Monday, 19 August 2019

Jimmy Rowles born 19 August 1918


James George Hunter (August 19, 1918 – May 28, 1996), known professionally as Jimmy Rowles, was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored various styles including swing and cool jazz.

Holiday & Rowles
Rowles was born in Spokane, Washington and attended Gonzaga University in that city. Rowles was first discovered in the early 1940s by Ben Webster, Duke Ellington’s famed tenor saxophonist. It was Webster who secured Rowles first gig performing with Slim Gaillard. In the 40s, Rowles bounced around among different big bands, including those of Woody Herman, Benny Goodman, and Tommy Dorsey. It was finally in the 1950s when he became to be known as a reliable accompanist to singers.

Rowles settled on the West Coast, and could be called upon in a pinch to be a steady pair of hands with just the right chords to support a singer. He was also a gifted composer and in his later years, he even sang. And never one to shy away from a gig, He joined the “Wrecking Crew” on occasion, and worked as a session musician for the pop-rock bands The Monkees and The 5th Dimension.

He worked with just about every singer who spent any time on the West Coast, but he became closely associated with two singers in particular: Peggy Lee and Billie Holiday. Rowles was Holiday’s primary pianist in her later years, and was with her on most of her final albums with the Verve label in the late 1950s. He recorded several of Lee’s albums for Capitol in the late 1950s and early 1960s. Rowles had one-off sessions with other prominent singers from this era as well, including Tony Bennett, Hoagy Carmichael, Ella Fitzgerald, and Mel Tormé. 


                               

In 1965, Rowles teamed up with Tony Bennett to record the Johnny Mandel song “The Shadow of Your Smile” won the Academy Award in 1965 for best song. Many versions exist, but Bennett’s version is perhaps the finest, no doubt elevated by the accompaniment by Rowles.

Singer Mel Tormé worked almost exclusively with pianist Marty Paich and his Dek-tette throughout the late 1950s and early 1960s. However, Tormé made a few exceptions, notably with pianist Jimmy Rowles. The two worked together on a handful of sessions, including the albums Mel Torme Sings Sunday In New York and The Duke Ellington and Count Basie Songbooks.

Julie London’s 1957 album Julie featured Rowles taking on the role of conductor and arranger. London was known for her smoky torch songs around this time, but with arrangements by Rowles underneath her, this album was jazzier than many of her other releases.

In 1977, Jimmy Rowles’s behind-the-scenes work finally got a chance to be properly highlighted. Saxophonist Stan Getz had just been given carte blanche by Columbia Records to produce an album of his choice. And he took the opportunity to feature Jimmy Rowles, calling his genius quote “the best kept secret to the public at large since Mona Lisa’s smile.”

The album called The Peacocks was mostly a showcase of his piano playing, along with Getz’s saxophone. But it also showed off two other sides of the musician. The first was his songwriting ability. He wrote the album’s hauntingly beautiful title track, “The Peacocks,” and the album also showed off Jimmy’s unique voice. He was almost like a gravely-voiced Nat King Cole, if Nat Cole continued to live (and smoke) well into the 1970s, or if Leonard Cohen sang jazz standards.

In the 1970s and 80s, Rowles also remained in demand, and became the dedicated pianist for both Sarah Vaughan and Carmen McRae as they navigated these years more or less out of the spotlight. During this period, McRae praised Rowles as quote “the guy every girl singer in her right mind would like to work with.” With Sarah Vaughan he performed on several albums. They even recorded the song “Morning Star,” written by Jimmy Rowles with lyrics by Johnny Mercer, on their 1974 live album Sarah Vaughan and the Jimmy Rowles Quartet.

In the 1980s he succeeded Paul Smith as Ella Fitzgerald's accompanist. He first performed with Fitzgerald at the Mocambo nightclub in Hollywood in late 1956. He appeared on several recording sessions with her in the 1960s before joining her for nearly three years in 1981. Rowles appeared on Fitzgerald's final collaboration with Nelson Riddle, The Best Is Yet to Come in 1982. His song "Baby, Don't You Quit Now", written with Johnny Mercer, was recorded on her final album All That Jazz, released in 1989.


Rowles died of cardiac arrest May 28, 1996 in Burbank, California, at the age of 77. He was inducted into the Big Band and Jazz Hall of Fame in 2001.

His daughter, Stacy (September 11, 1955 – October 30, 2009), was an accomplished jazz trumpeter, singer, and flugelhornist.

(Edited from Wikipedia & an article by Mark Chilla @ Afterglow )

1 comment:

boppinbob said...

For “Stan Getz Presents Jimmie Rowles ‎– The Peacocks (1977)” go here:

https://www.upload.ee/files/10374541/Getz___Rowles_-_The_Peacocks.rar.html

01. I'll Never Be The Same
02. Lester Left Town
03. Body And Soul
04. What Am I Here For?
05. Serenade To Sweden
06. The Chess Players
07. The Peacocks
08. My Buddy
09. The Hour Of Parting
10. Rose Marie
11. This Is All I Ask
12. Skylark
13. Mosaic / Would You Like To Take A Walk

Bass – Buster Williams (tracks: 2, 6, 8, 10, 11)
Drums – Elvin Jones (tracks: 2, 6, 8, 10, 11)
Piano – Jimmy Rowles
Tenor Saxophone – Stan Getz (tracks: 1, 2, 4 to 12)
Vocals – Beverly Getz (tracks: 6), Jon Hendricks (tracks: 6), Judith Hendricks (tracks: 6), Michelle Hendricks (tracks: 6)

Though Stan Getz is credited as the leader of The Peacocks, and his immediately identifiable tenor saxophone is well represented, this session is actually headed by pianist and vocalist Jimmy Rowles, with Getz as producer. It is essentially a series of laid-back duets between Rowles and Getz, or a small amount of quartet recordings complemented by bassist Buster Williams and drummer Elvin Jones. The range of emotion and dynamics presented offers a unique listening experience for anyone not particularly familiar with the veteran Los Angeles based Rowles, supported by a variety of players who fully understand his muse. Not without his own innate sense of style, rhythm, and energy, Rowles is the centerpiece in a stack of standards, music of Duke Ellington, modern jazz compositions, and one original. He has a dry vocal style cum Mose Allison or even Tony Bennett, most evident on "I'll Never Be the Same" or the reserved but heartfelt blues ballad/waltz "My Buddy."

With few Jimmy Rowles recordings in the world, this has to rank as his best, clearly the most entertaining, and a project Getz was ever proud to bring to the jazz world. It is definitive, deserving of the Columbia Jazz Masterpieces tag, and a must-have item in your modern jazz collection. (edited AllMusic review)

A big thank you to muro @ murodoclassicrock4.blog for original post.