Joe Marsala born 4 January 1907

Joseph Francis Marsala (January 4, 1907 – March 4, 1978) was an Italian-American jazz clarinetist and songwriter. His younger brother was trumpeter Marty Marsala and he was married to jazz harpist Adele Girard. 

He was born in Chicago, Illinois. Primarily self-taught, Joe and his brother Marty hung out in the early 1920s behind the clubs on the south side of Chicago listening to and absorbing the music called jazz. In the 1920s, Marsala freelanced in clubs in his hometown with Ben Pollack and Wingy Manone.  After moving to New York City, he recorded and performed with Manone in the 1930s. 

Marsala is notable as one of the early employers of drummers Buddy Rich and Shelley Manne, jazz harpist Adele Girard whom he later married, guitarist Charlie Byrd, pianist Gene DiNovi and trumpeter Neal Hefti. Other early band members were trumpeter brother Marty, pianist Joe Bushkin, guitarists Eddie Condon, Jack Lemaire, Carmen Mastren, and bassist Artie Shapiro. Jazz critic and pianistLeonard Feather, among others, gives him a good deal of credit for breaking down race segregation in jazz when he hired trumpeter Henry "Red" Allen in 1936. 

In the early 1940s Marsala invited many fine African American musicians to sit in on his Sunday jam sessions at the Hickory House, trumpeter Clarence “Hot Lips “Page, saxophonist Coleman Hawkins, vibraphonist Lionel Hampton, drummer Zutty Singleton, and pianist Fats Waller were a few. Marsala's earliest friendships in Chicago from neighbours to the back alleys of the south side to his earliest recording sessions were peopled with African Americans whom he respected as the first and finest of jazz musicians. Hiring and inviting these musicians to display their talents with his band was just something that came naturally to Joe, it wasn't done for effect or to impress. 

                             

Marsala's own playing was rich and graceful, owing a lot to one of his idols, Jimmie Noone. Benny Goodman once said that he "would feel more like the king of swing if he had a lower register like Joe Marsala." 

In 1959 Louis Armstrong said of Joe that he was "one of the finest clarinetists around." Although usually thought of as a "dixielander" along with Eddie Condon, Marsala was more adventurous: in the 1940s he used Dizzy Gillespie on a recording session, for instance. He also cut some very modern sounding sides with guitarist/composer Chuck Wayne. 

That said, he did have some difficulties adjusting to the bebop era; he simply preferred traditional and swing styles to the newer cool jazz. By 1949 helargely retired from performing and partly switched to writing songs in the genre now called classic pop. Among these songs was the hit Don't Cry, Joe (Let Her Go, Let Her Go, Let Her Go), recorded by Frank Sinatra in 1949. The song led friends to the unfounded fear his marriage to Adele Girard was over when in fact it was written for GIs returning from WW2 only to find that girlfriends had married other guys. He also wrote And So to Sleep Again with lyric help from Sonny Skylar and which was recorded by Patti Page in 1951. 

A friendship with Jack Gordon who worked for RCA Records led Joe to teaching Jack's son Bobby the finer points of the clarinet. Bobby became Joe's protégé and Joe worked on Bobby's behalf to make him known by showing him the ropes in the jazz world, introducing him to well known musicians and producing his first records for Decca, "Warm And Sentimental" and "Young Man's Fancy." Joe was particularly proud of his accomplishments as teacher, friend and mentor to Bobby Gordon. Gordon, for his part has played Marsala songs on a number of his recordings on “Bobby Gordon Plays Joe Marsala, Lower Register" for Arbors records in 2007, as well as featuring Marsala's wife Adele in her final session also for Arbors in 1992, "The Bobby Gordon Quartet Featuring Adele Girard Marsala, Don't Let It End." 

According to his wife, Adele, in his early years Joe Marsala suffered from an allergy to nickel and had a constant irritating rash on his hands from contact with the nickel plated keys on the clarinet. He was also somewhat plagued by colitis and was unable to drink alcohol for a time; an operation in 1945 cured that condition. Though his younger brother Marty was drafted, Joe was an unacceptable candidate for WWII because of cartilage and ligament tears resulting in "water on the knee." To make up for that Joe and Adele entertained stateside for the USO during the war years. 

His last recording session was on July 3, 1970 with Louis Armstrong at the Shrine Auditorium in Pasadena California. A lifelong smoker, Joe died in Santa Barbara, California of cancer on March 4, 1978. 

(Edited from Artists Direct & Wikipedia)