Conrad Yeatis "Sonny" Clark (July 21, 1931 –
January 13, 1963) was a pianist who was a wonderful accompanist and gifted
writer, admired especially for his amazing right-hand lines and incredible
rhythmic drive.
Clark was born and raised in Herminie, Pennsylvania, a
coal mining town east of Pittsburgh. His parents were originally from Stone
Mountain, Georgia. His miner father, Emery Clark, died of a lung disease two
weeks after Sonny was born. Sonny was the youngest of eight children. At age
12, he moved to Pittsburgh.
Hearing the music of Art Tatum, Fats Waller, Cout Basie,
and Duke Ellington on the radio, he fell in love with jazz. Attending high school in Jeanette he played
bass and vibes with his high school band and also performed as a piano soloist.
He performed professionally around Pittsburgh while still in school. At age 15 Sonny appeared on the bill of the
historic “Night of the Stars” Concert held at the Syria Mosque to celebrate the
music of Pittsburgh’s jazz superstars.
Presented by the Frog Club and the Pittsburgh Courier on August 7, 1946
the show featured an all star cast of legendary Pittsburgh pianists Earl Hines,
Mary Lou Williams, Billy Strayhorn, and Erroll Garner and jazz greats Billy
Eckstein, Roy Eldridge, Maxine Sullivan, Ray Brown, Louis Deppe and more.


Settling in New York in 1957 he worked dates with West
Coast jazz artists including two weeks at Birdland with Stan Getz and a weekend
with Anita O'Day. Switching from West
Coast Jazz to Hard Bop Sonny quickly became a requested sideman playing with hard
bop players John Coltrane, Dextor Gorden, Kenny Burrell, and more. He began
recording on the prestigious Blue Note label at age 26. Sonny recorded 29 Blue
Note sessions as a band leader and a sideman.
He made 17 recordings in 1957 including five album recordings for Blue
Note. His first recording as a band
leader was “Dial S for Sonny” released in 1957. His second release in 1957 was
“Sonny‘s Crib” that featured a band comprised of John Coltrane and Paul
Chambers. The album Sonny Clark Trio with Paul Chambers Philly Joe Jones was
also released in 1957.
The classic “Cool Struttin’ album and the “Standards”
albums were released in 1958. Critic
Thom Jurek of Allmusic.com calls the title tract “Cool Struttin: “one of the
preeminent swinging medium blues pieces in jazz history.” The album “My Conception” featuring
tenor
saxophonist Hank Mobley was released in 1959.
The “Sonny Clark Trio” album with George Duvivier and Max Roach was
released in 1960. His last album
“Leapin' and Lopin” released in 1961 featuring four song composed by Clark
includes the classics tracts “Vodoo” and “Something Special”. Writer Michael G. Nastos of Allmusic.com
calls “Leapin and Lopin” one of the definitive recording for all time in the
mainstream jazz idiom.

In 1962 Sonny performed with Dexter Gordon on two of his
classic Blue Note albums “Go” and “A Swinging Affair”. He was Gorden’s favourite piano
accompanist. Sonny also recorded in
1962 the albums Blue and Sentimental and Easy Living with Ike Quebec, Born to be Blue and Nigeria with Grant Green, the Jackie McLean Quintet and Tipping' the Scales with Jackie McLean, and Jubliee Shout with Stanley Turrentine.
1962 the albums Blue and Sentimental and Easy Living with Ike Quebec, Born to be Blue and Nigeria with Grant Green, the Jackie McLean Quintet and Tipping' the Scales with Jackie McLean, and Jubliee Shout with Stanley Turrentine.
Sonny died of a heart attack on Sunday, January 13, 1963
at the age of 31. He had been in poor health due to his heroin and alcohol
addictions. Sonny played his last gigs
two nights before his death on January 11 and 12 at Junior’s Bar on at the
Alvin Hotel on Fifty-second and Broadway.
Jazz patron, Baroness Pannonica de
Koenigswarter who was also Sonnys
friend, phoned Clark’s older sister in Pittsburgh to tell her of her brother’
passing. The baroness paid to transport
Sonny’s body back to Pittsburgh and paid for his funeral. Sonny’s grave lies in the Greenwood Cemetery
in Sharpsburg, PA. Regarded as the
quintessential hard bop pianist, Clark never got his due before he passed away,
despite the fact that it can be argued that he never played a bad recording
date either as a sideman or as a leader.
(Edited from Sound Projections)
