William James Finegan (3 April 1917 – 4 June 2008) was an
American jazz bandleader, pianist, arranger, and composer. He was an arranger
in the Glenn Miller Orchestra in the late 1930s and early 1940s. He later
traded in commercial success to co-create the Sauter-Finegan Orchestra, which
produced music that still stands as some of the most experimental of the swing
era.

Born in Newark, New Jersey, Finegan grew up in a household
full of piano players. While growing up in Rumsen, NJ he studied piano with
Elizabeth Connelly, piano and musicianship with flautist/alto saxophonist
Rudolph John Winthrop (1883–1959), himself a student of Engelbert Humperdinck.
He spent time studying at the Paris Conservatory and had his first professional
experience leading his own piano trio.
Finegan was offered a job as a staff arranger for Glenn
Miller after Tommy Dorsey bought a copy of his "Lonesome Road" and
recommended him. Between 1938 and 1942 Finegan wrote more than 300 arrangements
for Miller, including some of the band's
biggest hits: the classic “Little
Brown Jug,” “Sunrise Serenade” and “Song of the Volga.” Finegan also wrote
arrangements for the films “Sun Valley Serenade” in 1941 and “Orchestra Wives”
in 1942, and had begun a lifelong profession as a teacher.

He composed "Down For The Count",
"Conversation Piece", "Are Ya Jumpin' Jack?", recorded by
Glenn Miller and his Orchestra, "Doodletown Fifers", "Tweedle
Dee and Tweedle Dum", "Doodletown Races", "Yankee
Doodletown", "Pussy Willow", "Bingo, Bango, Boffo",
"Hollywood Hat", "Piccalilli Dilly", "Church
Mouse", "Alright Already", "Texas Tex", recorded by
Tex Beneke and the Glenn Miller Orchestra in 1946, "Child's Play",
and "Tail End Charlie" which was released by Glenn Miller and his
AAFTC Orchestra as a V-Disc, no. 144A, in March, 1944.
Finegan also arranged music for films in which the band
appeared, such as Sun Valley Serenade (1941) and Orchestra Wives (1942). He
then worked off and on for Tommy Dorsey from 1942 to 1952, including on the
1947 film The Fabulous Dorseys.
In 1947-48 Finegan studied with Stefan Wolpe in NYC, and
lived in Europe from 1948-1950 where he studied with Darius Milhaud and Valerie
Soudere, a pianist and composer who premiered Bartók's 3rd Piano Concerto in
Paris. After returning to the United States, Finegan and Eddie Sauter formed a
highly successful ensemble, the Sauter-Finegan Orchestra, in 1952 which
remained active until 1957.
His composition "Doodletown Fifers" was one of the
Sauter-Finegan Orchestra's best-known originals. Following this Finegan found
work in advertising, writing music for commercials. In the 1970s he arranged
for the Glenn Miller Orchestra and Mel Lewis's
orchestra. In 1985, four years
after Sauter's death, Finegan directed a 30-year reunion of the Sauter-Finegan
band in concert at the University of Bridgeport in Connecticut.

He taught jazz at the University of Bridgeport in the 1980s.
He wrote arrangements for cornetist Warren Vaché (with the Scottish String
Ensemble) in 2004, and the vocal group Chanticleer. He was revered and
befriended in his later years by many sensitive musicians such as Bob
Brookmeyer and Ruby Braff. Although he was immobilised for the last 20 years or
so of his life by continuous pain in his spine, he continued to write and teach
music.
His last composition included arrangements for Warren
Vache's “Don't Look Back” and for the Gotham Wind Symphony in 2007. Bill
Finegan died on Wednesday, June 4, 2008, in Bridgeport, Connecticut at the age
91 from pneumonia. (Info various mainly Wikipedia)