Billy Williams (December 28, 1910 – October 17, 1972) was
an African-American singer.
Born Wilfred Williams in Waco, Texas, Williams became the
lead singer of the Harmony Four. This singing quartet was formed by Howard
Daniel at Wilberforce College in central Ohio during 1930. This group began
with traditional gospel music but eventually became The Charioteers.
They soon made the jump to network radio with Bing Crosby
and
others. Bit parts in movies followed, as did records-first with Decca and
Vocalion, and finally a long term deal with Columbia Records (on both the
parent label and its affiliate Okeh). By the early and mid 1940s they
specialized in pop and jazz standards with tenor lead by Billy and smooth
harmonies by the rest of the group.

In 1947 they had their own top ten seller in everybody's
big song of the year with "Open The Door Richard" and followed that
with their cover of other artists songs of the time. One final chart hit for
The Charioteers came in 1949; the version of the song "A Kiss And A Rose."
By late 1949 after close to two decades as the front man for the group Billy
Williams decided to call it quits with The Charioteers and form a new vocal
quartet and give himself more of a say in matters musical and financial. The
Charioteers lost their leader and also the long association with Columbia and
were seldom heard from again.

The new foursome was the self named Billy Williams
Quartet who landed a guest spot on the television weekly called "The
Admiral Saturday Night Revue" for the NBC television network. In May of
1950 MGM Records signs the group to its label and soon has appearances at New
York's Roxy Theatre and Blue Angel nightclub and they land a spot on the Henry
Morgan radio show. In
September the quartet is signed on as a regular feature
of a revamped Saturday Night Revue show called "Your Show Of Shows"
to star Sid Caesar and Imogene Coca for NBC.

They become one of the first Black performers to have a
regular spot on a network variety show, and used a memorable opening with a dramatic
line-up by the group as they led into their songs. Their television exposure
helps the group as they spend the summer of 1951 doing an extended and well
received stay in Los Angeles at the Tiffany Club. The quartet also has their
first charted record during the summer with "Shanghai" on MGM records
that is a top twenty seller. As they begin their second year on the NBC tv
show, their cover of the Four Aces "Sin" hits the pop charts.
During the 50’s the group also made some notable recordings on the Mercury and Coral labels, but by 1957 the quartet was no more. Billy hung on trying to make it as a solo performer without much luck until he unearthed a tune written in 1936 called "I'm Gonna

The record was huge, and it was at the right time for
Billy to make history when he became the very first guest on the national
telecast of American Bandstand. Summing up his life at that point, to Dick
Clark's question of what was keeping him busy Williams answered slyly "oh
yeah !" And so Billy Williams had done that very special characteristic of
entertainers-the re-invention of oneself. He followed up his huge and
unexpected success with similar attempts including "Got A
date With An
Angel" and "Nola." Both
charted briefly, and once again Billy Williams was adrift in the world of pop
music. He kept at it even though such releases as "Good Night Irene"
and "Begin The Beguine" went nowhere. A duet with budding songstress
Barbara McNair also disappeared. And soon so did Billy Williams who became a
fifties memory throughout the sixties.

Sadly, Billy Williams faded into obscurity and in the
early 1960s he lost his voice due to complications from diabetes. His final
years were spent living in donated quarters in Chicago, where he did
social
work, contributing to a model cities project and helping alcoholics. This man
whose vocal talents were featured for three decades unfortunately came to an
inglorious end. In October of 1972 at the age of 61, he passed away.

The city authorities could not find anyone to claim the
body or to provide for a decent burial. He deserved better. But luckily for us, we have the music. From
the soaring tenor singing of The Charioteers, to the dramatic vocals of the
Billy Williams Quartet, to the playful oldies of his solo days, Billy Williams was a true American original.
Remember his music, and most of all, remember him.
(Info from various sources, but mainly edited from “The
Charioteers, The Quartet, and Billy Williams” by J.C.Marion)
Here's a vintage clip from The Charioteers
Here's a vintage clip from The Charioteers