Henry Busse Sr. (May 19, 1894 – April 23, 1955) was a jazz trumpeter known for work with sweet bands and big bands.
Henry Herman Busse
was born to a generational German Band family. Under his uncle who was
an Oompah band leader Henry studied violin and then trumpet. At the age of 18,
following numerous failed attempts, Busse successfully ran away from the family
farm outside of Magdeburg, Germany where he had been forced to play trumpet in
his uncle’s band. He sailed to New York landing in the German ghettos there.
Rousted by the police for sleeping in Grand Central Station, unable to speak
the English he found a job on a boat heading to California. He acquired some
English on his trip. 1916, found Busse in Hollywood and working as an extra in
Keystone Cop films playing trumpet in a movie theatre pit band.
In 1917, Busse played the trumpet with the ‘Frisco “Jass” Band’. He then formed his own band Busse’s Buzzards (which was the nucleus of the Paul Whiteman orchestra of the mid-1920s) featuring Henry Busse—they made four sides total. Busse was the subject of discrimination due to his German accent, which caused concern among those living in post-World War I America.
Henry Busse with Paul Whiteman’s band (Busse is sixth from the left) |
In 1917, Busse played the trumpet with the ‘Frisco “Jass” Band’. He then formed his own band Busse’s Buzzards (which was the nucleus of the Paul Whiteman orchestra of the mid-1920s) featuring Henry Busse—they made four sides total. Busse was the subject of discrimination due to his German accent, which caused concern among those living in post-World War I America.
At one point, eight out of the top ten sheet music sales
spots belonged to the band. During his peak with them, Busse was earning $350
weekly, while fellow band member Bing Crosby was earning just $150. He
co-composed several of the band’s early hit songs, including “Hot Lips” and
(with Gussie Mueller) “Wang Wang Blues“.
Busse was concertmaster for the Whiteman Band when it toured
Europe in the ’20s, and there discovered a song written by a German doctor –
Robert Katscher. Back in the States, Buddy DeSylva penned new words and the
song’s name was changed to “When Day is Done“; it was a hit, and made Busse
famous. While with the Paul Whiteman Orchestra, Busse played alongside brothers
Tommy Dorsey and Jimmie Dorsey (who later
left to start their own separate bands). He played with Ray Bolger at the Chez Paree, a night club owned by notorious gangster Al Capone.
Busse at the Chez Paree |
left to start their own separate bands). He played with Ray Bolger at the Chez Paree, a night club owned by notorious gangster Al Capone.
During 1928 after mastering the English language, Busse. left Whiteman's band and began his own orchestra which enjoyed great success in the ’30s and
’40s. This group was more of a sweet dance band than a jazz band and had a very successful career.
He married Dorothy Drake, a former model and stage actress in 1929. Their only son, Henry Busse Jr., was born in 1931, and was 3 when his parents divorced. In 1935, Busse Sr. married Lorayne Brox, member of the Brox Sisters singing trio.
He married Dorothy Drake, a former model and stage actress in 1929. Their only son, Henry Busse Jr., was born in 1931, and was 3 when his parents divorced. In 1935, Busse Sr. married Lorayne Brox, member of the Brox Sisters singing trio.
Busse’s 1934 re-recording of Wang Wang Blues was one of his
earliest hits with Paul Whiteman in 1920. Busse was co-composer of this tune.
He hit his peak in 1930-45, playing dance music before the war and swing during
it. His music was often
berated by Downbeat magazine, which called his a
“sweet” or “Mickey Mouse” band. He and his band appeared in an MGM colour movie
in 1935 called ‘Starlit Days at the Lido’ filmed at the Ambassador Hotel in Hollywood (sadly pulled
down in 2006 after 85 long years) along with Clark Gable and MGM’s stable of
stars and in the movie “Lady Let’s Dance“, in which Busse had a speaking part.
The band appeared in a number of film shorts including
Paramount's 'Busse Rhythm' (1938); Universal Pictures 'Shuffle Rhythm' with the
Six Hits and A Miss vocal group (1942), and 'Hit Tune Serenade' (1943). During
World War II Busse enlarged the band to 19 musicians and appeared regularly on
'The Fitch Bandwagon' and 'Coca Cola Spotlight On Bands' radio shows.
