Roberto Baden Powell de Aquino (6 August 1937 – 26
September 2000) usually known simply as Baden Powell, was one of the most
prominent and celebrated Brazilian guitarists and guitar composers of his time.
He explored the instrument to its utmost limits, playingit in a distinctive,
unique manner, incorporating virtuoso classical
techniques together with
popular harmony and swing.
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He performed in many styles, including bossa nova, samba,
Brazilian jazz, Latin jazz and música popular brasileira. He performed on stage
during most of his lifetime, and recorded an extensive discography composed of
LP and CD albums produced in Brazil and Europe, particularly in France and
Germany.
Roberto Baden Powell de Aquino was born in Varre-Sai in
the state of Rio de Janeiro, Brazil. His father, a scouting enthusiast, named
him after Robert Baden-Powell.
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Soon he was accompanying some of the best-known singers
of the day, playing on radio programmes, in nightclubs and dancehalls,
and
climbing the hills of the shantytowns to play with some of Rio's legendary
sambistas. He began to compose his own music - his first recorded song was Samba
Triste (Sad Samba) - and he
went on to compose more than 500.
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The African rhythms of traditional samba remained one of
the fundamental influences in Baden's work, but in the early 1960s he became
associated with the new music of the bossa nova, a stylistic version of samba
influenced by jazz, and began to compose in partnership with the diplomat and
poet Vinicius de Moraes, one of the great names of the bossa nova period.
Together, they composed 50 songs, Baden writing the music, Moraes the lyrics.
Mauro Dias wrote: "[Baden Powell's] melodies were
always marked by a sensitive beauty, and his guitar interpretations were full
of nuances, with improvisations that then turned into new masterpieces. But his
touch was virile, the chords were always plucked with conviction, the
pronunciation was very clear and brilliant."
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The 1964 military coup in Brazil brought this period to an
end. As repression and censorship took hold, Baden Powell joined the exodus of
Brazilian composers and musicians who took the plane to Europe in search of a
more creative atmosphere. During those years, he released recordings in the
Brazilian labels Elenco and Forma, as well as in the French label Barclay and
the German label MPS/Saba (notably, his 1966 Tristeza on Guitar, considered by
many to be a high point in his career).
For the next 20 years, he lived abroad, first in Paris,
then in Baden-Baden in Germany - a joke, because of his name. As a result of
playing at jazz clubs and festivals, he became better known in Europe than in
his own country, to which he only returned for brief visits. After playing with
Thelonious Monk and Stan Getz in Paris, he became a name in the United States,
with his unique blend of samba, jazz and classical influences.
By now, Baden had married and had two sons, born in
Paris, but he was a heavy drinker, and sometimes would disappear for days on
drinking bouts. Alcohol, and his total lack of interest in financial gain,
meant that he never became wealthy.
"What messed him up were his personal life and a
friend named Johnny Walker," said Ruy Castro. In 1997, having returned to
live in Brazil, Baden converted to an evangelical Protestant faith, partly in
an attempt to stop drinking. Weakened by alcoholism and a diabetic, Baden
Powell was taken to hospital in Rio in August with pneumonia. He died of
septicaemia on 26 September 2000, in Rio de Janeiro. (Info edited from
Wikepedia & The Guardian obit)
1 comment:
For Baden Powell – Tristeza on Guitar (1966) go here:
http://www63.zippyshare.com/v/A2M60Par/file.html
A big thank you to the Planet Barbarella blog for original link
1. Tristeza
2. Canto de Xangô
3. 'Round About Midnight
4. Saravá
5. Canto De Ossanha
6. Manha De Carnaval
7. Invencão Em 7½
8. Rosas
9. Som Do Carnaval
10. Astronauta
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