Keith Jarrett (born May 8, 1945) is an American pianist and composer and one of the most prolific, innovative, and iconoclastic musicians to emerge from the late 20th century.
Jarrett attended Emmaus High School in Emmaus, Pennsylvania, where he learned jazz and became proficient in it. He developed a strong interest in contemporary jazz, and was inspired by a Dave Brubeck performance he attended in New Hope. He was invited to study classical composition in Paris with Nadia Boulanger, but he was already leaning toward jazz and turned it down. After his graduation from Emmaus High School in 1963, Jarrett moved to Boston to attend Berklee College of Music and play cocktail piano in local Boston clubs.
In 1964 he entered New York City’s vibrant scene. After sitting in with veteran and aspiring players at clubs, including the Village Vanguard, Jarrett toured first with Art Blakey's Jazz Messengers. From 1966 to 1968 he was the pianist with the Charles Lloyd Quartet which quickly became one of the most popular groups on the changing late-Sixties jazz scene with best-selling records and worldwide tours. He soon led his own trio with Charlie Haden and Paul Motian (which in 1972 expanded to a quartet with the addition of tenor saxophonist Dewey Redman). Then in 1970/71, Jarrett became a featured member in Miles Davis' electric fusion group, playing electric piano and organ - his last stint as a sideman, thereafter, dedicating himself exclusively to performing acoustic music as a solo artist and as a leader.
In 1971, Keith Jarrett began his recording collaboration with German producer Manfred Eicher and ECM Records (Editions of Contemporary Music). This fruitful collaboration has produced over 60 recordings to date, unparalleled in their scope, diversity, and quality.
The piano improvisations on Facing You, Solo Concerts, The Köln Concert, Staircase, Sun Bear Concerts, Moth and The Flame, Concerts, Paris Concert, Dark Intervals, Vienna Concert, and La Scala incorporate a broad spectrum of musical idioms and languages - classical, jazz, ethnic, gospel, folk, blues and pure sound - revealing a creative process based on a deeply conscious state of awakeness and listening in the moment, producing music both deeply personal, yet universal. This body of solo piano work is without precedent with the 1975 Köln Concert being the best selling piano recording in history.
Jarrett kicked off the '80s with Celestial Hawk: For Orchestra, Percussion and Piano, recorded at Carnegie Hall. This work wed his instinctual improvisational discipline on the piano to his formal compositional abilities in both vanguard classical music and jazz. In 1983, Jarrett began working in a trio with bassist Gary Peacock and drummer Jack DeJohnette. It was the beginning of an association that lasted the rest of his career. Throughout the decade they alternated between recording standards and freely improvised sets, among them 1986's Standards Live and 1989's Changeless.
While his first album of the '90s was the solo Paris Concert, the trio was also busy touring. They stopped briefly to record Bye Bye Blackbird in 1991 as a memorial to Miles Davis. That said, Jarrett spent most of the decade's first half recording classical music. A six-CD box set entitled Keith Jarrett at the Blue Note: The Complete Recordings, was released in 1995, documenting a three-night stand by the trio in June of 1994.
While on tour with the trio in Europe during 1996, Jarrett became ill with what was diagnosed as chronic fatigue syndrome. He battled the disease which was caused by an infection from parasitic bacteria for three years. Despite this, he kept up a regular schedule of album releases often as live recordings and in a long relationship with the label ECM. His last release was 2018’s After the Fall, originally recorded in 1998.Jarrett suffered major strokes in February and May 2018. After the second, he was paralyzed and spent nearly two years in a rehabilitation facility. Although he has regained a limited ability to walk with a cane and can play piano with his right hand, he remains partly paralyzed on his left side and is not expected to perform again.
(Edited from Wikipedia & AllMusic)
6 comments:
Thank you. A little bit of finding out what was going on with the second link, but it worked out very well indeed.
Maybe a slight error but a nice riddle as it is.
OOps Thanks Richard. I see what you mean. Now amended
For “Keith Jarrett – At The Blue Note - The Complete Recordings (1995 ECM)” go here:
CDs 1 & 2 https://pixeldrain.com/u/WFDst97w
CDs 3 & 4 https://pixeldrain.com/u/pydG6mLi
CDs 5 & 6 (+ covers) https://pixeldrain.com/u/BrRLFW5a
CD I - Friday, June 3rd, 1994 (1st Set)
1-1 In Your Own Sweet Way 17:59
1-2 How Long Has This Been Going On 9:09
1-3 While We're Young 11:01
1-4 Partners 8:28
1-5 No Lonely Nights 7:16
1-6 Now's The Time 8:30
1-7 Lament 7:09
CD II - Friday, June 3rd, 1994 (2nd Set)
2-1 I'm Old Fashioned 10:36
2-2 Everything Happens To Me 11:49
2-3 If I Were A Bell 11:26
2-4 In The Wee Small Hours Of The Morning 8:45
2-5 Oleo 8:03
2-6 Alone Together 11:20
2-7 Skylark 5:36
2-8 Things Ain't What They Used To Be 7:35
CD III - Saturday, June 4th, 1994 (1st Set)
3-1 Autumn Leaves 26:34
3-2 Days Of Wine And Roses 11:30
3-3 Bop-Be 6:18
3-4 You Don't Know What Love Is / Muezzin 20:31
3-5 When I Fall In Love 5:42
CD IV - Saturday, June 4th, 1994 (2nd Set)
4-1 How Deep Is The Ocean 11:25
4-2 Close Your Eyes 9:27
4-3 Imagination 8:44
4-4 I'll Close My Eyes 10:11
4-5 I Fall In Love Too Easily / The Fire Within 27:08
4-6 Things Ain't What They Used To Be 8:59
CD V - Sunday, June 5th, 1994 (1st Set)
5-1 On Green Dolphin Street / Joy Ride 21:07
5-2 My Romance 9:40
5-3 Don't Ever Leave Me 5:08
5-4 You'd Be So Nice To Come Home To 6:58
5-5 La Valse Bleue 7:03
5-6 No Lonely Nights 6:21
5-7 Straight, No Chaser 6:13
CD VI - Sunday, June 5th, 1994 (2nd Set)
6-1 Time After Time 12:36
6-2 For Heaven's Sake 11:02
6-3 Partners 8:56
6-4 Desert Sun 28:32
6-5 How About You? 7:11
In June 1994 over three extraordinary nights at the celebrated Blue Note in New York City, Keith Jarrett's Standards Trio took American jazz to new heights. Keith Jarrett At The Blue Note - The Complete Recordings (over six CDs) captures every tune from every set from every night - a unique documentation of one of this decade's greatest performances. "Jarrett makes each new note sound like a discovery...The music whispered and glimmered, seeking a pure, incorporeal song." - New York Times, June 6, 1994
Personnel: Keith Jarrett (piano), Gary Peacock (bass), Jack DeJohnette (drums)
Thank you!!!
Thanks Bob
thanks a lot !
OK gracias.
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