Lewis Lincoln "Link" Davis (July 8, 1914 - February 5, 1972) was an American rockabilly , country and cajun musician also known as Papa Link Davis. His biggest hit was the Cajun classic Big Mamou from 1953.
Link Davis was born in Sunset Ward, one of eight children, but his family soon moved to Wills Point, Van Zandt County, near Dallas, Texas. At the age of ten, Davis received a fiddle from his father, which he had already mastered professionally by the age of twelve. In the late 1920s, he formed a trio with two of his brothers and played on small barn dances. Later he also learned the saxophone, clarinet, bass and piano.
In 1929 Davis was regularly heard on WRR from Dallas and had his first professional engagements with the Chrystal Springs Ramblers from Fort Worth. With this group he made his first recordings in 1937. With the emergence of western swing in Texas in the early 1930s, musicians such as Bob Wills, Moon Mullican and Bob Dunn had more and more influence on Davis, who left the Chrystal Springs Ramblers after 1937 and played in various local western swing groups and even for some time led his own band, in which a black pianist also played.
In 1943 Davis was drafted into the military but only served three months. A year later he was discharged from the army and in 1944 found work with Cliff Bruners Texas Wanderers, one of the most important western swing orchestras of the 1930s. In the same year Davis played the tenor saxophone on one of Bruner's Decca sessions in New York City. In 1945 he joined Leo Soileau's Cajun band and played for him in "Showboat". He also had his own band and married in Port Arthur in 1945, his place of residence at the time. During this time he was strongly influenced by Cajun music, not least through Soileau and his wife, who came from the French community. In 1947 he received his first recording contract with the newly founded label Imperial Records and played his first solo records; he was accompanied by Lee Bells Bluebonnet Playboys.
In 1947 Davis' son Lewis Lincoln Davis, Jr. was born, better known today as Link Davis, Jr. With a family to support, Davis was always on the lookout for work in bars, clubs and dance halls. From 1949 he played in Harry Choates 'band, went on tour with him and recorded various songs with Choates for Gold Star Records , including a version of the R&B hit Good Rockin' Tonight , which was released as Have You Heard the News.
After a brief stint in Corpus Christi, Texas, Davis joined Benny Leaders Bayou Billies in 1950, who accompanied him on his first session for Columbia Records ' new Okeh label. This session, which took place in Houston, produced Davis's biggest hit, Big Mamou, of 1953. The song had a long tradition in cajun culture even then, but it was only through Davis and the subsequent cover versions that it became a classic of the genre. Between 1953 and 1955 Davis held more sessions for Columbia, but the success of 1953 could not be repeated.
In 1955 he made rockabilly recordings for Nucraft, but switched to Starday Records in 1956. At this time, Davis also found regular engagements at the Houston Hometown Jamboree and the popular Louisiana Hayride. For Starday, Davis continued to record rockabilly songs that were popular at the time. The first of these Starday singles was Sixteen Chicks, a song that Davis wrote with Wayne Walker and was later covered by Joe Clay. In the course of 1956, other rockabilly titles such as Grasshopper Rock, Don't Big Shot Me or Trucker from Tennessee followed.
With Sixteen Chicks, Davis entered the local Houston C&W Billboard Charts and was hired by the Gold Star Studio together with Hal Harris (guitar) and Doc Lewis (piano) as a studio musician from 1956 and can thus be heard on numerous Starday records and recordings by other labels. For example, he played the saxophone on JP Richardson's hit Chantilly Lace and also accompanied Johnny Preston on Running Bear and Joey Clay, Glenn Barber, Eddie Noack and George Jones in sessions.
After numerous Starday singles, Davis moved to Allstar Records from Houston in 1958 , where he continued to demonstrate his versatility as he recorded a wide range of music genres (rockabilly, rock 'n' roll, Cajun, country). In the late 1950s, Davis released numerous records on small, local labels in the Houston area.
Davis also started his own record company, Tanker Records. In 1967 he suffered a stroke that subsequently confined him to a wheelchair. But Davis didn't give up on music; he continued to play records and did not shy away from travelling to distant Nashville. But his health deteriorated noticeably, and finally Link Davis died in 1972 after a second stroke at the age of 57. Davis was one of the most important and important people in the Houston music scene and made important contributions to the development of Cajun music, but also country and rockabilly. (Edited from Wikipedia)
6 comments:
For “Link Davis – Gumbo Ya-Ya: The Best Of 1948-58” go here:
https://workupload.com/file/UBXj29wkXUB
1 Big Mamou
2 Pretty Little Dedon
3 Lonely Heart
4 Time Will Tell
5 Mamou Waltz
6 Hey, Garcon!
7 Falling For You
8 Gumbo Ya-Ya (Everybody Talks At Once)
9 Crawfish Crawl
10 You're Little But You're Cute
11 Mama Say No
12 You Show Up Missing
13 Every Time I Pass Your Door
14 Cajun Love
15 Kajalena
16 Va T'Cacher (Go Hide Yourself)
17 Joe Turner
18 Have You Heard The News
19 Grasshopper
20 Sixteen Chicks
21 Grasshopper Rock
22 Trucker From Tennessee
23 Don't Big Shot Me
24 Cockroach
25 Slippin' And Slidin' Sometimes
26 Bon-Ton-Ru-La (Let The Good Times Roll)
27 Rice & Gravy Blues
28 You Played Around
29 Rice & Gravy Boogie
30 San Antonio Blues
This is a collection from the foremost Cajun fiddler of his generation. He not only excelled in the old timey tradition he was raised in, but was a hit artist in the Jazz influenced Western Swing field. He certainly prefigured what was to become Rockabilly, though his subjects were perhaps too regional and ethnic for a mainstream breakthrough into the nascent Rock 'N' Roll, Link Davis turned out some of the most rockin' sides in all Country Music! Hit after hit, and lucrative featured session work, followed, right through until his death. Here are no less than 30 of the craziest sides by this classic artist, blending R&B, Country, and the eerie edge of his own Cajun heritage into a unique and rockin' blend. Gumbo Ya Ya indeed! (Rev-Ola Records 2008)
thanks for the 'Link'
:o)
That is fantastic! Thank you so much! Love the Links (the other one too, Wray that is).
Marc
Hi BoppinBob! Can you please reup a new link for this one? Thanks Bob, you rock as always! ;)
Hello Diogenes, Here's Link's link......
https://www.imagenetz.de/mEX7T
Thanks, Boppin'Bob! I only recently re-discovered his music. I knew of Link Davis as a Cajun music artist. I had no idea the extent of his influence or how broad his own stamp of excellence in other styles he recorded over several decades making hit records. I'd also heard a fiddler named 'Link Davis' from early western swing in the 30's and thought there were two different artists with the same name (but not Link Jr) Are there any other collections of Link's musical output on hand that you could share? Thanks again, for this one! :)
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