Lowell Fulson born 31 March 1921

Lowell Fulson (March 31, 1921 – March 7, 1999) was an American blues guitarist and songwriter, in the West Coast blues tradition. He also recorded for contractual reasons as Lowell Fullsom and Lowell Fulsom. After T-Bone Walker, he was the most important figure in West Coast blues in the 1940s and 1950s. 

Fulson was born on a Choctaw reservation in Atoka, Oklahoma to Mamie and Martin Fulson. He stated that he was of Cherokee ancestry through his father but also claimed Choctaw ancestry. His father was killed when Lowell was a child, and a few years later he moved with his mother and brothers to live in Clarita and attended school at Coalgate. 

Exposed to the Western swing of Bob Wills, as well as indigenous blues while growing up in Oklahoma, Fulson joined up with singer Texas Alexander for a few months in 1940, touring the Lone Star state with the veteran bluesman. Fulson was drafted in 1943. The Navy let him go in 1945. After a few months back in Oklahoma, he was off to Oakland, CA, where he made his first 78s for fledgling producer Bob Geddins. 

Soon enough, Fulson was fronting his own band and cutting a stack of platters for Big Town, Gilt Edge, Trilon, and Down Town (where he hit big in 1948 with "Three O'Clock Blues," later covered by B.B. King). Swing Time records prexy Jack Lauderdale snapped up Fulson in 1948, and the hits really began to flow: the immortal "Every Day I Have the Blues" , "Blue Shadows," the two-sided holiday perennial "Lonesome Christmas," and a groovy mid-tempo instrumental "Low Society Blues" that really hammers home how tremendously important pianist Lloyd Glenn and alto saxist Earl Brown were to Fulson's maturing sound (all charted in 1950!). 

                             

Fulson toured extensively from then on, his band stocked for a time with dazzling pianist Ray Charles and saxist Stanley Turrentine. After a one-off session in New Orleans in 1953 for Aladdin, Fulson inked a long-term pact with Chess in 1954. His first single for the firm was the classic "Reconsider Baby," cut in Dallas under Stan Lewis' supervision with a sax section that included David "Fathead" Newman on tenor and Leroy Cooper on baritone. 

The relentless mid-tempo blues proved a massive hit and perennial cover item -- even Elvis Presley cut it in 1960, right after he got out of the Army. But apart from "Loving You," the guitarist's subsequent Checker output failed to find widespread favour with the public, which was baffling, since Fulson's crisp, concise guitar work and sturdy vocals were as effective as ever. Most of his Checker sessions were held in Chicago and L.A. (the latter his home from the turn of the '50s). 

Fulson stayed with Checker into 1962, but a change of labels worked wonders when he jumped over to Los Angeles-based Kent Records. 1965's driving "Black Nights" became his first smash in a decade, and "Tramp," a loping funk-injected workout co-written by Fulson and Jimmy McCracklin, did even better, restoring the guitarist to R&B stardom, gaining plenty of pop spins, and inspiring a playful Stax cover by Otis Redding and Carla Thomas only a few months later that outsold Fulson's original. A couple of lesser follow-up hits for Kent ensued before the guitarist was reunited with Stan Lewis at Jewel Records. 

After a quiet period in the 1970s, Fulson rejoined the international blues circuit in the mid-1980s, he sounded almost untouched by the years. As the blues producer Dick Shurman wrote in the notes to his 1988 album It's A Good Day: 'Fulson has seemingly frozen time. He continues to tour widely, write new tunes and record . . . with stocky countenance and black beard, he presents the flashing eyes and grin of a man trying to keep the location of the fountain of youth a secret.' 

A show entitled California Blues: Swingtime Tribute opened in 1993 at the Paramount Theatre in Oakland, California, with Fulson, Johnny Otis, Charles Brown, Jay McShann, Jimmy Witherspoon, Jimmy McCracklin and Earl Brown. Fulson's last recording was a duet of "Every Day I Have the Blues" with Jimmy Rogers on the latter's 1999 Atlantic Records release, The Jimmy Rogers All-Stars: Blues, Blues, Blues. 

 Fulson was never been absent for long on disc; 1992's Hold On and its 1995 follow-up. Them Update Blues, both for Ron Levy's Bullseye Blues logo, were among his later efforts, both quite solid. Fulson continued to perform until 1997, when health problems forced the career bluesman into a reluctant retirement. 

A resident of Los Angeles, Fulson died in Long Beach, California, on March 7, 1999, at the age of 77. His companion, Tina Mayfield, stated that the causes of death were complications from kidney disease, diabetes, and congestive heart failure. He was the father of four and grandfather of thirteen. Fulson was interred in Inglewood Park Cemetery, in Inglewood, California. 

(Edited from Wikipedia, AllMusic & The Guardian)