paul Whiteman. He began studying the guitar, and
eventually was in demand for session work, recording with The Dorsey Brothers,
Red Nichols, and Miff Mole. In the 1930s, he performed in a duo with jazz
guitarist Carl Kress.
Other credits include session work with Mildred Bailey,
Smith Ballew, The Boswell Sisters, Rube Bloom, Chick Bullock, The Charleston
Chasers, Cliff Edwards, Gene Gifford, Benny Goodman, Adelaide Hall, Annette
Hanshaw, Billie Holiday, Baby Rose Marie, Glenn Miller, Irving Mills, Red
McKenzie, Johnny
Mercer, Red Norvo, Fred Rich, Adrian Rollini, Pee Wee Russell,
Ben Selvin, Artie Shaw, Frank Signorelli, Jack Teagarden, Claude Thornhill,
Frankie Trumbauer, Joe Venuti, Don Voorhees, and Ethel Waters. He played in the
Jam Session at Victor with Fats Waller, Bunny Berigan, and George Wettling.
Mercer, Red Norvo, Fred Rich, Adrian Rollini, Pee Wee Russell,
Ben Selvin, Artie Shaw, Frank Signorelli, Jack Teagarden, Claude Thornhill,
Frankie Trumbauer, Joe Venuti, Don Voorhees, and Ethel Waters. He played in the
Jam Session at Victor with Fats Waller, Bunny Berigan, and George Wettling.
A strong acoustic guitarist who emphasized chords in his
solos (influencing Marty Grosz decades later), Dick McDonough's alcoholism cut
short his life much too early. Despite a relatively short career, his influence
can be heard in a generation of jazz guitarists who learned from his complex
harmonies and syncopated rhythms. (Info mainly from Wikipedia)

