Nancy Harrow (born October 3, 1930, New York City) is a dedicated and talented American jazz composer , lyricist and singer. She may not be a household name, but in the early 1960s and again starting in the late '70s, she recorded with some of the best jazz musicians in the business. Modeling her vocal style on her favorite singer, Billie Holiday, Nancy specialized in a crying blues sound. In all, Nancy has recorded 16 albums.
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While Nancy was at she toured with the Bennington Dance
Group, choreographed dances to jazz scores, and was bitten by the performing
bug. She majored in literature and at graduation was encouraged to accept a
fellowship at Harvard and become an academic. But instead she worked as an
editor in a publishing house (William Morrow & Co.) until leaving to become
a singer.
She learned to sing jazz from records and later from sitting in at
clubs where musicians she knew were playing. During those years, Nancy was
editing by day, and at night sitting in with Kenny Burrell, Bob Brookmeyer,
Clark Terry, and Bill Triglia at clubs in and around New York. She also got a
job touring (briefly) with the Tommy Dorsey Orchestra, at that time under the
direction of Warren Covington.
Here's " On The Sunny Side Of The Street" from above album
Nat Hentoff heard Nancy
in a club one night and ended up producing her first album, Wild Women Don't
Have the Blues. It was released in 1961 on the Candid label and featured Buck
Clayton, Dick Wellstood, Buddy Tate and Dickie Wells, among others For her
second album (Atlantic/1963), You Never Know, John Lewis served as A&R man,
arranger, and pianist. That album also featured Dick Katz, Phil Woods, Jim
Hall, Richard Davis and Connie Kay.
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She returned to singing in 1975 with an engagement at the
Cookery with Richard Wyands and Richard Davis. Since then she has made fifteen
more albums. Several of these were self-I produced and then leased or sold to
record companies. Since then she has worked with Katz and Woods, Clark Terry,
Roland Hanna, and Bob Brookmeyer.
She recorded albums based on The Lost Lady by
Willa Cather and The Marble Faun by Nathaniel Hawthorne. Her album Winter
Dreams, based on the life of F. Scott Fitzgerald, was used for the musical This
Side of Paradise, which ran for six weeks in New York City in 2010 at the
Theatre at St. Clements and in 2013 at the History Theatre in St. Paul,
Minnesota. For the Last Time, a jazz musical based on The Marble Faun, ran for
six weeks at the Clurman Theatre on Theatre Row in New York City in 2015.
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Her latest recording, The Song Is All, was recorded at
East Side Sound in February/March of 2016 and was released by Benfan Music on
October 3, 2016. As of November 2017 Nancy was still performing at New York
Society Library. She sang songs from her
1994 Lost Lady album, which was based on the Willa Cather novel, A Lost Lady.
Harrow is the mother of Damon Krukowski, a musician with
the band Galaxie 500 and the duo Damon and Naomi. (Edited from Wikipedia & nancyharrow.com)
2 comments:
For “Nancy Harrow – Partners” (2018) go here:
https://www.mediafire.com/file/n71azzh1a6ik1xc/Nancy_Harrow.rar/file
1 It's a Wonderful World
2 You're Nearer
3 Tain't Nobody's Bizness
4 I Got It Bad and That Ain't Good
5 So Why Am I Surprised?
6 Anything Goes
7 Desperado
8 The Extra Mile
9 Hit The Road, Jack
10 I Get Along Without You Very Well
11 But Not The Cat
12 What'll I Do?
13 Fixing A Hole
14 My Foolish Heart
15 You're My Thrill
16 Railroad Man
17 But Beautiful
18 When The World Was Young
19 In A Mellotone
20 Not While I'm Around
21 If I Could Be With You
22 Country Pie
23 Until It Comes Up Love
The cover lists jazz nobility. PARTNERS contains 23 tracks, 5 previously unreleased from 1964 with Kenny Burrell & Denzil Best and one from 1991; plus tracks dating from 1962-2016 with some of the most admired jazz players in the world -- pianists, guitarists, bass players and other singers. The performances aren’t arranged chronologically, but they offer a limber, mobile, portrait of the artist, for us to marvel at.
Even the most dedicated collector of Nancy’s recorded music will be wide-eyed at six previously unheard (and unknown performances). Five — IN A MELLOTONE, BUT BEAUTIFUL, YOU’RE MY THRILL, I GOT IT BAD, and IT’S A WONDERFUL WORLD — are demonstration performances (“demos”) recorded in 1964, pairing Nancy with Kenny Burrell, Major Holley, and Denzil Best. These brief recordings are sweet intense surprises.
A big thank you to Mike1985 @ Jazz’n’Blues Club for original post.
Again, an inside baseball type post for varied taste. She was like a female Jackie Paris.
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