Thursday 23 May 2024

Johnny Bothwell born 23 May 1919

Johnny Bothwell (May 23, 1919 – September 12, 1995) was an American jazz alto saxophonist and bandleader. He became a major figure in the mid-1940s progressive jazz scene. Like many who tried to sell progressive jazz to the public, though, Bothwell failed to find commercial acceptance, and he ended up quitting the music business at the end of the decade. 

Born John Alvin Bothwell Junior in Gary, Indiana, he got his start in the Chicago jazz scene during the late 1930s. In 1940, he played with Max Miller’s sextet and Bill Fryar’s orchestra. Over the next few years he worked variously for Paul Jordan, Bob Chester, Gene Krupa, Woody Herman, Sonny Dunham, and Tommy Dorsey, earning a reputation as a top musician. Bothwell finished third in Down Beat magazine’s 1943 poll in the category of best alto saxophone player. 

In early 1944, Raeburn brought in Bothwell as a key part of his newly reorganized progressive jazz orchestra, with Bothwell becoming Raeburn’s featured soloist and assistant. Bothwell’s smooth sax playing proved the highlight of Raeburn’s sound, and during his stay with Raeburn he received several offers to front his own band but turned them down. Raeburn reciprocated by allowing Bothwell to record under his own name in early 1945 with members of the orchestra on the Signature label using several of the band’s arrangements. Those recordings were not released until 1946 however. Stylistically Bothwell admired Johnny Hodges and was in fact dubbed the white Johnny Hodges. 

In early July 1945, Bothwell and Raeburn had a major falling out, and Bothwell left the band. According to Raeburn, Bothwell had a near fistfight with one of the other musicians. Raeburn complained to Down Beat that Bothwell had a superior attitude and liked to insult band members. Raeburn also criticized Bothwell’s playing and accused him of stealing arrangements when he departed. In 1948, Bothwell clarified that he did take arrangements with him when he left, saying “I took tunes written around me, with the understanding they were mine.” Raeburn vocalist Claire Hogan followed Bothwell out of the band. The two had become romantically involved and married soon after, with Hogan becoming his fourth wife. 

                                   

Bothwell briefly worked with Krupa again before forming a short-lived sextet in late 1945. The combo opened November 1 at Three Deuces on 52nd Street in New York and recorded on Signature. While working with the combo, Bothwell also recorded on Signature with a band of all-stars, which included Harry Carney, Ray Nance, and Shelly Manne, with Hogan and a singing group led by Dave Lambert providing vocals. Bothwell broke up the combo in December and took a vacation in Florida. In early 1946, the recordings Bothwell made under his own name with Raeburn’s band were released to good reviews, followed by the all-star band recordings. 

Bothwell & Claire Hogan

When Bothwell returned from vacation, he proceeded to organize a full orchestra, going into rehearsals in February. In March, he recorded two sides with the new group for Signature, and in May he took the band on the road, touring New England that month. Hogan supplied female vocals, with close friend and former Raeburn band mate Don Darcy joining as male vocalist. Trumpet players Marty Bell and Pete Carlisle also sang, and Bothwell occasionally took a number himself. 

Though the new band featured adventurous jazz along the lines of Charlie Ventura and Stan Kenton, Bothwell also deliberately focused on modern dance rhythms in order to be more commercially acceptable. The orchestra, however, lacked talented musicians and failed to live up to the excitement it initially caused. Mostly ignored by the press after its debut, the band struggled. Darcy left in early January 1947, and Signature dropped the group in March, buying out the remaining eight months of Bothwell’s contract. Going nowhere, Bothwell disbanded in November. That same month, the musician’s union put him on their unfair list and revoked his card until he settled debts. He and Hogan also divorced. 

Bothwell, Basie, Buddy Morrow & Sam Donahue 

In December, Bothwell headed to Chicago to record on the Vitacoustic label with a new small band. He remained active for the next two years, putting together small groups and orchestras for various occasions, including a sweet bop combo and a full progressive jazz orchestra featuring young musicians. By 1950, though, he had left the music business altogether. He moved to Connecticut where he became a radio salesman for General Electric. He made a brief return to music in 1955, joining a new dance band put together by Raeburn. Bothwell later operated his own photography business in Florida. Bothwell suffered a stroke in the mid-1980s and passed away Lakeland, Florida on September 12, 1995 at the age of 76. 

(Edited from Bandchirps, Wikipedia & Hep Jazz)

4 comments:

boppinbob said...

For “Johnny Bothwell & His Orchestra – Street Of Dreams 1946 (1997 Hep)” (@192)

https://www.imagenetz.de/fju5M

1 I'll Remember April
2 Street Of Dreams
3 Laura
4 Lonely Serenade
5 Ill Wind
6 John's Other Wife
7 The Trouble With Me Is You
8 I Cover The Waterfront
9 Dear Max
10 Chelsea Bridge
11 22 Steps From Heaven
12 Strange Feeling
13 From The Land Of Sky Blue Water
14 My Old Flame
15 I Left My Heart In Mississippi
16 To A Wild Rose
17 Somewhere In The Night
18 Chiquita Banana
19 Ain't Nowhere
20 I'll Close My Eyes
21 I Won't Promise
22 Get A Pin Up Girl
23 Dog Patch Boogie

A big thank you goes to Rick Saunders for suggesting today’s birthday band leader.

RiCK SAUNDERS said...

Thank you, Bob! Your post has more info than I have ever seen elsewhere.
Greatly appreciated!
-Rick

rev.b said...

Thanks Bob! Given the scope of his career, I imagine I've heard Johnny's playing, but never really know much abpout him before now.

krobigraubart said...

Thank you, Bob!

Better covers:
https://workupload.com/file/JB9Stj7uL57