Ralph Earl Sutton (November 4, 1922 – December 30, 2001)
was an American jazz pianist born in Hamburg, Missouri.
Ralph Sutton was one of the greatest stride pianist to
emerge since World War II, with his only close competitors being the late Dick
Wellstood and the very versatile Dick Hyman. Nearly alone in his
generation, Sutton kept alive the piano styles of Fats Waller and
James P. Johnson, not as mere museum pieces but as devices for exciting improvisations. Although sticking within the boundaries of his predecessors, Sutton infused the music with his own personality; few could match his powerful left hand.
generation, Sutton kept alive the piano styles of Fats Waller and
James P. Johnson, not as mere museum pieces but as devices for exciting improvisations. Although sticking within the boundaries of his predecessors, Sutton infused the music with his own personality; few could match his powerful left hand.
Raised in the tiny village of Howell, Missouri (later
destroyed when the government took the land for a TNT plant), Sutton trained in
classical piano and played the organ in the Presbyterian church as a young boy.
By the age of 11 was playing in his builder father's country dance band. As a
teenage he would
listen to the Harlem Rhythm radio show which first introduced him to "stride" piano; the style he would play for the rest of his life.
listen to the Harlem Rhythm radio show which first introduced him to "stride" piano; the style he would play for the rest of his life.
Jack Teagarden heard Sutton play around 1940 at a college
and recruited him for his band. Sutton played with Teagarden until he was
drafted into the Army in 1943. After the conclusion of World War II, in 1945,
Sutton returned to St. Louis and worked with the Joe Schirmer Trio. Sutton then
journeyed to New York rejoining Jack Teagarden's band. When he opened at the
Famous Door on New York's 52nd street with Teagarden it helped put Sutton on
the map, leading to a regular slot on Rudi Blesh's famed This Is Jazz radio
show, and to the formation of Sutton's own trio, featuring the fine New Orleans clarinettist Albert Nicholas.
show, and to the formation of Sutton's own trio, featuring the fine New Orleans clarinettist Albert Nicholas.
In 1948, Sutton took on the select gig of intermission
pianist at Eddie Condon's Greenwich Village club, where he stayed for eight
years, also taking part in Condon's radio and TV shows, recording regularly and
attracting international interest. In 1952 Sutton was asked to London to play
the Royal Festival Hall. This was the start of his many European tours which
would continue until his death.
By 1956 Sutton had moved his family to San Francisco,
where he continued his work as an intermission pianist and combo performer,
also subbing for Earl Hines when the latter was on tour in Britain. He joined
trumpeter Bob Scobey's bright Dixieland band, recorded
yet more albums and seemed destined for a steady if locally
confined career until the impresario Dick Gibson invited him to Colorado to play at a jazz party.
yet more albums and seemed destined for a steady if locally
confined career until the impresario Dick Gibson invited him to Colorado to play at a jazz party.
Here he met his second wife Sunnie, who operated the
Rendevous club in the ski resort of Aspen. With the help of bassist Milt Hinton
and drummer Gus Johnson, Sutton turned it into a jazz centre, attracting star
players like Ruby Braff, and appeared himself as part of the World's Greatest
Jazz Band. While the WGJB's working title may have seemed over-blown to some,
the all-star line-up produced a marvellous sound, bolstered by bassist Bob
Haggart's superior arrangements, many of pop songs rather than of the usual
Dixieland staples.
Sutton visited Britain several times with the group,
stunning audiences with numbers like a hard-swinging version of Honky Tonk
Train Blues, but in 1974 he left the WGJB to freelance, touring America and
Europe, recording for labels like Sackville and appearing regularly at
festivals. In 1979, in an inspired move, he teamed up with keyboard veteran Jay
McShann as The Last of the Whorehouse Piano Players, the two men producing some
of the most rumbustious and lively music on the planet. His biography, Loose
Shoes By Shacter, appeared in 1994.
Despite suffering a stroke in the early '90s, Sutton kept
a busy schedule through the mid-'90s, playing at jazz parties and festivals.
He died suddenly on December 29, 2001, in his car outside
a restaurant in Evergreen, CO. Although he would have received much greater
fame if he had been born 20 years earlier and come to maturity during the 1930s
rather than the 1950s, at the time of his death it was obvious that Ralph Sutton
had earned his place among the top classic jazz pianists of all time.
(Compiled and
edited from Wikipedia, George Borgman blog, AllMusic & The Guardian)
Ralph plays two of his favourite tunes: Love Lies & Viper's Drag. Jerry Cherry from St Louis is on the bass at the 1994 Mid-America Jazz Festival in St. Louis.
Ralph plays two of his favourite tunes: Love Lies & Viper's Drag. Jerry Cherry from St Louis is on the bass at the 1994 Mid-America Jazz Festival in St. Louis.
