Ben Webster born 27 March 1909

Benjamin Francis Webster (March 27, 1909 – September 20, 1973), a.k.a. "The Brute" or "Frog," was an influential American jazz tenor saxophonist. He was considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young. 

A native of Kansas City, Missouri he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. He played with Lester Young in the Young Family Band. He recorded with Blanche Calloway and became a member of the Bennie Moten Orchestra with Count Basie, Hot Lips Page, and Walter Page. For the rest of the 1930s, he played in bands led by Willie Bryant, Benny Carter, Cab Calloway, Fletcher Henderson, Andy Kirk, and Teddy Wilson. He was a soloist with the Duke Ellington Orchestra in the 1940s, appearing on "Cotton Tail". He considered Johnny Hodges, an alto saxophonist in the Ellington orchestra, a major influence on his playing. 

Ellington, Webster & Jimmy Hamilton

Webster left the band in 1943 after an altercation during which he allegedly cut one of Ellington's suits. Clark Terry said the departure was because Webster slapped Ellington. Webster worked on 52nd Street in New York City, where he recorded frequently as a leader and sideman. During this time he worked with Raymond Scott, John Kirby, Bill DeArango, Sid Catlett, Jay McShann, and Jimmy Witherspoon. For a few months in 1948, he returned briefly to Ellington's orchestra. 

In 1953, he recorded King of the Tenors with pianist Oscar Peterson, who would be an important collaborator with Webster throughout the decade in his recordings for the various labels of Norman Granz. Along with Peterson, trumpeter Harry "Sweets" Edison and others, he was touring and recording with Granz's Jazz at the Philharmonic package. In 1956, he recorded a classic set with pianist Art Tatum, supported by bassist Red Callender and drummer Bill Douglass. Coleman Hawkins Encounters Ben Webster with fellow tenor saxophonist Coleman Hawkins was recorded on December 16, 1957, along with Peterson, Herb Ellis (guitar), Ray Brown (bass), and Alvin Stoller (drums). The Hawkins and Webster recording is a jazz classic, the coming together of two giants of the tenor saxophone, who had first met back in Kansas City. 

                              

In the late 1950s, he formed a quintet with Gerry Mulligan and played frequently at a club in Los Angeles called Renaissance. It was there that the Webster-Mulligan group backed up blues singer Jimmy Witherspoon on an album recorded live for Hi-Fi Jazz Records. That same year, 1959, the quintet, with pianist Jimmy Rowles, bassist Leroy Vinnegar, and drummer Mel Lewis, also recorded Gerry Mulligan Meets Ben Webster for Verve Records. 

Webster worked steadily, but in late 1964 he moved to Europe, working with American jazz musicians and local musicians. He played when he pleased during his last decade. He lived in London and several locations in Scandinavia for one year, followed by three years in Amsterdam, and made his last home in Copenhagen in 1969.Webster appeared as a sax player in a low-rent cabaret club in the 1970 Danish blue film titled Quiet Days in Clichy. In 1971, Webster reunited with Duke Ellington and his orchestra for a couple of shows at the Tivoli Gardens in Copenhagen; he also recorded "live" in France with Earl Hines. He also recorded or performed with Buck Clayton, Bill Coleman and Teddy Wilson. 

Webster suffered a cerebral bleed in Amsterdam in September 1973, following a performance at the Twee Spieghels in Leiden, and died on 20 September. His body was cremated in Copenhagen and his ashes were buried in the Assistens Cemetery in the Nørrebro section of the city. 

After Webster's death, Billy Moore Jr. created The Ben Webster Foundation, together with the trustee of Webster's estate. Since Webster's only legal heir, Harley Robinson in Los Angeles, gladly assigned his rights to the foundation, The Ben Webster Foundation was confirmed by The Queen of Denmark's Seal in 1976. In the Foundation's trust deed, one of the initial paragraphs reads: "to support the dissemination of jazz in Denmark". 

It is a beneficial Foundation, which channels Webster's annual royalties to musicians, both in Denmark and the U.S. An annual Ben Webster Prize is awarded to a young outstanding musician. The prize is not large, but considered highly prestigious. Over the years, several American musicians have visited Denmark with the help of the Foundation, and concerts, a few recordings, and other jazz-related events have been supported. 

Ben Webster's private collection of jazz recordings and memorabilia is archived in the jazz collections at the University Library of Southern Denmark, Odense. Ben Webster used the same saxophone from 1938 until his death in 1973. Ben left instructions that the horn was never to be played again. It is on display in the Jazz Institute at Rutgers University in Newark, New Jersey.       

(Edited from Wikipedia)