Thursday 23 November 2017

Manuel de Falla born 23 November 1876

 
Manuel de Falla,  (born November 23, 1876, Cádiz, Spain—died November 14, 1946, Alta Gracia, Argentina), the most distinguished Spanish composer of the early 20th century. In his music he achieved a fusion of poetry, asceticism, and ardour that represents the spirit of Spain at its purest. 


Falla took piano lessons from his mother and later went to Madrid to continue the piano and to study composition with Felipe Pedrell, who inspired him with his own enthusiasm for 16th-century Spanish church music, folk music, and native opera, or zarzuela. In 1905 Falla won two prizes, one for piano playing and the other for a national opera, La vida breve (first performed in Nice, France, 1913). 

In 1907 he moved to Paris, where he met Claude Debussy, Paul Dukas, and Maurice Ravel (whose orchestration influenced his own) and published his first piano pieces and songs. In 1914 he returned to Madrid, where he wrote the music for a ballet, El amor brujo (Love, the Magician; Madrid, 1915), remarkable for its distillation of Andalusian folk music.  
 
Falla followed this with El corregidor y la molinera (Madrid, 1917), which Diaghilev persuaded him to rescore for a ballet by Léonide Massine called El sombrero de tres picos (The Three-Cornered Hat; London, 1919). Noches en los jardines de España (Nights in the Gardens of Spain; Madrid, 1916), a suite of three impressions for piano and orchestra, evoked the Andalusian atmosphere through erotic and suggestive orchestration. All these works established Falla internationally as the leading Spanish composer. 
 
 
                               
 
          Here's the Ritual Fire Dance from El Amor Brujo

Falla then retired to Granada, where in 1922 he organized a cante hondo festival and composed a puppet opera, El retablo de Maese Pedro. Like the subsequent Harpsichord Concerto (1926), containing echoes of Domenico Scarlatti, the Retablo shows Falla much influenced by Igor Stravinsky. Falla’s style was then Neoclassical instead of Romantic, still essentially Spanish, but Castilian rather than Andalusian. After 1926 he wrote little, living first in Mallorca and, from 1939, in Argentina following Francisco Franco's victory in the Spanish Civil War.  

In Argentina Falla worked on Atlántida (The orchestration of the piece remained incomplete at his death and was completed posthumously by Ernesto Halffter.) He also premiered his Suite Homenajes in Buenos Aires in November 1939. In 1940, he was named a Knight of the Order of King Alfonso X of Castile. Franco's government offered him a large pension if he would return to Spain, but he refused. 


Falla did spend some time teaching in exile. Among his notable pupils was composer Rosa García Ascot. His health began to decline and he moved to a house in the mountains where he was tended by his sister María del Carmen de Falla (1882-1971). He died of cardiac arrest on 14 November 1946 in Alta Gracia, in the Argentine province of Córdoba. 


In 1947 his remains were brought back to Spain and entombed in the cathedral at Cádiz. One of the lasting honours to his memory is the Manuel de Falla Chair of Music in the Faculty of Philosophy and Letters at Complutense University of Madrid. His image appeared on Spanish currency notes for some years. Manuel de Falla never married and had no children  (Compiled and edited from www.Britannica.com & Wikipedia)
 

1 comment:

boppinbob said...

For “Manuel de Falla - El Amor Brujo, Noches en los jardins de España e El sombrero de tres” go here:

https://www.mediafire.com/file/y8wa879l88r8dqw/FLLA-ELAMRBRJSTKWSKI.rar

El Amor Brujo
01. I. Intro and Scene
02. II. In the Cave (Night-time)
03. III. Song of Love's Sorrow
04. IV. The Apparition
05. V. Dance of Terror
06. VI. The Magic Circle
07. VII. Midnight - Witchcraft
08. VIII. Ritual Fire Dance
09. IX. Scene
10. X. Song of the Will o' the Wisp
11. XI. Pantomime
12. XII. Dance of the Game of Love
13. XIII. Finale - The Bells of the Morning
Philadelphia Orchestra Leopold Stokowski, regente Shirley Verrett, mezzo-soprano

Noches en los jardins de España
14. I. En el Generalife
15. II. Danza lejana
16. III. En los jardines de la Sierra de Córdoba
Philippe Entremont, piano

The Three-Cornered Hat
17. I. The Neighbors' Dance
18. II. The Miller's Dance
19. III. The Final Dance
Philadelphia Orchestra Eugene Ormandy, regente

A big thank you to Carlinus @ Oser Da Musica.blogspot for original link