Richard MacQueen "Dick" Wellstood (November 25,
1927 – July 24, 1987) was an American jazz pianist.
He was one of the two great stride pianists (along with
Ralph Sutton) to emerge during the 1940s when members of their generation were
generally playing bebop. He kept an open mind toward later styles (he loved
Monk) while sounding at his best playing classic jazz. A little more subtle
than Sutton, Wellstood was also a powerful pianist who was a superb interpreter
of the music of James P. Johnson and his contemporaries.
Wellstood was born in Greenwich, Connecticut. He studied
the piano in Boston and New York and made his professional debut in 1946 at
Jimmy Ryan's, on what was once a haven for jazz in Manhattan, 52d Street which
was then known as Swing Street. He
played with Bob Wilber's Wildcats in 1946, and became a mainstay on the trad
jazz scene, playing with Sidney Bechet in 1947 and in the 1950s with Jimmy
Archey, Conrad Janis, Roy Eldridge, Rex Stewart, Charlie Shavers, and Eddie
Condon.
During those years, Mr. Wellstood played the piano to pay
his way through college. He later worked his way through the Columbia
University Law School, from which he graduated in 1958. He was the house
pianist at New York City clubs Metropole and Nick's in the late 1950s and
1960s. he did session work as well playing on albums such as The Freewheelin’ Bob
Dylan (1963) and Odetta & The Blues (1962)
Wellstood played with the Gene Krupa Quartet. When Mr.
Krupa first retired in 1967, Mr. Wellstood joined a group that played clubs
along the Jersey Shore, a group known variously as the Fifth Avenue Four, Can
of Worms and Dick Wellstood's Hot Potatoes. Work at Law Firm. He later joined the World's Greatest Jazz Band.
He played locally in the 1970s playing solo concerts,
performing at jazz parties, and recording quite a few memorable albums. In 1977 completed a tour of the UK with the
Dutch Swing College Band. In the 1980s he played often with Kenny Davern. From
1980 to 1986,
he was the house pianist at Hanratty's restaurant at 92nd and 2nd in Manhattan for 6–8 months a year. In 1985, a slow summer for him, Mr. Wellstood decided to put his law degree to use. He spent 10 months with a law firm and returned to Hanratty's.
he was the house pianist at Hanratty's restaurant at 92nd and 2nd in Manhattan for 6–8 months a year. In 1985, a slow summer for him, Mr. Wellstood decided to put his law degree to use. He spent 10 months with a law firm and returned to Hanratty's.
''The firm liked my work, and I could have stayed
there,'' he said. ''But I realized that all those years in music had ruined me
for something like the law.'' John S. Wilson, a music critic of The New York
Times, noted that despite the layoff, ''Mr. Wellstood's stride piano-playing
was as energetic and virtuosic as ever.''
In 1987 he died of a heart attack in Palo Alto,
California where he went to attend the Peninsula Jazz Party. At the time of his death he was the pianist for
Bemelman's Bar of the Carlyle Hotel in New York City.
