A fine soul-jazz organist of the 1960s, Trudy Pitts has been
relatively overlooked in comparison to the small crowd of other Philadelphians
from the period who made their mark with the Hammond B-3 organ. Although she
favoured a slightly more pop-oriented sound than most of her peers, with a
romantic loungish air on some of her recordings, she could also burn through
uptempo tunes, occasionally adding some dinner-clubbish singing of her own.
Trudy is a native Philadelphian who began playing piano at
age six. Her mother, too, was a musician and inspired this family tradition.
Trained as a musician and a music educator, Pitts studied at the Philadelphia Musical Academy, Temple University and Juilliard. She achieved a degree in music from the Connecticut College for Women. She was doing some club singing and teaching when she was approached by drummer Bill Carney in 1955 to fill the organ chair in his group, which had previously been occupied by Shirley Scott; Tootie Heath and John Coltrane were also in Carney's combo. Early work experience included a position as an assistant to the pianist in the Tony Award-winning musical Raisin.
Trained as a musician and a music educator, Pitts studied at the Philadelphia Musical Academy, Temple University and Juilliard. She achieved a degree in music from the Connecticut College for Women. She was doing some club singing and teaching when she was approached by drummer Bill Carney in 1955 to fill the organ chair in his group, which had previously been occupied by Shirley Scott; Tootie Heath and John Coltrane were also in Carney's combo. Early work experience included a position as an assistant to the pianist in the Tony Award-winning musical Raisin.
Pitts had not yet played often in the jazz style, and
although the job went to someone else, Carney encouraged Pitts' progress on jazz
organ by helping her get work. By 1958 she was playing in Carney's group the Hi-Tones and
married to Carney; the group assumed the billing of Trudy Pitts & Mr. C.
Pitts developed a style that was somewhat less blues-based than other Hammond
organists, partly as a result of her classical training and also from using her
foot to play bass instead of depending on her left hand.
In 1967, she released her debut album “Introducing the
Fabulous Trudy Pitts.” Allmusic awarded the album 3 stars stating "A
strong debut from Trudy Pitts, divided between covers of pretty mainstream
standards and gutsier straight soul-jazz. The Boston Globe printed a piece
calling her a rising star and complimented her drawbar variation, vibrato
shadings, and bass pedal work.
Pitts and Carney stopped touring in the early '70s as their
family grew, but she eventually went on to play with Ben Webster, Gene Ammons, and
Sonny Stitt. She recorded four albums for Prestige Records, appearing with
Willis Jackson among others. One of Pitts' most distinguished performances, on
piano, is with Rahsaan Roland Kirk on the 1976 album Other Folk's Music. It
includes her flowing composition "Anysha," named for her daughter and
scored for cello, harp, flute, and other instruments.
Pitts stayed active on organ and piano, and became a mentor
figure in Philadelphia and an adjunct associate professor at the city’s
University of the Arts, where she began teaching in 1991. In her later years Pitts played keyboard for the theatre and
restaurants, but mostly the piano rather than the organ.
Recent festival appearances include the 11th Annual Mary Lou Williams Women in Jazz Festival at the Kennedy Centre in Washington, D.C., in May 2006. On September 15, 2006, Pitts was the first jazz artist play a concert on Philadelphia's Kimmel Center's 7,000 pipe organ, "taking the medium to a whole new level".
In 2008, she again performed on an exceptional organ, this time the Kennedy Centre’s Filene Organ. Trudy Pitts died at Chestnut Hill Hospital on December 19, 2010, aged 78, from pancreatic cancer.
Recent festival appearances include the 11th Annual Mary Lou Williams Women in Jazz Festival at the Kennedy Centre in Washington, D.C., in May 2006. On September 15, 2006, Pitts was the first jazz artist play a concert on Philadelphia's Kimmel Center's 7,000 pipe organ, "taking the medium to a whole new level".
In 2008, she again performed on an exceptional organ, this time the Kennedy Centre’s Filene Organ. Trudy Pitts died at Chestnut Hill Hospital on December 19, 2010, aged 78, from pancreatic cancer.
(Edited from Wikipedia & AllMusic)
1 comment:
Managed to find her first two albums which I have placed in one folder.
For “ Introducing the Fabulous Trudy Pitts [1967] ”
& “Trudy Pitts – These Blues Of Mine [1967]” go here:
https://www.upload.ee/files/10338232/Trudy_Pitts_-_2_on_1.rar.html
1. Steppin' In Minor 4:30
2. The Spanish Flea 4:20
3. Music To Watch Girls By 4:35
4. Something Wonderful 3:25
5. Take Five 5:30
6. It Was A Very Good Year 3:45
7. Siete 4:00
8. Night Song 3:50
9. Fiddlin' 3:55
10. Matchmaker 4:10
Congas – Abdu Johnson
Drums - Bill Carney
Guitar – Pat Martino
Organ, Vocals – Trudy Pitts
Recorded February 15 & 21, 1967
Van Gelder Studio, Englewood Cliffs, New Jersey
A strong debut from Trudy Pitts, divided between covers of pretty mainstream standards ("The Spanish Flea," "It Was a Very Good Year," "Matchmaker, Matchmaker") and gutsier straight soul-jazz, including four originals by Bill Carney, whose "Organology" is a highlight for its nervous, bopping edge. The languorous swells of the opening number "Steppin' in Minor" make you think you're in for a set of swank lounge-jazz, but the pace quickly picks up, and Pitts really catches fire on "Take Five," jamming a lot of notes into her improvisation without sounding self-indulgent. Pat Martino's guitar is graceful and sensitive throughout, and the trio of Pitts, Martino, and Carney is embellished by Abdu Johnson on conga. Introducing the Fabulous Trudy Pitts is teamed with another 1967 Pitts LP, These Blues of Mine, on the 1998 single-disc Prestige CD Legends of Acid Jazz. (Allmusic)
A big thank you to Lakhavinor @ opubisdarosa.blogspot for original post
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Trudy Pitts - These Blues Of Mine
1 - Organology 4:00
2 - The House Of The Rising Sun 2:40
3 - Just Us Two 5:05
4 - Eleanor Rigby 2:45
5 - Count Nine 4:15
6 - Man And Woman 4:20
7 - A Whiter Shade Of Pale 3:10
8 - Teddy Makes Three 3:00
9 - These Blues Of Mine 5:25
10 - What The World Needs Now 3:20
Trudy Pitts - organ, vocals
Pat Martino - guitar
Bill Carney - drums
Recorded: September 21 & 25, 1967 / Van Gelder Studio, Englewood Cliffs, New Jersey
A big thank you to egroj @ egroj world for original post.
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