His personal life wound up in gossip columns when he partied
one night with a woman at the Hotsy Totsy Club and woke up married. He sought
an annulment and during the 18 months to unwind the legal tangle, he toured
Europe and staved off arrest for non-payment of alimony.
He moved to California after the war; although during the
late 1940's and 1950's, most of his work came from the few remaining ballrooms
in the South and Midwest. In 1954 his band, with the King Sisters, had a very
successful engagement at Catalina Island. He continued to record and perform up
until his death in 1955. Busse died at an undertaker’s convention at the
Peabody Hotel in Memphis, Tennessee while playing with the Shuffle
Rhythm Band.
Al Hirt and Herb Alpert have remarked they were inspired by
the trumpet solo work of Busse, particularly his rendition of “Rhapsody in
Blue“. (Edited mainly from Wikipedia)
6 comments:
Here’s a 30 track compilation I’ve put together which highlights some of Henry Busse’s recordings from 1934 to 1944. All mp3’s neatly tagged with borrowed and amended artwork.
For “Hot Lips - The Henry Busse Collection” go here:
https://pixeldrain.com/u/rH1fr1Hj
1. Hot Lips Opening Theme 1:30
2. Rose Room 2:41
3. Clouds (voc: Carl Grayson) 3:52
4. The Continental 2:35
5. Honeysuckle Rose (voc: Lenny Conn) 2:25
6. Haunting Blues 2:17
7. (Lookie, Lookie, Lookie) Here Comes Cookie (Voc:Marion Holmes) 2:33
8. Sidewalks Of Cuba 2:49
9. Jada 2:00
10. Solitude 3:02
11. What's The Reason (I'm Not Pleasin' You) (Voc: Carl Grayson) 2:29
12. Haunting Me 2:35
13. Darktown Strutters Ball 2:09
14. Love Is Just Around The Corner (voc: Marion Holmes) 1:53
15. When Day Is Done Closing Theme 1:34
16. Wang Wang Blues 2:54
17. Hot Lips 2:35
18. With Plenty Of Money And You (voc: Bob Hannon) 2:35
19. I’m Gonna Lock My Heart (And Throw Away The Key) (voc: Skip Morr) 3:04
20. Bambina 3:01
21. Tu-Li Tulip Time (voc: Bob Huston) 3:11
22. My Last Goodbye (voc: Dick Wharton) 3:19
23. Busse Bounce 2:37
24. Do I Worry (voc: Fuzzy Combs) 2:36
25. Toot Toot Trumpet 2:24
26. There Goes That Song Again (voc: Elaine Bauer) 2:22
27. Ali Baba’s Alibi 2:44
28. Out Of Nowhere (voc: Phil Gray) 2:11
29. Cherokee 2:24
30. Washington Squabble 2:37
Credits tracks 1-15 rec. 1935
Bass, Tuba – Steve Bowers
Drums – Ted Tillman
Reeds – Bobby Baker, Jimmy James, Lenny Conn, Phil Shuken*
Trombone – Carl Hoeffer, Ford Canfield, George Zbarieck
Trumpet – Clayton Cash, Henry Busse, Travers Wooster
Violin – Jay Grace, Ted Kennedy
Violin, Guitar – Seymour Druggan
Tracks 16 & 17 rec. 1934
Track 18 rec. 1937
Track 19 rec. 1937
Tracks 20 & 21 rec. 1938
Track 22 rec. 1939
Tracks 23 – 30 Henry Busse And His Shuffle Rhythm Orchestra rec.1941 - 1944
MP3 sources are from Henry Busse Uncollected albums plus Jazz-On-Line.
Hi BB,
Can I get a copy of this one?
Thanks mate
Certainly Denis,
https://krakenfiles.com/view/cb87f4b857/file.html
Regards, Bob
Muchas gracias por la actualización.
The English lyricist of Robert Katscher's "When Day Was Done" is Buddy DeSylva (Buddy was his nickname; he was born as George Gard DeSylva, not Johnny).
Hello DrK, Thanks for the correction. error now amended. Regards, Bob.
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