Kay Thompson (born Catherine Louise Fink; November 9,
1909 – July 2, 1998) was an American author, singer, vocal arranger, vocal
coach, composer, musician, dancer and actress. She is best known as the creator
of the Eloise children's books and for her role in the movie Funny Face.

Thompson began her career in the 1930s as a singer and
choral director for radio. Her first big break was as a regular singer on the
Bing Crosby-Woodbury Show Bing Crosby Entertains (CBS, 1933–34). This led to a
regular spot on The Fred Waring-Ford Dealers Show (NBC, 1934–35) and then, with
conductor Lennie
Hayton, she co-founded The Lucky Strike Hit Parade (CBS, 1935) where she met (and later married) trombonist Jack Jenney. Thompson and Her Rhythm Singers joined André Kostelanetz and His Orchestra for the hit series The Chesterfield Radio Program (CBS, 1936), followed by It's Chesterfield Time (CBS, 1937) for which Thompson and her large choir were teamed with Hal Kemp and His Orchestra.
Hayton, she co-founded The Lucky Strike Hit Parade (CBS, 1935) where she met (and later married) trombonist Jack Jenney. Thompson and Her Rhythm Singers joined André Kostelanetz and His Orchestra for the hit series The Chesterfield Radio Program (CBS, 1936), followed by It's Chesterfield Time (CBS, 1937) for which Thompson and her large choir were teamed with Hal Kemp and His Orchestra.
As a singer, Thompson made very few records, starting
with one side, "Take a Number from One to Ten", on a 1934 session by
the Tom Coakley band. In 1935, she recorded four sides for Brunswick ("You
Hit The Spot", "You Let Me Down," "Don't Mention Love To
Me," and "Out of Sight, Out of Mind"), and another four sides
for Victor. The 4 Brunswick sides are excellent examples of mid-1930's
sophisticated New York cabaret singing.
For her motion picture debut, Thompson and her choir performed two songs in the Republic Pictures musical Manhattan Merry-Go-Round (1937). In 1939, she reunited with André Kostelanetz for Tune-Up Time (CBS), a show that was produced by radio legend William Spier (who later married Thompson in 1942). On an instalment of Tune-Up Time in April 1939, 16-year-old Judy Garland was a guest. It was at this time
that Thompson first met and worked with Garland, developing a close personal friendship and professional association that lasted the rest of Garland's life.
For her motion picture debut, Thompson and her choir performed two songs in the Republic Pictures musical Manhattan Merry-Go-Round (1937). In 1939, she reunited with André Kostelanetz for Tune-Up Time (CBS), a show that was produced by radio legend William Spier (who later married Thompson in 1942). On an instalment of Tune-Up Time in April 1939, 16-year-old Judy Garland was a guest. It was at this time
that Thompson first met and worked with Garland, developing a close personal friendship and professional association that lasted the rest of Garland's life.
In 1943 Thompson signed an exclusive contract with MGM to
become the studio's top vocal arranger, vocal coach, and choral director. She
served as main vocal arranger for many of producer Arthur Freed's MGM musicals
and as vocal coach to such stars as Judy Garland, Lena Horne, Frank Sinatra,
and June Allyson. Some of the many MGM musicals Thompson was the vocal arranger
for include Ziegfeld Follies (1946), The Harvey Girls (1946), Till the Clouds
Roll By (1946), Good News (1947), and The Pirate (1948).
Thompson left MGM in 1947 after working on The Pirate to
create the night club act "Kay Thompson and the Williams Brothers",
with the four Williams men as her backup singers and dancers. They made their
debut in Las Vegas in 1947 and became an overnight sensation. Within a year,
they were the highest paid nightclub act in the world, breaking records
wherever they appeared. She wrote the songs and Robert Alton did the original
choreography for the act.
Thompson, who lived at the Plaza Hotel in New York City,
became most notable as the author of the Eloise series of children's books. The
books have been speculated to be partly inspired by the antics of her
goddaughter Liza Minnelli, daughter of Judy Garland and film director Vincente
Minnelli, though when asked if this was true, Thompson responded, "I am
Eloise."
She later recorded for Capitol, Columbia, Decca, and,
most importantly, for MGM Records, which issued her only complete album of
songs, in 1954. In February 1956, Thompson wrote and recorded the song "Eloise"
at Cadence Records with an orchestra
conducted by Archie Bleyer. The song debuted on March 10, 1956, and became a Top 40 hit, selling over 100,000 copies.
conducted by Archie Bleyer. The song debuted on March 10, 1956, and became a Top 40 hit, selling over 100,000 copies.
As a film actress, Thompson played one major role only:
that of fashion editor Maggie Prescott in the musical Funny Face (1957).
Reunited with her colleagues from MGM, producer and songwriter Roger Edens and
director Stanley Donen, Thompson garnered critical praise for her stylish turn
as an editor based on real-life Harper's Bazaar editor Diana Vreeland, opening
the film with her splashy "Think Pink!" and performing duets with
Astaire and Hepburn.
In 1962 Kay served as creative consultant and vocal
arranger for Judy Garland's legendary TV special with Frank Sinatra and Dean
Martin, and kept busy with various nightclub/TV performances of her own until
she decided to leave the limelight. It was fashion icon Halston who lured Kay
out of her self-imposed retirement for a time in the 1970s in order to stage
his runway shows.
She eventually moved into Minnelli's Upper East Side penthouse and, contrary to her larger-than-life persona, grew quiet and reclusive with the last decade pretty much confined to a wheelchair. She died at the penthouse on July 2, 1998 at age 88. (Edited mainly from Wikipedia)