Ethel Waters (October 31, 1896 – September 1, 1977) was
an Oscar-nominated American blues vocalist and actress. She was the second
African American to ever be nominated for an Academy Award.
Ethel Waters was the first black Superstar...an innovator
who opened all the theatrical doors hitherto closed to black performers of her
day, to attain the towering position she reached as a headliner. She fought
hard and long to achieve solo star status in the white world of vaudeville,
night clubs, Broadway theater, radio, films and television.
More than any other black performer of the century, Ethel
Waters was a woman of the theatre, and the celebrity she attained in maturity
as an actress tended at times to overshadow-at least in memory-the importance
of her accomplishments and influence as a singer.
Her talents defied categorical limits. She was the
fountainhead of all that is finest and most distinctive in jazz and popular
singing. Widely imitated during the 30's and 40's, one still hears echoes of
Ethel Waters in many singers who came after her. Joe Turner, Bing Crosby, Ivie
Anderson, Lee Wiley, Mildred Bailey, Connie Boswell, and Ella Fitzgerald have
acknowledged their debt to her.
Her range soared easily from a low, chest tone to a high,
clear head voice: on records she sang from a low E to high F, just over two
octaves, and on "Memories of You" she hits a spectacular high F
sharp. Her diction was clear and impeccable, colouring the lyrics with the proper
emotion necessary to express the feelings she wanted to convey.
Her eighty year life was a turbulent one filled with low
valleys and high peaks. In her autobiography, His Eye is on the Sparrow, she
frankly detailed the squalor of her sordid childhood and early struggles. Her
singing career began with amateur night performances in Philadelphia, then
slowly moved in the black theatre circuit, where she was billed as "Sweet
Mama Stringbean."
She began recording in 1921 for the Black Swan label,
continuing with that company through 1924. When she introduced
"Dinah" at the famous Plantation Club (Broadway and 50th Street) in
New York City in 1925, she met with such success that she was signed by Columbia
Records, for whom she was to make many of her most famous recordings during the
next decade. Her career continued to escalate in such black shows as Africana,
The Blackbirds of 1928 (and 1930) and Rhapsody in Black.
In 1929, she made her
film debut in the new talking films, singing "Am I Blue?" and
"Birmingham Bertha" in On with the Show, remade a few years later as
Forty-Second Street.
Ethel Waters remains a towering figure in the history of
jazz and American music. (info from jazzateria.com)
The divine Ethel Waters sings her signature song 'Am I Blue'. This is from the 1929 film 'On With The Show'. This film was originally shot in 2 part Technicolor - now sadly lost with only a b&w print surviving. Try and imagine how great this number would have been in colour. Also seen in the cut-away shots is comedienne Louise Fazenda.
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For Ethel Waters – Am I Blue? Go here:
http://www27.zippyshare.com/v/0TF5JsMS/file.html
01. Am I Blue? (3:24)
02. Sweet Georgia Brown (3:12)
03. Dinah (3:17)
04. I'm Coming, Virginia (3:06)
05. Birmingham Bertha (3:00)
06. Second-Handed Man (2:52)
07. True Blue Lou (3:06)
08. Shoo Shoo Boogie Boo (2:54)
09. Trav'lin' All Alone (3:03)
10. Long Lean Lanky Mama (2:54)
11. You Can't Stop Me from Loving You (3:28)
12. I Can't Give You Anything But Love, Baby (3:06)
13. Stormy Weather (3:12)
14. Don't Blame Me (3:14)
15. Shadows on the Swanee (2:59)
16. Heat Wave (3:01)
17. I Just Couldn't Take It, Baby (3:05)
18. A Hundred Years from Today (2:57)
19. Miss Otis Regrets (3:07)
20. Moonglow (3:21)
21. You're a Sweetheart (2:58)
22. I'll Get Along Somehow (2:31)
23. Baby, What Else Can I Do? (3:01)
24. Waitin' at the End of the Road (3:21)
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