Mitchell William "Mitch" Miller (July 4, 1911 –
July 31, 2010) was an American oboist, conductor, recording producer and
recording industry executive. He was involved in almost all aspects of the
industry, particularly as a conductor, and artist and repertoire (A&R) man.
Miller was one of the most influential people in American popular music during
the 1950s and early 1960s, both as the head of A&R at Columbia Records and
as a best-selling recording artist with an NBC television series, Sing Along
with Mitch.
Mitchell William Miller was born in Rochester, New York
state, and learned to play the piano at the age of six. At 12, he began to
study the oboe and within two years was at the city's famous Eastman School of
Music. By 20, he was already working in New York City with the CBS Symphony
Orchestra, the Saidenberg Little Symphony, and the Budapest String Quartet, and
filled in with other outfits, such as those of the top dance band leader of the
time, Leo Reisman.
He also played for the André Kostelanetz Orchestra, for
an orchestra that toured with George Gershwin as pianist – and was in the pit
when Gershwin's Porgy and Bess opened on Broadway in 1935 and with the CBS
Symphony for Orson Welles' 1938 classic "War of the Worlds"
broadcast. He also worked as a sideman for Charlie Parker and others.
It was in the late 1940s that the musician became businessman, as director of the popular division of Mercury Records. He built on the early successes of Laine and introduced his big hits such as That Lucky Old Sun, The Cry of the Wild Goose, Jezebel and – the biggest of them all – Mule Train.
It was in the late 1940s that the musician became businessman, as director of the popular division of Mercury Records. He built on the early successes of Laine and introduced his big hits such as That Lucky Old Sun, The Cry of the Wild Goose, Jezebel and – the biggest of them all – Mule Train.
Being at the sharp end of the music business also gave
Miller a chance to get work for himself, conducting orchestras, and to develop
that individual style. He produced Jezebel and Laine's Rose, Rose, I Love You,
a number he had discovered via the BBC, whose Light Programme had featured the
number, sung in Chinese by a young woman from Hong Kong, Hue Lee.
Miller was with Little Golden Records briefly, then
moved-on to Columbia in 1950 and built on the successes he had already achieved
with "crossovers" from country music to pop. It was thanks to him
that Hank Williams's hit Hey Good Lookin' became a huge success as a duet for
Laine and Jo Stafford. At Columbia, Bennett had one of his early chart-toppers
with Cold, Cold Heart. There were also Half As Much, sung by Rosemary Clooney,
Jambalaya by Stafford and Joan Weber's Let Me Go Lover. Clooney had recorded as
a vocalist with Tony Pastor's big band before Miller persuaded her to take up
Ross Bagdasarian and William Saroyan's Come On-a My House..
But the big development was his discovery of Guy
Mitchell, the man who really changed the sound of popular music. It might have
been Guy Mitchell's name at the top of the label and his own in lower-case
letters beneath it, but the industry knew it was the Mitch Miller sound they
were hearing, and it was he who took the lion's share of the royalties. He
brilliantly combined the sound of his orchestra – and his French horns – with
the young voice to which the public took so willingly. Singin' the Blues,
Pittsburgh, Pennsylvania, She Wears Red Feathers and My Truly, Truly Fair were
amazing successes.
With others his touch was less than perfect, leading to
significant flops for Dinah Shore and Frank Sinatra. (When Sinatra complained
about the songs offered, he was reminded that he did have right of refusal on
any number). Miller also joined Les Paul to pioneer the use of overdubbing
(overlaying of musical tracks), an echo chamber, and other innovations to
increase the auditory experience.
In the mid-1950s, he and his orchestra produced the first
of the 20 best-selling "Sing Along With Mitch" albums of old and
popular standards on Columbia, then in 1961 he took the concept to NBC where
viewers were invited to "follow the bouncing ball" and sing along
while listening to the "Gang". Seen with disdain by many (including
sometimes Miller himself), the show gained a loyal following and high ratings.
After the program's run ended in 1964, he hosted "Sesamie Street",
continued to make occasional records (including a highly regarded 1987 Gershwin
disc with the London Symphony) and television specials while appearing as guest
conductor of a number of leading orchestras.
Though he received a Lifetime Grammy in 2000, he once said of the work for which he was best known: "There's no real artistic satisfaction in this job. I satisfy my musical ego elsewhere".
