Tuesday 25 January 2022

Benny Golson born 25 January 1929

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. 

Benjamin Golson grew up in Philadelphia where, as a teenager, he played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. 

After graduating from Howard University, which had a conservative music program that insisted on Golson playing clarinet, he left in 1951 to play in guitarist Tiny Grimes’ group. Next he joined Bull Moose Jackson’s R&B band where he became friends with his idol, Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time. From 1953 Golson played with Dameron's band. 

It was while he was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 that he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Dameron's band, had died in a car accident. Golson was so moved by the event that he composed the threnody "I Remember Clifford", as a tribute to a fellow musician and friend. In addition, many of Golson's other compositions have become jazz standards. Songs such as "Stablemates", "Killer Joe", "Whisper Not", "Along Came Betty", and "Are You Real?", have been performed and recorded numerous times by many musicians. 

                              

Golson also worked with the bands of Johnny Hodges, Earl Bostic and Dizzy Gillespie. From 1959 to 1962, Golson co-led the Jazztet with Art Farmer. Golson then immersed himself in studying composition and orchestrating and went to Hollywood in 1967 where he wrote commercials for products and companies from Borateem to Texaco, scored TV shows such as M*A*S*H, Mission Impossible, and The Partridge Family, and composed or arranged for musicians as diverse as Mama Cass and Itzhak Perlman. He also formulated and conducted arrangements to various recordings, such as Eric Is Here, a 1967 album by Eric Burdon, which features five of Golson's arrangements, conducted by Golson. 

As Golson was in demand as an arranger for film and television, he was less active as a performer, but during the mid-1970s, Golson returned to jazz playing and recording. In 1982, Golson re-organized the Jazztet with Art Farmer.Touring in Japan, Europe, and the United States, Golson impressed listeners with a sound that had harder edges as compared with his previous efforts. From the 1980s onward, Golson divided his time between the United States and Europe, and many of his recordings were first released on Japanese labels. 

Golson has been honoured with over a dozen doctorates, toured on behalf of the State Department, and has had his commissioned concerto for bass and chamber orchestra, “Two Faces,” performed at Lincoln Center. His compositions such as “Killer Joe,” “Stablemates,” and “Whisper Not” have become part of the jazz canon along with “I Remember Clifford” which was choreographed by Twyla Tharp and performed by her ballet company in 1995. He received a Guggenheim Grant in 1995, was given an American Jazz Masters Award by the NEA in 1996, and honoured at Lincoln Center in 2001 with a concert, “The Magic of Benny Golson.” 

Golson made a cameo appearance in the 2004 movie The Terminal, related to his appearance in "A Great Day in Harlem", a group photograph of prominent jazz musicians. Golson's song "Something in B Flat" (from the album Benny Golson's New York Scene) can be heard during the film and in a later scene, Golson's band performs "Killer Joe". 

In October 2007, Golson received the Mellon Living Legend Legacy Award, presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Additionally, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university's 37th Annual Jazz Concert in the Carnegie Music Hall. In November 2009, Golson was inducted into the International Academy of Jazz Hall of Fame, during a performance at the University of Pittsburgh's annual jazz seminar and concert. On March 14, 2021, at the 63rd Annual Grammy Awards, The Recording Academy selected Arkadia Records recording artist Benny Golson with its 2021 Special Merit Award, The Lifetime Achievement Award. 

He has recorded over 30 albums for many recording companies in the United States and Europe under his own name and innumerable ones with other major artists. A prodigious writer, Golson has written well over 300 compositions. A live performer who consistently knocks audiences off their feet, Benny Golson has given hundreds of performances in USA, Europe, South America, Far East and Japan for decades. 

(Edited from Wikipedia & allAbout Jazz)

 

2 comments:

boppinbob said...

A big thank you goes to Denis who suggested today’s birthday saxophonist and also for the loan of the two digital albums below.

For “Glamour Jazz Nights with Benny Golson” (Midnight Jazz 2021) go here:

https://workupload.com/file/SLKqBCywtDy

01. Strut Time (06:04)
02. Just by Myself (04:08)
03. Staccato Swing (04:48)
04. Out of This World (03:51)
05.Afternoon in Paris (06:53)
06. I Fall in Love Too Easily (04:46)
07. Baubles, Bangles & Beads (06:14)
08. I Didn’t Know What Time It Was (05:23)
09. The Best Thing for You Is Me (02:47)
10. You’re Not the Kind (04:18)
11. My Blues House (09:26)
12 Autumn Leaves (06:48)
13 Bob Hurd’s Blues (12:17)
14. Thursday’s Theme (07:38)
15. Symptoms (06:03)
16. This Night (07:51)
17. Jubilation (06:22)
18. April in Paris (05:06)
19. Stablemates (05:45)
20. Cry a Blue Tear (05:20)
21. Venetian Breeze (05:39)
22. Blues on My Mind (07:27)
23. Something in B Flat (06:01)
24. Tippin’ on Thru (06:40)
25. Yesterdays (05:54)
26. Step Lightly (06:51)
27. Reunion (07:17)
28. Blues It (06:48)
29. Calgary (03:36)
30. Are You Real (05:37)
31. Little Karin (03:35)
32. Soul Me (06:38)
33. Time (03:35)
34. Drum Boogie (03:59)
35. The Touch (05:16)
36. You’re Mine, You (04:19)
37. Out of the Past (06:23)
38. Whisper Not (05:56)
39. Blues After Dark (08:36)
40. My Heart Belongs to Daddy (04:11)

After researching Golsons discography I managed to find out the dates and albums of the above tracks

1957 The Modern Touch - Tracks 21, 27, 37
1957 New York Scene – Tracks 2. 23, 26, 28, 36, 38.
1958 Other side Of – Tracks1, 15, 16, 17, 20, 30
1958 BG & The Philadelphians – Tracks 5, 10, 14, 19, 22, 29.
1959 Gone With Golson – Tracks 3,12, 32, 39.
1959 Getting’ With It – Tracks 7, 13, 18, 24.
1959 Groovin’ with Golson – Tracks 8, 11, 25, 34
1960 Jazztet Sessions – 6, 9, 31, 40.
1961 Jazztet Sessions – 4, 33, 35.
----------------------------------------------------
For “Benny Golson - The New York Recordings, 1957” (Mentirosa 2021) go here:

https://workupload.com/file/HCwE6Uy25bm

1. Moten's Swing 04:16
2. Out of the Past 06:28
3. Something in B Flat 06:04
4. Out of Nowhere 04:05
5. Reunion 07:20
6. Whisper Not 06:01
7. Groovin' High 03:14
8. Step Lightly 06:54
9. Venetian Breeze 05:41
10. Autumn Leaves 04:37
11. Hymn to the Orient 04:14
12. Just by Myself 04:12
13. Blues It 06:52
14. Donna Lee 02:30
15. Namely You 04:48
16. Blues on Down 11:37
17. Quicksilver 03:50
18. You're Mine You 04:22
19. Capri 03:59
20. Stella by Starlight 04:16
21. B.G.'s Holiday 05:34
22. Ornithology 03:42
23. If I Should Lose You 03:00
24. Walkin' 03:47

Again I have searched the Golson discography to find the dates and albums. Note the 1962 album.

1957 New York Scene – Tracks 2, 3, 6, 8, 12, 13, 18, 19..
1957 Modern Touch – Tracks 2, 5, 9, 11, 15, 16.
1962 Just Jazz – Tracks 1, 4, 7, 10, 14, 17, 20, 22, 23.

mel said...

My own favourite Golson track is Afternoon In Paris (John Lewis) on the LP Benny Golson And The Philadelphians (1958).