Bill Clifton (born William August Marburg; April 5, 1931) is an American bluegrass musician and singer who is credited with having organized one of the first bluegrass festivals in the United States in 1961.
Born and raised on a farm in Riderwood, Maryland, United States, Clifton's family prospered in the tobacco trade during the nineteenth century. From an early age, he discovered his love for country music through the radio and records. Clifton began singing and playing the guitar by age 12. His education spans private schools from New England to Florida. Eventually, he enrolled at the University of Virginia in 1949 where his love for country music expanded to folk music through fellow students, Paul Clayton and Dave Sadler.
While still in college, Clifton, Clayton, and Sadler formed the Dixie Mountain Boys together and began playing professionally at small radio stations in central Virginia. Because his family was opposed to his musical activities, he took the stage name "Bill Clifton". With the help of his friends and bandmates, Clifton produced his first recording in 1952 that included an array of old-time, bluegrass, and folk revival repertoire. Clifton met banjo player Johnny Clark through Sadler and soon formed a band that began playing on many local radio stations (including WWVA). In 1953, the band signed with Blue Ridge Records and began playing traditional bluegrass. They soon appeared on the Wheeling Jamboree radio barn dance show on AM station WWVA.
Clifton published a songbook in 1955 called 150 Old Time Folk and Gospel Songs, which soon became one of the most influential songbooks of its time. His songbook included many songs such as "Little Maggie", "I'll Be All Smiles Tonight", "Long Journey Home", and "Little Whitewashed Chimney". Because of the popularity of Clifton's songbook, these songs quickly became recognizable standards in the bluegrass world. During this time, Clifton met and played music with artists such as A.P. Carter, The Stanley Brothers, and Woodie Guthrie, to name just a few.
He had many connections throughout old-time, bluegrass, country, and folk music - which reflected his unique repertoire and sound. His singing style was deemed to have more of a folk revivalist influence rather than a "hillbilly" sound - which was the popular sound of the previous years. Because the instrumental style of his band had more of a "contemporary bluegrass" sound along with his "folk revivalist" vocals, he was deemed one of the first "city-billies" in bluegrass music.
After enlisting for two years in the Marine Corps, in 1956, Clifton re-entered the music business. The Stanley Brothers introduced Clifton to Dee Kilpatrick, who was Mercury's A&R man located in Nashville, and he invited Clifton to record for Mercury Records. However, by the time Clifton was ready to record, Kilpatrick had moved on from Mercury Records in order to take over WSM Artists' Service Bureau manager position. Therefore, he referred Clifton to Pierce who was interested, but said that Mercury-Starday would not finance the recording.
With the help of Ralph Stanley and two of the Clinch Mountain Boys, Clifton put together his own studio band. In 1956, Clifton paid for the recording time in RCA studios to cut four songs with this band. In 1957, Clifton released two of these songs to Starday, who issued them on a "trial basis". The overall record sold very well and received a lot of exposure from WWVA. The success of his release helped Clifton to be moved to Mercury-Starday for his next session in Nashville of April 1957.On July 4, 1961, Clifton organized one of the first bluegrass festivals at Oak Leaf Park in Luray, Virginia (an earlier one-day event had taken place at Watermelon Park near Berryville, Virginia on August 14, 1960). The festival featured many of the biggest acts of the day in bluegrass music including Bill Monroe, the Stanley Brothers, Jim & Jesse, Red Allen, Frank Wakefield & The Kentuckians, Mac Wiseman and the Country Gentlemen. In 1963, Clifton's family moved to England and he toured all over Europe playing in local folk clubs. In 1967, he joined the Peace Corps, serving three years in the Philippines. Meanwhile, he recorded with a local New Zealand band, The Hamilton County Bluegrass Band.
In later years, he recorded both in Europe and in the United States. In the 1970s, he signed with County Records and formed the First Generation band, consisting of Clifton on guitar, Red Rector on mandolin and Don Stover on banjo. Clifton and his family returned to the United States in 1978. In 1980, he began recording for his own label Elf Records. Clifton and his family moved to Virginia, where he worked as a businessman. However, Clifton continued to perform at bluegrass festivals and occasional concerts into the '90s. In 2008 he was inducted into the International Bluegrass Music Association's Hall of Fame.
(Edited
from Wikipedia & AllMusic)
5 comments:
For “Bill Clifton – The Early Years 1957-1958 (1992 Rounder)” go here:
https://www.imagenetz.de/hAmFT
1 The Girl I Left In Sunny Tennessee 2:47
2 Dixie Darlin' 2:19
3 You Don't Think About Me When I'm Gone 2:18
4 I'll Be There Mary Dear 2:54
5 Paddy On The Turnpike 1:43
6 I'll Wander Back Someday 2:24
7 Darlin' Corey 2:24
8 When You Kneel At Mother's Grave 2:26
9 Blue Ridge Mountain Blues 2:24
10 Are You Alone 2:38
11 Springhill Disaster 2:55
12 I'm Leaving The Right Life Now 2:09
13 Lonely Heart Blues 2:58
14 Cedar Grove 1:51
15 You Go To Your Church 2:31
16 Walking In My Sleep 2:06
17 Pal Of Yesterday 2:26
18 Just Another Broken Heart 2:36
19 Little White Washed Chimney 2:24
For “Bill Clifton – Going Back To Dixie (1975 Bear Family)” go here:
https://www.imagenetz.de/fSbhq
A1 Going Back To Dixie
A2 Your Mother Still Prays For You
A3 Moonshiner
A4 Just A Smile
A5 Lonely Little Cabin
A6 Dream Of The Miner's Child
A7 Groundhog Hunt
A8 Engine 23
A9 Jim Hatfield's Son
B1 Saturday Night
B2 Lonesome For You
B3 Lazy Courtship
B4 Across The Shining River
B5 Roll The Cotton Down
B6 Take Me Back
B7 Lonesome Field
B8 The Little Green Valley
B9 When I Lay My Burdens Down
C1 At My Window
C2 Gonna Lay Down My Old Guitar
C3 Where The Willow Gently Sways
C4 When I'm With You
C5 My Nights Are Lonely
C6 Lamp In The Window
C7 Louis Collins
C8 I'll Be Satisfied
C9 Old Rueben
D1 My Cindy Girl
D2 Dixie Ramble
D3 Big Bill
D4 Bringing Mary Home
D5 Mother, Where Is Your Daughter Tonight?
D6 Prisoner's Dream
D7 Sweet Fern
D8 Forsaken Love
D9 Salestax On The Women
Recorded 1962 - 1964
Thanks for these Bob.
Bill leased his work to Starday to release. He then moved to Europe and when he returned to the US he found that Gusto (the owners of the Starday archives) had not only retained the tapes but were actively marketing then without his knowledge or authorisation. He sued Gusto in 1988 not only for the tapes, but also for royalties on the sales.
There's a very interesting article on the court case at https://law.justia.com/cases/federal/appellate-courts/F2/852/1287/451114/
Gusto have been sued several times for unpaid royalties by many of the artists who originally recorded for labels whose archives were purchased by Gusto & marketed. Gene Pitney, The Kingsmen, The Shirelles, BJ Thomas etc.
Thanks a lot very much for all!
thank you
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