3 comments:
For “Ralph Sutton - Oh Baby: Solo Piano” go here:
https://www.upload.ee/files/9151596/Ralph_Sutton_-_Oh_Baby.rar.html
1. Down Home Rag
2. Harlem Drag
3. Jelly Roll Blues
4. Cannon Ball Blues
5. Black Bottom Stomp
6. Cataract Rag
7. Shoe Shine Boy
8. Christopher Columbus
9. Hindustan
10. Villain
11. Frog Legs Rag
12. Chromatic Rag
13. Grace and Beauty
14. The Cascades
15. Black and White Rag
16. Three Little Words
17. No Local Stops
18. Oh Baby
19. Concentrating
20. Drop Me Off in Harlem
21. Morning Air
22. Blues for Chuck
23. African Ripples
AllMusic Review by Scott Yanow
Ralph Sutton was one of the greatest stride pianists of all time and arguably the finest stride pianist to emerge after World War II. He loved the music of James P. Johnson, Fats Waller, and Willie "The Lion" Smith, and was able to emulate them while being a powerful force himself. Oh Baby has two of his earliest record dates. The first 15 selections were recorded in November 1949 and they are a bit different than expected. Instead of stride classics, Sutton is mostly heard playing ragtime pieces along with a few Jelly Roll Morton numbers and a touch of swing. At the time he was helping out Rudi Blesh and Harriet Janis with their upcoming book, They All Played Ragtime, by sight-reading some rags that had been largely unheard for decades. Although Sutton never liked to be called a ragtime pianist since he was more of an improviser, he does a very good job on such pieces as "Cataract Rag," "Frog Legs Rag," and "Grace and Beauty," while swinging up a storm. The remainder of Oh Baby is from a British LP (recorded in Switzerland) from 1952. Although the ten selections are pretty concise (none exceed three minutes), they are more in the stride style that was typical of the brilliant Sutton. He romps through such songs as "Three Little Words," "Drop Me Off in Harlem," and "African Ripples" in addition to playing three pieces by Willie "The Lion" Smith. This set is highly recommended both for its historic value and for being so enjoyable.
For “Ralph Sutton With Ted Easton Jazz Band” (1975) go here:
https://www3.zippyshare.com/v/lmE7et3W/file.html
1. I'll Be a Friend with Pleasure
2. Curse of An Aching Heart
3. Blues in My Heart
4. South Rampart Street Parade
5. Sunshine of Love
6. Blue Turning Grey Over You
7. Ain't Misbehavin'
8. Sheik of Araby
9. Emaline
10. Keepin' Out of Mischief Now
11. I'm Gonna Sit Right Down and Write Myself a Letter
12. Honky Tonk Train Blues
Personnel: Ralph Sutton (piano); Frits Kaatee (clarinet, tenor saxophone); Bob Wulffers (trumpet); Henk VanMuyen (trombone); Ted Easton (drums).
Thanks to egroj @ egrojworld blog for original post.
Review by Scott Yanow
The great stride pianist Ralph Sutton was in Europe when he recorded this live concert with Dutch drummer Ted Easton's quintet. The repertoire is mostly filled with Dixieland and New Orleans warhorses (the exceptions are Benny Carter's "Blues in My Heart," "Sunshine of Love," and "Emaline"), but the musicians make the music sound fresh and generally exciting. Sutton, who was always very consistent, excels as usual and there are fine solos along the way by trumpeter Bob Wulffers, trombonist Henk Van Muyen, and clarinetist Frits Kaatee. Highlights include "I'll Be a Friend With Pleasure," "South Rampart Street Parade," "Emaline," and "Honky Tonk Train Blues," the latter one of four unaccompanied Sutton piano solos. An excellent Dixieland date from the mid-'70s; the 1975 date is an educated guess.
As a bonus and seeing that the Festive Season is near, here’s Ralph Sutton as part of the Worls Greatest Jazzband with some Christman Cheer.
For”The World's Greatest Jazzband - Hark The Herald Angels Swing (1972)” go here:
https://www.upload.ee/files/9151382/TWGJ_-Christmas.rar.html
01. Hark The Herald Angels Swing
02. Little Drummer Boy
03. Rudolph The Red Nosed Reindeer
04. Silent Night
05. Joy To The World
06. Jingle Bells
07. White Christmas
08. I'll Be Home For Christmas
09. The Christmas Song
10. Winter Wonderland
11. Deck The Halls
Personnel:
Yank Lawson - Trumpet
Bob Haggart - Bass
Billy Butterfield - Trumpet
Bud Freeman - Tenor Sax
Vic Dickenson - Trombone
Rulh Sutton - Piano
Bob Wilber - Clarinet & Soprano Sax
Eddie Hubble - Trombone
Gus Johnson – Drums
This is one of the happier Christmas jazz LPs ever released. Although barely 32 minutes, this outing by the World's Greatest Jazz Band is filled with delightful performances of Yuletide favorites including "Rudolph the Red Nosed Reindeer," "Joy to the World," "Jingle Bells," and "Winter Wonderland," showing that many Christmas songs lend themselves well to Dixieland. The hot music is performed by trumpeters Yank Lawson and Billy Butterfield, trombonists Vic Dickenson and Eddie Hubble, Bob Wilber on clarinet and soprano, tenor saxophonist Bud Freeman, pianist Ralph Sutton, bassist Bob Haggart, and drummer Gus Johnson. Recommended. ---Scott Yanow, Rovi
Thanks to bluesever @ theblues-thatjazz.com for original post.
thank you very much
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