Clifton E. "Cliff" Gallup (June 17, 1930 – October 9, 1988) was the original lead guitarist in Gene Vincent's Blue Caps. His stint in the band was brief, encompassing much of 1956 and about 35 tracks in the studio. Yet in that short burst of time, he established himself as one of the greatest guitarists in early rock & roll, and certainly one of the greatest rockabilly guitarists ever.
His name is not well-known to the public because he was a
sideman to Vincent, the main star. Most rock fans have heard his riffs on
"Be-Bop-A-Lula," if nothing else, and his speed and dexterous
imagination on numerous other early Vincent tracks still dazzle. Gallup played
as lead guitarist with the Virginians and The Phelps brothers. He might still
be unknown today had not Sheriff Tex Davis, a DJ in Norfolk, Virginia, gotten
involved with managing Vincent in early 1956, after noticing his popular radio
performances. Davis assembled a band from local musicians, including Cliff
Gallup,
who was picked as lead guitarist. Gallup had previously played in a
local band, the Virginians and was older than Vincent and the other band
members.
The story goes that when Vincent and the Blue Caps went
to Nashville for their first session in May 1956, producer Ken Nelson had
arranged to have top session musicians standing by in case the band wasn't up
to par. But, goes the legend, as soon as Gallup ripped into the lightning solos
on "Race with the Devil," they knew they wouldn't be needed.
"Be-Bop-A-Lula" and "Race with the Devil" were among the
songs recorded at this initial session, and both had solos that showcased
Gallup's slithery tone, quick hands, and knack for wildly imaginative,
unexpected notes that fit.
Gallup played on 35 tracks with Vincent, including his
biggest hit, "Be-Bop-A-Lula", and established a reputation as one of
the most technically proficient guitarists in early rock and roll, but his talent
was to some extent squandered when the band covered a bunch of pop standards on
their second round of sessions in
June. However, there were still a number of opportunities for Gallup to strut his stuff on up-tempo rockabilly cuts, like "Bluejean Bop," "Jumps, Giggles and Shouts," and "Jump Back, Honey, Jump Back.”
June. However, there were still a number of opportunities for Gallup to strut his stuff on up-tempo rockabilly cuts, like "Bluejean Bop," "Jumps, Giggles and Shouts," and "Jump Back, Honey, Jump Back.”
With "Be-Bop-A-Lula" a big hit, the Blue Caps
hit the road, with Gallup initially in tow. Gallup, however, was already 26 and
married, and didn't enjoy touring. He gave his notice in the fall of 1956. Fortunately,
Ken Nelson asked Gallup to come to Nashville for another round of sessions in
October, and the guitarist played lead, although he was technically no longer
in the band. These sessions produced more than a dozen tracks which rate with
Vincent's finest work, although
they're relatively undiscovered by the public. "Cruisin'" has a sensational skittering lead, and is a blueprint for the Stray Cats' arrangements; "Cat Man" shows Gallup's ability to leap from aggressive high tones to growling, sinister low ones; and "B-I-Bickey-Bi, Bo-Bo Go," "Five Feet of Lovin'," and "You Better Believe" are all great cuts on which Gallup, Vincent, and the band crackle with rockabilly exuberance. Still, these would be the last Vincent tracks on which Gallup would appear.
they're relatively undiscovered by the public. "Cruisin'" has a sensational skittering lead, and is a blueprint for the Stray Cats' arrangements; "Cat Man" shows Gallup's ability to leap from aggressive high tones to growling, sinister low ones; and "B-I-Bickey-Bi, Bo-Bo Go," "Five Feet of Lovin'," and "You Better Believe" are all great cuts on which Gallup, Vincent, and the band crackle with rockabilly exuberance. Still, these would be the last Vincent tracks on which Gallup would appear.
As a partial consequence of Gallup's absence, Vincent's
own style would veer toward the softer and less exciting after 1956. In
addition to his skill as a picker, Gallup was at the cutting-edge of mid-'50s
technology. He played his Gretsch guitar with a Fender Tweed amplifier, and
produced the reverb that has come to be associated with much classic rockabilly
by using echo units he constructed himself from parts from old tape recorders.
He used a flat pick in conjunction with fingerpicks on his middle and ring
fingers, using his little finger to work the vibrato bar. It is amazing that a
guitarist of Gallup's phenomenal abilities had not recorded before 1956. It is
also amazing, and disappointing, that Gallup became so obscure after 1956;
surely he had enough chops and inventiveness to thrive as a session player in
Nashville or Los Angeles, had he so chosen.
Gallup did say that after he left the Blue Caps, Ken
Nelson had offered him a good contract, but Cliff turned it down. He did make a
solo album with his group the Four C’s, for the local Pussy Cat label in
Norfolk, Straight Down the Middle, in the mid-'60s in a more mellow
instrumental style akin to that of Chet Atkins and Les Paul. Gallup
occasionally played with local bands, while working in school maintenance. He
played guitar until the day he died. He last played in Norfolk with a group
called the Hi-fi's 48 hours before he suffered a fatal heart attack.
At the time of his death in 1988, he was the director of
maintenance and transportation for the Chesapeake, Virginia, city school
system, where he worked for almost 30 years. At the request of his widow,
obituaries in local newspapers made no mention of his time with Gene Vincent
and His Blue Caps. He is remembered principally for his influence on such
guitarists as Eric Clapton, Brian Setzer, and Jeff Beck. The latter recorded an
album of Gene Vincent songs, Crazy Legs, in 1993 considered by music critics to
be a tribute to Gallup and Vincent.
Gallup was ranked 79th by Rolling Stone magazine's David
Fricke in his list of "100 Greatest Guitarists." He was inducted into
the Rockabilly Hall of Fame and the Rock and Roll Hall of Fame
(Edited from AllMusic & Wikipedia)
3 comments:
Thanks for all, for the true and infomatively stories and the good music! Unfortunately the link here, for Cliff Gallup is corrupt or not working or not active! Can you perhaps do a repost or a fixing please?
Thanks TG, have now re-upped and checked. All OK now.
For “The 4 C’s featuring Cliff Gallup – Straight down the Middle” (1966) go here:
https://www.upload.ee/files/11891798/Cliff_Gallop.rar.html
01. Be Bop A Lula 2:10
02. Girl From Ipanema 2:48
03. Unchained Melody 1:20
04. Chicken Feathers 1:36
05. Jealous Heart 2:24
06. September In The Rain 1:54
07. Downtown 1:54
08. Am I That Easy To Forget 2:07
09. Mean 2:30
10. Jezebelle 2:14
11. I Dreamed Of An Old Love Affair 2:25
12. Come On In 1:40
I got it now, thanks a lot again!
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