Ken Mackintosh (4 August 1919 – 22 November 2005) was an English saxophonist, composer and bandleader. Mackintosh was born in Liversedge, Yorkshire, and died in Mitcham, Surrey, England. Mackintosh accompanied singers such as Tom Jones, Shirley Bassey and Matt Monro.
He was born in Liversedge,
in the West Riding of Yorkshire in
1919 and devoted his life to music, Mackintosh's father was an amateur
musician, so the young Ken grew up familiar with bands and, at the age of 14,
decided it was the alto saxophone that interested him the most. Told that it
was easy to play, he bought one on hire purchase for two shillings a week. Ken
did find it easy and was soon to play it better than his tutor, getting
employment in bands around the Leeds and Bradford areas.
At the outset of
the Second World War, he joined the Royal Army Service Corps and was posted to
France in the British Expeditionary Force. They were soon cut off by a German
attack, and it became every man for himself, but hanging on to his alto, Mackintosh
walked the 10 miles to Cherbourg and was taken to Southampton on a relief ship.
His rescue made the national press. He spent the next four years in the machine
workshops of his regiment. He also played in a military band before being
demobbed and then went straight into a London band led by the trumpeter Johnny
Claes, before joining the bands of George Elrick, then Oscar Rabin, and finally
Frank Weir.
Mackintosh was
intent on creating his own swinging big band, and the opportunity arose in 1948
with an invitation to open the new Astoria Ballroom in Nottingham. That in turn
led to regular BBC Midland Region radio broadcasts, and his band-leading fame
began to spread. He remained in Nottingham for two years, until Wimbledon
Palais beckoned and Mackintosh and the band came south to the new venue, from
which they regularly began broadcasting on the BBC Light Programme. He also had great singing strength with such
well-versed vocalists as Kenny Bardell, Gordon Longhorn and The Mackpies.
In 1951 he secured a recording contract with
HMV, kicking off with Victor Herbert's "Kiss Me Again", and scoring a
big hit with "The Creep" two years later. The
Wimbledon Palais tenure lasted three years and by then Mackintosh felt the band
was becoming musically stale and a tour would be the cure. It lasted more than
10 years - entertaining on cruise liners and playing concerts all over the UK.
The band also featured in a Diana Dors film, An Alligator Named Daisy (1955),
and they appeared on television on Come Dancing and later their own show,
Flying Standards.
It was such a
punishing schedule for so many years that the idea of a ballroom residency was
again becoming attractive. As luck would have it, the lavish £1m-refurbished
Empire Ballroom in Leicester Square, London was about to reopen - and Ken
Mackintosh and his Orchestra were the first choice, with a seven-year contract.
The Hammersmith Palais came next, with another seven-year stint to fulfil,
before moving over to the Royal, Tottenham, for a few years.
The band was
still busy recording, with "Raunchy" and "No Hiding Place"
becoming notable. Records were also made accompanying the star vocalists Alma
Cogan, Anne Shelton and Frankie Vaughan, and the band were given their own
radio series entitled Mack the Knife.
But by the
1970s, big bands were in decline, having been replaced by less expensive
guitar-led pop groups. The desire for bands hadn't gone completely, but
bookings were slack and, although touring remained on the agenda, it was time
to consider partial retirement. With so many years as a ballroom band-leader
behind him, Ken Mackintosh personally remained in demand and, for three
successive years in the late 1990s, he was invited to conduct the
International Championships at the Royal Albert Hall and, in 2001, was awarded the British Academy of Composers and Songwriters "Gold Badge" for outstanding services to British music.
International Championships at the Royal Albert Hall and, in 2001, was awarded the British Academy of Composers and Songwriters "Gold Badge" for outstanding services to British music.
Always mentally
and physically active, for his hobbies Mackintosh became an enthusiastic radio
ham by night and, by day, restored vintage cars using the skills he had
acquired during the war in the RASC machine workshops. Up until his death , he
was still occasionally playing and leading a local orchestra.
Among his fans
was the Queen Mother, for whom he played twice at Windsor Castle. Towards the
end of his life he was awarded the Freedom of the City of London. He died in Mitcham,
Surrey, 22 November 2005.
After Ken died
some ex-members from the Ken Mackintosh Orchestra formed The Mack Big Band
which now comprises of 17 band members. It features top soloists and vocalists
and it is still available for functions of all shapes and sizes. (Edited from various sources mainly Brian
Willey obit @ The Independent)
1 comment:
For “Ken Mackintosh His Saxophone & Orchestra – A Tribute” go here:
https://www.upload.ee/files/10314396/Ken_Mackintosh_-_Tribute.rar.html
1 The Creep
2 Plink, Plank, Plunk
3 The Champ
4 It Ain't Necessarily So
5 Plymouth Sound
6 Harlem Nocturne
7 I'll Be Hangin' Around
8 Istanbul
9 Off Shore
10 Tootle-loo-siana
11 Till Then
12 Skin Deep
13 The Echoing Blues
14 The Monster
15 Black Velvet
16 Air Express
17 I Want You All To Myself
18 Shifting Sands
19 The Very Thought Of You
20 Creeping Tom
21 Tin Pal Alley Ball
22 Unchained Melody
23 Curtain Call
24 Lovers In The Dark
25 Blues In The Night
26 Start Walking
27 Misty
27 original mono recordings 1952-1955
Living Era are to be congratulated on producing this excellent tribute to Ken Mack and his band. This selection is totally representative of the kind of programme they played in ballrooms and concert halls throughout the UK. Ken always delivered a quality performance, he had plenty of experience as a lead alto in many bands including those of George Elrick and Oscar Rabin, before forming his own band at Nottingham’s famous Astoria ballroom in 1948.
Ken’s band was not as big as some, but it was packed with top musicians, Pete Warner, Bobby Kevin,, Jack Seymour, Bert Courtley and Don Lang, just to name a few. The programme is divided as follows, very well played alto sax solos from the leader, swingers, vocals, comedy and in the latter years many of the Ray Anthony Band’s hits from the USA.
No one who was around in that era will forget The Creep, it was guaranteed to fill the dance floor. Ken knew what the public wanted and he delivered it, he also knew that he had to also play things that kept his musicians interested, but did not go over the heads of his audience, and he did that as well.
Thank you Ken, for this music, I hope many of those who were so well entertained by you will buy this tribute, it is well worth listening to.
Don Mather.
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