Miller was married for sixty-five years to the former Frances Alexander, who died in 2000. They had two daughters, Andrea Miller and Margaret Miller Reuther; a son, Mitchell Miller Jr. or "Mike Miller”; two grandchildren and two great-grandchildren. Miller lived in New York City for many years and died on July 31, 2010 at Lenox Hill Hospital, Manhattan after a short illness.
(Compiled and edited from The Guardian, Wikipedia and a Bio
by Bob Hufford)Though he received a Lifetime Grammy in 2000, he once said of the work for which he was best known: "There's no real artistic satisfaction in this job. I satisfy my musical ego elsewhere".
Miller was married for sixty-five years to the former Frances Alexander, who died in 2000. They had two daughters, Andrea Miller and Margaret Miller Reuther; a son, Mitchell Miller Jr. or "Mike Miller”; two grandchildren and two great-grandchildren. Miller lived in New York City for many years and died on July 31, 2010 at Lenox Hill Hospital, Manhattan after a short illness.
2 comments:
For Mitch Miller - It's Miller Time! - Come on and Join the Party” go here:
https://www85.zippyshare.com/v/ktXd0weR/file.html
Disc 1
1. THE YELLOW ROSE OF TEXAS
2. SONG FOR A SUMMER NIGHT
3. SONG FOR A SUMMER NIGHT
4. TZENA, TZENA, TZENA
5. AUTUMN LEAVES
6. TIRA LIRA MADIERA
7. WILLIE CAN
8. MARCH FROM THE RIVER KWAI AND COLONEL BOGEY
9. BLACKBERRY WINTER
10. SILLY LITTLE TUNE
11. SABRINA
12. JAVA
13. SONG OF THE SPARROW
14. THE BOWERY GRENADIERS
15. GREENSLEEVES
16. LISBON ANTIGUA (In Old Lisbon)
17. THE SLEIGH
18. HOW STRANGE
19. WOODEN SHOES AND HAPPY HEARTS
20. SONG FOR THE NINTH DAY
21. A VERY SPECIAL LOVE (Song of the Ninth Day)
22. UNDER PARIS SKIES
23. MEET MISTER CALLAGHAN
24. THE CHILDREN'S MARCHING SONG
25. SONG OF DELILAH
26. KEEP ME IN MIND
27. WHO WILL KISS YOUR RUBY LIPS
28. KALAMAZOO TO TIMBUKTU
29. AU REVOIR AGAIN
Disc 2
1. SING ALONG
2. HEY LITTLE BABY
3. BONNIE ELOISE
4. HEY, BETTY MARTIN
5. I'LL BE WITH YOU IN APPLE BLOSSOM TIME
6. BEER BARREL POLKA
7. DON'T FENCE ME IN
8. ORIENTAL POLKA
9. GINNY, MY JOY
10 WHISTLE STOP
11. DO-RE-MI
12. DIXIE
13. I'M GOIN' BACK TO DIXIE
14. I'M GOIN' BACK TO DIXIE
15. BATTLE HYMN OF THE REPUBLIC
16. YANKEE DOODLE / THE GIRL I LEFT BEHIND ME
17. HOME ON THE RANGE
18. SHE WORE A YELLOW RIBBON
19. PRESIDENT ON THE DOLLAR
20. COMIN' THROUGH THE RYE
21. THERE'S A LONG, LONG TRAIL
22. BE A SANTA
23. MUST BE SANTA
24. TILL WE MEET AGAIN
25. WALKIN' DOWN TO WASHINGTON
26. FOLLOW ME
27. DO-RE-ME
28. LOCH LOMOND MARCH
29. JUBILATION T. CORNPONE
30. WHEN DAY IS DONE
Mitch Miller made one of the most dramatic impacts in pop music of the '50s, having 'discovered' such names as 'Patti Page, Tony Bennett, Rosemary Clooney, The Four Lads, Johnnie Ray, Champ Butler and Johnny Mathis'.
This first rate compilation from Jasmine includes all of his greatest hits, such as: 'The Yellow Rose of Texas', 'Tzena, Tzena, Tzena'. 'Song for a Summer Night', 'March From the River Kwai', 'Lisbon Antigua', 'Meet Mr Callaghan', 'The Children's Marching Song', and 'Under Paris Skies', as well as rare singles and album tracks debuting on CD.
Anyone with an appreciation for the music of the '50s and early '60s should consider this spectacular release! (info Jasmine notes)
A big thank you to ACM2 blog for original link
THANK YOU - AUSSIE
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