William Henry Webb, usually known as Chick Webb (February 10, 1905*–June 16, 1939) was an American jazz and swing music drummer as well as a band leader.
William Henry Webb (Chick Webb) was born in Baltimore,
Maryland in 1909. Afflicted at birth with spinal tuberculosis which left him in
poor health for his entire life, Chick was a small, hunchback of a man who
possessed an “unconquerable spirit” and an astounding musical talent. For many
jazz fans, Chick remains arguably the greatest jazz drummer to have ever played
the instrument. Yet it was only by a quirk of fate that Chick even came to play
the drums.
The idea of playing the instrument was suggested to him
by his doctor as a way to “loosen up” his stiffened limbs. By saving money
earned through delivering papers, Chick soon secured a drum set and by the age
of seventeen, was playing in New York nights clubs such as the Black Bottom and
the Paddock Club.
These early jobs were secured for him through the efforts of
Duke Ellington who instantly recognized Chick’s talent. It was Ellington who
encouraged Chick to form a quintet aptly called the “Harlem Stoppers.” The name
was probably derived from Chick’s own hard driving style on the drums as the
quintet’s leader. Later, this quintet would evolve into one of the most feared
“swing” bands in New York -- The Chick Webb Orchestra.
In 1931, his band became the house band at the Savoy Ballroom. He became one of the best-regarded bandleaders and drummers of the new "swing" style. Drummer Buddy Rich cited Webb's powerful technique and virtuoso performances as heavily influential on his own drumming, and even referred to Webb as "the daddy of them all". Webb was unable to read music, and instead memorized the arrangements played by the band and conducted from a platform in the centre. He used custom-made pedals, goose-neck cymbal holders, a 28-inch bass drum and other percussion instruments.
Although his band was not as influential, it was feared in the battle of the bands. The Savoy often featured "Battle of the Bands" where Webb's band would compete with other top bands, such as the Benny Goodman Orchestra or the Count Basie Orchestra. By theend of the night's battles the dancers seemed always to have voted Webb's band as the best. Webb lost to Duke Ellington in
Chick Webb - Artie Shaw - Duke Ellington
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Chick Webb’s already mythical reputation was given even
greater stature when he replaced his long-time vocalist Charles Linton with a
then relatively unknown singer by the name of Ella Fitzgerald. Jazz legend has
it that Ella “snuck” into Chick Webb’s dressing room in order to convince him
to take her into his bed. But legends notwithstanding, Ella did become Chick’s
lead vocalist. And Ella, called adoringly by fans and musicians, “The First
Lady of Swing,” always acknowledged Chick Webb as her “first and foremost”
influence.
Together, Chick and Ella, would electrify the Swing era
of jazz with hits such as "A-Tisket a Tasket," which was composed by
Ella to cheer Chick up while he was ill. And while this and other great tunes
recorded by these artists are well-known, Chick’s early work -- some say his
most impressive solos -- was regrettably poorly captured by recording
technology ill suited for Chick’s immense talent. But one of Chick’s hit tunes
“Stompin’ at the Savoy” gives contemporary jazz fans some hint of the power of
Chick Webb and his Orchestra.
In 1938, Chick Webb’s health began to fail him. This was
mostly due to Chick’s chronic spinal condition and his insistence that he and
his orchestra would only perform at the height of their talents for their fans.
Often it was said that Chick played with such power that he was physically
exhausted when he left the bandstand. Finally, he had a major operation at
Johns Hopkins Hospital in Baltimore in 1939. Webb died from spinal tuberculosis
on June 16, 1939, in Baltimore. Reportedly his last words were, "I'm
sorry, I've got to go." He was 34 years old. Webb was buried in Baltimore
County, in Arbutus Memorial Park, in Arbutus, Maryland.
For awhile, Ella Fitzgerald carried on Chick’s tradition when she became one of the first female bandleaders. But soon the orchestra became too much for Ella to handle. Finally, the band went under. But not after it left a jazz legacy that has been recognized by such jazz greats as Buddy Rich, Louis Bellson, Art Blakely, and Duke Ellington.
For awhile, Ella Fitzgerald carried on Chick’s tradition when she became one of the first female bandleaders. But soon the orchestra became too much for Ella to handle. Finally, the band went under. But not after it left a jazz legacy that has been recognized by such jazz greats as Buddy Rich, Louis Bellson, Art Blakely, and Duke Ellington.
(Edited from Wikipedia and a Bio by Amin Sharif)
(* some sources state birth year as 1909)
(* some sources state birth year as 1909)
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For “Chick Webb - Stompin' at the Savoy” go here:
https://www.upload.ee/files/9549297/Chick_Webb-Savoy_Stompin_.rar.html
1. Stompin' At The Savoy
2. Let's Get Together
3. If Dreams Come True
4. On The Sunny Side Of The Street
5. Blue Minor
6. Don't Be That Way
7. What A Shuffle
8. Blue Lou
9. Down Home
10. Go Harlem
11. Sing Me A Swing Song And Let Me Dance
12. Clap Hands, Here Comes Charley!
13. Strictly Jive
14. Rock it For
15. Harlem Congo
16. I Want Be Happy
17. Midnite In A (Midnite In Harlem)
18. A-Tisket, A-Tasket
19. Azure
20. Spinnin' The Webb
21. Liza, All The Clouds'll Roll Away
22. Who Ya Hunchin'?
23. Undecided
24. 'Tain't What You Do, It's The Way That You Do It
25. In The Groove At The Grove
AllMusic Review by John Bush
Diminutive fireball Chick Webb led the most explosive swing band of the '30s, and though the group was far too active to enter the studio as much as they deserved, it's easier to sum up their recordings with a single disc. (In fact, the completist Classics series needed only two volumes to sum up Webb's decade behind the drums of his own band.) ASV/Living Era's wrap-up, titled Stompin' at the Savoy, does justice to his legacy with nearly every prime side: "Harlem Congo," "Clap Hands! Here Comes Charlie," "Blue Minor," "Liza (All the Clouds'll Roll Away)," "Sing Me a Swing Song (And Let Me Dance)," and "A-Tisket, a-Tasket" (the latter was a breakout commercial hit for not only Webb but his girl singer, Ella Fitzgerald).
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