Blind James Campbell (September 17, 1906 – January 22, 1981) was an American blues singer and guitarist. He is mostly remembered for his 1962–63 recording for the Arhoolie label with his Nashville Street Band.
James Campbell was born in Nashville, Tennessee, on
September 17, 1906. He later became known as Blind James Campbell after an
accident at a fertilizer plant left him permanently blinded. In 1936 he formed
a band and began playing folk, country, pop, jazz and blues music at parties,
dances and for other local events. The Nashville Street Band consisted of
fiddler Beauford Clay (born 1900) who was a great influence on Campbell's playing,
second guitarist Bell Ray (born 1909), bass horn player Ralph Robinson (born
1885), and trumpeter George Bell.
Campbell and his band appeared to be quite content with the steady work they were receiving, and did not seem to have any desire to pursue a career in recording. However, Chris Strachwitz of Arhoolie Records became interested in the band after hearing a field recording of them made by a fellow blues fan, Donald Hill. Hill had recorded Campbell in the spring of 1959 and again in April 1961.
Hill's recordings include Campbell singing country songs as well as blues. He also recorded Campbell and his string band on a street corner in downtown Nashville and recorded him with Beauford Clay. Both the original tapes and digital copies of Hill's recordings have been deposited at Library of Congress as a part of the Hill/Mangurian collection of field recordings made between 1958 and 1961.
"Baby Please Don't Go"
After listening to Hill's tapes, Strachwitz set off to
Nashville to find and record Campbell and his band. After two recording
sessions with Campbell and his band in 1962 and 1963, the Arhoolie LP Blind
James Campbell And His Nashville Street Band (Arhoolie 1015) was released in
1963.
While these recordings never propelled Campbell into prominence, and the history of James Campbell and his band since the 1963 recordings is hazy, Strachwitz revisited these recordings and released them on CD in 1995, along with additional tracks from both recording sessions. Certainly, these recordings show evidence of a street band of considerable skill and quality, who were able to play American music from a variety of genres.
James Campbell died in Nashville, Tennessee, on January 22,
1981.
6 comments:
For “Blind James Campbell And His Nashville Street Band” go here:
https://krakenfiles.com/view/NBbqoTqV3Q/file.html
1 Have I Stayed Away Too Long 3:15
2 I'm Crazy About You Baby 3:25
3 Buffalo Gal 1:49
4 Will The Circle Be Unbroken 4:02
5 The Moon May Rise In Blood 3:59
6 John Henry 2:25
7 Baby Please Don't Go 2:19
8 Jimmy's Blues 4:52
9 Monkey Man Blues 3:43
10 This Little Light Of Mine 2:55
11 Detroit Blues 2:46
12 Beauford's Breakdown 1:40
13 Gambling Man 2:37
14 Sittin' Here Drinking 2:34
15 Jam Piece (George's Boogie) 2:37
16 I Never Had Nothing 3:06
17 Do You Remember (Theme Song) 3:22
18 My Gal Got Evil 4:22
19 Beauford's Boogie Woogie 3:03
20 When The Saints Go Marching In 3:04
21 I Am So Blue When It Rains 3:18
22 Pick And Shovel Blues 4:58
23 Detroit Jump 2:33
Banjo – Beauford Clay (tracks: 6)
Bass Tuba – Ralph Robinson (3)
Fiddle – Beauford Clay
Fiddle, Guitar – Bell Ray
Trumpet – George Bell (4)
Vocals – Bell Ray (tracks: 10)
Vocals, Guitar – James Campbell
Featuring – James Campbell's Friendly Five
Recorded by Chris Strachwitz in Nashville, Tenn.: #11, 16, 17 & 18 on October 25, #1, 2, 3, 5, 7, 8, 10, 12, 13, 14, 15, 19, 21, 22 & 23 on October 26, 1962 and #4, 6, 9 & 20 on April 14, 1963 with one Capps condensor microphone and a Magnecord tape recorder. Selections #15-23 previously unissued.
James Campbell became an itinerant guitarist/singer leading a street band in Nashville from the 1930s into the 1960s. Carter’s repertoire was a mix of blues, country, jazz, old-time popular, minstrel, skiffle, and jug band music. In the early 1960s, Arhoolie founder Chris Strachwitz recorded Carter surrounded with his band in Carter’s living room. What the band lacked in musical polish, they made up for with spirit, authenticity, and vitality. This collection contains music from both recording sessions and features Beauford Clay on violin.
Thank you!
Muchas gracias, buen fin de semana
Thank You So Much
many thanks!
One of my most favorite recordings, and a fortunate capture of a delightful, talented group, playing a rich variety of tunes(with a rich variety of instruments)!
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