Todd Rhodes (August 31, 1900 – June 4, 1965) was an American
pianist and arranger and was an early influence in jazz and later on in
R&B.
A talented and consummate musician, Todd Rhodes was a
professional jazz veteran of some 26 years standing before he began recording
with his own septet in the summer of 1947. Born in Hopkinsville, Kentucky,
young Todd was raised by his widowed mother in Springfield, Ohio, and studied
at the Springfield School Of Music and Pennsylvania's Erie Conservatory Of
Music. Upon graduating in 1921 he returned to Springfield to hook up with
drummer William McKinney, and he remained with McKinney's bands - notably
McKinney's Cotton Pickers - for the next thirteen years. Rhodes was the pianist
and one of the main arrangers for McKinney's Cotton Pickers, appearing on most
of the band's most important recordings.
Leaving McKinney in late 1934, Rhodes played with various
local bands in the Detroit area until he formed his own small unit in late
1943. By late 1946 the Todd Rhodes Orchestra was doing lucrative business at
Lee's Sensation Lounge, and it was after seeing them there that Bernard Besman
and John Kaplan decided to record the band for their new Sensation label in
July 1947. By the end of that year the band had become known as "Todd
Rhodes & His Toddlers" and their first four Sensation 78s had been
picked up for the local Chicago market and re-released on Bill Putnam's
Vitacoustic Records.
Understandably, the Rhodes band's music was on the jazzy
side of jump and R&B, nevertheless they hit the Billboard R&B charts
twice during their heyday; "Blues For The Red Boy", originally
released on Sensation in 1947, climbed to #4 in late 1948 when it
was reissued on King, and "Pot Likker" went to #3 the following year with another King reissue of a Sensation cut. The former release reached even greater renown in the early 1950s when a then obscure Cleveland DJ called Alan Freed began using the record as his theme tune, rechristened "Blues For Moondog" to encompass his DJ pseudonym.
was reissued on King, and "Pot Likker" went to #3 the following year with another King reissue of a Sensation cut. The former release reached even greater renown in the early 1950s when a then obscure Cleveland DJ called Alan Freed began using the record as his theme tune, rechristened "Blues For Moondog" to encompass his DJ pseudonym.
From 1951 Todd Rhodes & His Orchestra recorded for Syd
Nathan's King Records in Cincinnati - Nathan having purchased the Sensation
recordings by this stage - and the band stayed for three years, making their
own recordings as well as providing the backing for artists such as Wynonie
Harris and Dave Bartholomew. The band, itself, paraded a remarkable sequence of
staff vocalists; from the tragic Kitty Stevenson, through Connie Allen and
Pinocchio James, to the famous LaVern Baker.
4 comments:
Awaiting link for Todd Rhodes - Blues For The Red Boy-The Early Sensation, so watch this space.
http://olegspbblues.blogspot.nl/2014/01/todd-rhodes-and-his-orchestra-2002.html
This is the site, click on thhe link seven sentences below the sleeve of the cd and you can grab it!, regards Robert
Wow! Thanks (whoever you are)Once for your comment and Twice for the excellent link. That's two surprises I've had in succession. Things are definitely looking up!
Regards, Bob
Just got another link for requested album. Thanks to FredO @ The Rockin' Bandit blog too!
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