Dame Felicity Ann Emwhyla Lott, DBE, FRAM, FRCM (born 8 May 1947) is an English soprano.
Lott was born in Cheltenham, Gloucestershire. From her
earliest years she was musical, having started studying piano at age 5. She
also played violin and began singing lessons at 12. She is an
alumna of Royal Holloway, University of London, obtaining a BA in French and Latin in 1969. During her year in France as part of
her four-year degree course, from 1967–68 she took singing lessons at the conservatory in Grenoble. She graduated from the Royal Academy of Music, winning the Principal's Prize.
alumna of Royal Holloway, University of London, obtaining a BA in French and Latin in 1969. During her year in France as part of
her four-year degree course, from 1967–68 she took singing lessons at the conservatory in Grenoble. She graduated from the Royal Academy of Music, winning the Principal's Prize.
She made her debut in 1975 as Pamina in Mozart's The Magic
Flute at the English National Opera. In 1976 she appeared in the premiere of
Henze's We Come to the River at the Royal Opera House Covent Garden and began a
long relationship with the Glyndebourne Festival.
She has been associated with the works of Richard Strauss
including various lieder, the Four Last Songs and the roles of the Marschallin
in Der Rosenkavalier and the Countess in Capriccio. She has also appeared in
operettas, singing the title role in Franz Lehár's The Merry Widow at
Glyndebourne, as well as Rosalinde in Die Fledermaus and the title roles in
Offenbach's La belle Hélène and La Grande-Duchesse de Gérolstein.
She has a special love for French "mélodies",
German "Lieder" and the English song repertoire, particularly the
songs of Benjamin
Britten. She is a founding member of Songmakers' Almanac. Her accompanist since her student days has been Graham Johnson, and they have given a great number of recitals together. She also has performed duet recitals with mezzo-soprano Ann Murray, baritone Thomas Allen and Austrian mezzo-soprano Angelika Kirchschlager. She is also featured as a soloist in a recording of the Mozart Requiem in D Minor with the London Philharmonic Choir and Orchestra.
Britten. She is a founding member of Songmakers' Almanac. Her accompanist since her student days has been Graham Johnson, and they have given a great number of recitals together. She also has performed duet recitals with mezzo-soprano Ann Murray, baritone Thomas Allen and Austrian mezzo-soprano Angelika Kirchschlager. She is also featured as a soloist in a recording of the Mozart Requiem in D Minor with the London Philharmonic Choir and Orchestra.
As a concert artist, Felicity Lott has sung with all the major
orchestras and festivals throughout the country, and appeared regularly at the
BBC Promenade Concerts.
She has sung with the Berlin Philharmonic, Vienna Philharmonic, the Concertgebouw and Chicago Symphony Orchestras, at the Salzburg Easter and Summer Festivals. She has given recitals all over Great Britain and has a particularly close association with Wigmore Hall.
She has sung with the Berlin Philharmonic, Vienna Philharmonic, the Concertgebouw and Chicago Symphony Orchestras, at the Salzburg Easter and Summer Festivals. She has given recitals all over Great Britain and has a particularly close association with Wigmore Hall.
She has appeared as a recitalist in Paris, Monte Carlo,
Brussels, Amsterdam, Cologne, Berlin, Frankfurt, Geneva, Lisbon, Rome,
Florence, La Scala Milan, Hong Kong, New York, Sydney, at the Salzburg, Prague,
Bergen and Munich Festivals, and the Konzerthaus and Musikverein in Vienna. She
was a founder member of Graham Johnson's The Songmakers' Almanac.
Felicity Lott has received many honorary doctorates,
including the Universities of Oxford, London, Leicester, Sussex, the Royal
Scottish Academy of Music and Drama, Glasgow and the Sorbonne in Paris. She has
been elected to the French Legion of Honour and made a DBE in 1996. She sang at
the wedding of Prince Andrew in 1986. In 2003 Dame Felicity was awarded the
title of Bayerische Kammersängerin. She is Vice-President of British Youth
Opera and The Bach Choir.
In autumn 2009 it was announced that she had been appointed
a Visiting Professor by Royal Holloway having previously been appointed an Honorary
Fellow of the college. On 9 February 2010, she was presented with The Wigmore Hall
Medal by the Duke of Kent KG, at the launch of the hall's 110th anniversary
programme.