(Compiled and edited from Wikipedia, AllMusic and NY
Times)
2 comments:
For “Dick Wellstood / Cliff Jackson – Uptown And Lowdown” go here:
https://www.upload.ee/files/9231374/Dick_Wellstood.rar.html
1 Dick Wellstood's Wallerites Yacht club Swing 7:02
2. Dick Wellstood's Wallerites Brush Lightly 4:00
3.Dick Wellstood's Wallerites Blook's Dues 8:09
4.Dick Wellstood Old Fashioned Love 3:11
5.Dick Wellstood Mule Walk 1:58
6.Dick Wellstood Closed Mouth Blues 2:34
7.Dick Wellstood The Shout 2:18
8.Dick Wellstood Toddlin' Home 2:13
9.Dick Wellstood Alligator Crawl 3:18
10.Dick Wellstood Oh Baby, Watcha Doing To Me 2:34
11.Dick Wellstood Liza (All The Clouds'll Roll Away) 2:52
12.Cliff Jackson's Washboard Wanderers Sheik Of Araby 5:26
13.Cliff Jackson's Washboard Wanderers I Found A New Baby 5:59
14.Cliff Jackson's Washboard Wanderers Wolverine Blues 4:32
15,Cliff Jackson's Washboard Wanderers Blues In Englewood Cliffs 6:01
Banjo – Elmer Snowden (tracks: 12 to 15)
Bass – Abe Bolar (tracks: 12 to 15), Milt Hinton (tracks: 1 to 3)
Clarinet – Rudy Powell (tracks: 12 to 15)
Clarinet, Tenor Saxophone – Gene Sedric (tracks: 1 to 3)
Drums – Tommy Benford (tracks: 4 to 11), Zutty Singleton (tracks: 1 to 3)
Piano – Cliff Jackson (tracks: 12 to 15), Dick Wellstood (tracks: 1 to 11)
Producer, Liner Notes – Chris Albertson
Recorded By – Rudy Van Gelder
Trumpet – Ed Allen (tracks: 12 to 15), Herman Autry* (tracks: 1 to 3)
Washboard, Kazoo – Floyd Casey (tracks: 12 to 15)
Tracks 1 to 3 and 12 to 15 originally released on Cliff Jackson's Washboard Wanderers / Dick Wellstood's Wallerites - Uptown And Lowdown;
Tracks 4 to 11 as "The Stride Piano of Dick Wellstood" (Riverside 2506)
Tracks 1 to 3 recorded July 27, 1961.
Tracks 12 to 15 recorded July 20, 1961.
Tracks 4 to 11 recorded October 25, 1954.
This is a fascinating compilation of music that had long been unavailable. Originally, the first three tracks featuring pianist Dick Wellstood (in a quintet that included two key members of Fats Waller & His Rhythm, trumpeter Herman Autrey and clarinetist/tenor saxophonist Gene Sedric, along with bassist Milt Hinton and drummer Zutty Singleton) appeared on the LP Uptown and Lowdown, along with four tracks from one of the few dates led by pianist Cliff Jackson. The added bonus here consists of eight songs that Wellstood recorded for a 10" disc with Jelly Roll Morton's former drummer, Tommy Benford. The highlight of the CD is easily the opening track, a spirited rendition of "Yacht Club Swing" in which the reunion of Sedric and Autry (who had not played together for 18 years) proves to be quite rewarding. Wellstood's swinging piano is the perfect stimulus for the two veterans. Although the two Wellstood originals that follow can't quite compare to one of Waller's old theme songs, they are both very enjoyable. With Benford sticking to brushes in the background, Wellstood explores works by early greats including James P. Johnson ("Old Fashioned Love" and "Mule Walk"), Art Tatum (the rarely performed piece "The Shout"), and Waller ("Alligator Crawl" and "Oh Baby, Watcha Doing to Me"), as well as his own "Closed Mouth Blues." While none of Wellstood's interpretations overshadow the original recordings, the pianist distinctly puts his own touch on each of them. Cliff Jackson's brief set falls more into a Dixieland vein, as he leads a sextet that includes trumpeter Ed Allen, clarinetist Rudy Powell, and banjo player Elmer Snowden. While this music is entertaining, it pales somewhat when placed alongside the more swinging tracks by Wellstood. This CD is heartily recommended to fans of stride, swing, and traditional jazz.
AllMusic Review by Ken Dryden
Bob,
Thanks for this post. Dick Wellstood was an astonishingly gifted musician, and beyond the far reaches of jazz, almost totally unknown. In all fairness, stride has made some relative progress in recognition in recent years, doubtless a beneficiary of the internet's ongoing and wide ranging dissemination of formerly neglected musical genres. Copyright issues aside, the old scheme of things rather effectively guaranteed that the terra incognita of music would remain widely unknown and unexplored.
All of which makes it a pleasant surprise encountering Mr. Wellstood's genius, wherever one finds it.
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