Cecil James McNeely (April 29, 1927 – September 16, 2018), better known as Big Jay McNeely, was an American rhythm and blues saxophonist. He was credited with being the most flamboyant performer out of the saxophone honkers. His wailing tenor saxophone and outrageous stage antics helped define the sound and sensibility of early rock ’n’ roll,
Cecil James McNeely was born the youngest of three boys,
in the Watts neighbourhood of Los Angeles. His father Dillard worked as a
porter on floating casino the SS Tango, moored off the coast of Santa Monica.
His mother Armonia was a Native American who made quilts sold on the ship. Both
played piano, but Cecil was impressed when his brother Bob brought home a tenor
saxophone. When Bob was conscripted during the war, he gave the instrument to
Cecil, who took lessons. More than anything, Cecil wanted to copy Illinois
Jacquet’s solo on the 1942 hit “Flying Home”, by Lionel Hampton and his
Orchestra.
McNeely started playing in bands in high school,
including a trio with the alto saxophonist Sonny Criss and the pianist Hampton
Hawes, both of whom would distinguish themselves as jazz musicians.
After Mr. McNeely’s unhinged appearance in an amateur night at a club in Watts, Johnny Otis, the renowned bandleader and talent scout, persuaded him to join his ensemble. Mr. Otis was then under contract to Savoy Records, whose owner, Herman Lubinsky, christened Mr. McNeely “Big Jay,” not because of his size — he was 5-foot-10 and of average build — but because of his outsize talent.
After Mr. McNeely’s unhinged appearance in an amateur night at a club in Watts, Johnny Otis, the renowned bandleader and talent scout, persuaded him to join his ensemble. Mr. Otis was then under contract to Savoy Records, whose owner, Herman Lubinsky, christened Mr. McNeely “Big Jay,” not because of his size — he was 5-foot-10 and of average build — but because of his outsize talent.
He teamed with his older brother Robert McNeely, who
played baritone saxophone, and made his first recordings with Otis, who ran the
Barrelhouse Club that stood only a few blocks from McNeely's home. Shortly
after he performed on Otis's "Barrel House Stomp." Ralph Bass,
A&R man for Savoy Records, promptly signed him to a recording contract.
McNeely's first hit was "The Deacon's Hop,” an instrumental which topped
the Billboard R&B chart in early 1949.
Big Jay McNeely performed for the famed fifth Cavalcade
of Jazz concert held at Wrigley Field in Los Angeles produced by Leon Hefflin,
Sr. on July 10, 1949. It was at this concert that McNeely and Lionel Hampton got
into a showdown that resulted in pillows being thrown along with other items.
His recording of "Blow Big Jay Blow" catapulted him into National
prominence. McNeely and
his Orchestra would come back to Los Angeles, to
perform at the eleventh Cavalcade of Jazz on July 24, 1955 along with Lionel
Hampton's Orchestra. The Medallions, The Penguins and James Moody would also be
featured that same day.
his Orchestra would come back to Los Angeles, to
perform at the eleventh Cavalcade of Jazz on July 24, 1955 along with Lionel
Hampton's Orchestra. The Medallions, The Penguins and James Moody would also be
featured that same day.
Best known for his acrobatics and daring in performance,
Mr. McNeely whipped up crowds by reeling off rapid sequences of screaming notes
while lying on his back and kicking his legs in the air. Other times he would
jump down off the stage and blow his horn while strutting his way through the
audience.
Thanks to his flamboyant playing, called
"honking," McNeely remained popular through the 1950s and into the
early 1960s, recording for the Exclusive, Aladdin, Imperial, Federal, Vee-Jay,
and Swingin' labels. But despite a hit R&B ballad, "There Is Something
on Your Mind," (1959) featuring Little Sonny Warner on vocals, and a 1963
album for Warner Bros. Records,
Big Jay married the singer, Jackie Day (Jacqueline
Baldain) on April 4th 1960. They recorded and toured together for many
years. At the time, rhythm and blues was
being eclipsed by smoother sounds from Motown and elsewhere, and the ’60s rock
culture would soon prize the electric guitar over the saxophone. In 1971, Big
Jay and Jackie both retired from the industry. Big Jay gave up the late nights
of the music business for the early mornings of being a postman, and Jackie
went on to do security and police work.
However, thanks to an R&B revival in the early 1980s,
McNeely left the post office and returned to touring and recording full-time,
usually overseas. In 1983, after two decades out of the limelight, Mr. McNeely
staged a comeback. He toured and recorded into the 21st century. He released
the album “Blowin’ Down the House: Big Jay’s Latest and Greatest” just months
before his 90th birthday in 2016.
A devout Jehovah Witness, Big Jay died in the Riverside
University Health System Medical Centre, Moreno Valley, California on September
16, 2018 of prostate cancer, at the age of 91.
His original tenor sax is enshrined in the Experience Music Project in Seattle, and he was inducted into The Rhythm and Blues Music Hall of Fame.
His original tenor sax is enshrined in the Experience Music Project in Seattle, and he was inducted into The Rhythm and Blues Music Hall of Fame.
(Edited mainly from Wikipedia & the New York Times)
Here’s a clip of Big Jay McNeely performing "Deacon's Hop" with The Crown Vics. Mayne Stage in Chicago, IL. May 2012.