The medal was introduced in 2006 and is awarded to internationally important artistic figures in recognition of their significant contribution to Wigmore Hall. The two previous recipients are Matthias Goerne and András Schiff. The citation praised her "unique contribution to Wigmore Hall and to the advancement of the song recital as a concert-going experience throughout the world." It was 35 years since she first performed there in 1975.
The medal was introduced in 2006 and is awarded to internationally important artistic figures in recognition of their significant contribution to Wigmore Hall. The two previous recipients are Matthias Goerne and András Schiff. The citation praised her "unique contribution to Wigmore Hall and to the advancement of the song recital as a concert-going experience throughout the world." It was 35 years since she first performed there in 1975.
These successes are mirrored in her wide range of major
recordings under such conductors as Solti, Haitink, Janssons, Marriner,
Mackerras and Jarvi and her love of the song repertoire is reflected in her
extensive recordings of Wolf, Schubert, Schumann, Strauss and the masters of
French mélodies.
She is a Patron of the British Voice Association and has
been a Patron of Bampton Classical Opera. She is married to the actor Gabriel
Woolf; they have a daughter, Emily (b. 1984). Dame Felicity's favourite
relaxation is gardening when not touring.
(Edited from Wikipedia & Hyperion records)
1 comment:
For “Felicity Lott - Summertime (2000)” go here:
https://mega.nz/folder/7r5lWCQS#MWP7tnH_lO4gl7R1LICL3A
1. Gershwin: Summertime
2. Barber: Sure on this Shining Night
3. Elgar: The Shepherd`s Song
4. Fauré: Clair de Lune
5. Quilter: Now Sleeps the Crimson Petal
6. Schubert: Who is Sylvia
7. Arne: Where the Bee Sucks
8. Berlioz: L`ile inconnue
9. Schubert: Auf dem Wasser zu singen
10. Fauré: Soir
11. Schumann: Der Nussbaum
12. Brahms: Meine Liebe ist grün
13. Lehmann: Ah Moon of my Delight
14. Fauré: Notre Amour
15. Berlioz: Villanelle
16. Barber: The Monk and his Cat
17. Bridge: Go Not, Happy Day
18. Delius: To Daffodils
19. Vaughan Williams: Orpheus with his Lute
20. Ireland: The Trellis
21. Quilter: Love`s Philosophy
22. Wood: A Brown Bird Singing
23. The Lark in the Clear Air (trad. Irish)
24. Warlock: Sleep
25. Porter: The Tale of the Oyster
26. Bernstein: My House
27. Head: The Little Road to Bethlehem
28. Fraser-Simson: Vespers
29. Rutter: The Lord Bless You and Keep You
Summertime also has many of my favourite songs in English, French and German. We made the CD at a friend`s house, and the sessions were so relaxed, with no London traffic to cause endless retakes! It`s a real mix of beautiful songs of all kinds, on a summer theme. I chose songs I loved, from Gershwin to Christopher Robin…. FL
Such is the skill of Johnson s programming that the entire recital seems to be a single, sustained exhalation of rapture and reflection The upper reaches of Lott s still gleaming soprano inhabit Barbers Shining Night and Faurés Clair de lune . And her robust English version of Schuberts Who is Sylvia? finds an irresistible companion in Arnes Where the Bee Sucks , with its veritable midsummer night s dream of an accompaniment from Johnson. The artists palpable sense of joy and well-being gathers momentum as they visit Berliozs L île inconnue and as they sing on the water with Schubert. . . . And Lott and Johnson know well that the only way to face sentiment is to acknowledge its own integrity, as they do when they listen to Haydn Wood s Little Brown Bird and eavesdrop with Fraser-Simson on Christopher Robin saying his prayers --Hilary Finch, BBC Music Magazine
A Lott-Johnson recital; always a pleasure, boasting a typically eclectic programme from earnest Schumann and Brahms to sensuous Berlioz and campy Porter. Performance ***** Recording **** --BBC Music Magazine, sept 2010
A big thank you to basso profundo @ Susato blog for active link
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