Jimmy Murphy (October 11, 1925 – June 1, 1981) was an American country and rockabilly guitarist and singer-songwriter.
Only the most devoted country fan will have heard of Jimmy Murphy-.-a singer inspired by the folk-country and thriving gospel traditions of the 1930s and 40s. Murphy recorded a handful of albums over the course of 20 years, which were eventually confined to the vaults of Columbia and RCA.
Despite his relative obscurity, Murphy was an outstanding guitarist. He was also a writer of memorable songs and hymns with a down-home and bluesy quality that would impress even the most secular country fan. A hardened traditionalist at the cost of his celebrity, Murphy refused to conform to the norms of the Nashville music scene-.-in the 60s and 70s he was probably the only musician signed to a major label, playing mostly in the traditional vein. His wife, Florine, occasionally joined him on some of his recordings, with a peg-on-the-nose voice and a cool guitar strumming rhythm that's hard to forget.
Murphy was born in Birmingham, Alabama. His father, a bricklayer, was a blues enthusiast, and so the young Murphy grew up listening to musicians such as Lead Belly and Blind Boy Fuller. Murphy had already made it to radio by the middle of the 1940s, appearing on local station WBRC's Happy Hal Burns Show. In 1949 he relocated to Knoxville, Tennessee and auditioned for Dinner Bell, a show on WROL hosted by Archie Campbell. Campbell had Murphy meet Chet Atkins, whom Murphy eventually gave a demo; RCA Victor subsequently signed him to a publishing deal and recorded him in January 1951 with just himself on guitar and vocals and Anita Carter playing bass.
The resulting single, "Electricity," was received enthusiastically by all those present, but it died on the vine, as did its B-side, a cautionary tale about a teenage girl gone astray called "Mother Where Is Your Daughter Tonight." Both songs were stylistic and thematic throwbacks practically to the 1930s and displayed the eclectic nature of Murphy's music. None of his other RCA sides sold, including "Big Mama Blues" and "Ramblin' Heart" -- both of which featured more prominent backup with electric instruments -- and the label dropped him after a year.
He continued, however, to perform on WROL, and moved to WNOX in the middle of the 1950s. In 1955, Don Law signed Murphy to Columbia Records and had him record a number of rockabilly sides, but none of these charted. He tried to solve this problem at his second session in May of 1956, where he cut a number called "Sixteen Tons Rock n' Roll," a piece that seemed to everyone like the song he'd been looking for. It failed to hit, however, and none of the other material from that session did any better. Murphy was dropped by Columbia in 1956, but he kept playing around Knoxville between bricklaying jobs, He returned in 1962 to record for Ark Records, Midnite, Loyal, Rimrock, and Starday over the next few years.
He went into retirement until the Library of Congress re-released his first single, "Electricity", on a compilation. Richard Spottswood found Murphy and asked him to begin recording again; the result was the full-length Electricity, released on Sugar Hill Records in 1978. The record, which had a pre-stardom Ricky Skaggs aboard, was an artistic and commercial success. Further recording and a tour had been planned, but Murphy died in 1981 before they could be completed. He was 55 years old and left behind eight children and many grandchildren. He didn't leave behind any hits, but then chart success has never determined talent and originality among the roots music fraternity, and Jimmy Murphy had both in abundance.
He has remained a cult figure among rockabilly enthusiasts, and in 1989 Bear Family Records collected his RCA and Columbia recordings (16 songs recorded between 1951 and 1956) and issued them on CD as Sixteen Tons Rock & Roll. 21 recordings from the 1960s were issued in 1999 on the Ace Records (UK) label under the title Southern Roots: The Legendary Starday-REM Sessions
(Edited from Wikipedia, Ace Records & All Music)
5 comments:
For “Jimmy Murphy - Sixteen Tons Rock 'N' Roll, 1951-1956 (1990 Bear Family)” go here:
https://www.imagenetz.de/j9qSK
01 - Sixteen Tons Rock'n'Roll.mp3
02 - My Gal Dottie.mp3
03 - Grandpaw's Cat.mp3
04 - Baboon Boogie.mp3
05 - I'm Looking For A Mustard Patch.mp3
06 - Put Some Meat On Them Bones.mp3
07 - Here Kitty Kitty.mp3
08 - Sweet Sweet Lips.mp3
09 - Electricity.mp3
10 - Big Mama Blues.mp3
11 - That First Guitar Of Mine.mp3
12 - Love That Satisfies.mp3
13 - Educated Fool.mp3
14 - Rambling Heart.mp3
15 - We Live A Long, Long Time.mp3
16 - Mother Where Is Your Daughter Tonight.mp3
Now here is a genuine one-of-a-kind guy! In 1951 Jimmy Murphy recorded 'Electricity' for RCA. It was half-country, half blues, and it rocked! So, when rock 'n' roll came along, Jimmy thought he'd already invented it. Now on Columbia he cut Sixteen Tons Rock & Roll, Baboon Boogie, My Gal Dotti and several others that were the strangest--and most wonderful hybrid you've ever heard. A total of 16 ultra-rare cuts from 1951-1956, and a must for hillbilly and rockabilly fans, and connoisseurs of the bizarre.(Bear Family notes)
Please note: I couldn’t find the LP but managed to reconstruct playlist from other sources.
I am currently looking for Jimmy Murphy – Southern Roots - The Legendary Starday REM Sessions (1999 Ace)
Hi Bob ! Your request was posted...
Regards
For “Jimmy Murphy – Southern Roots - The Legendary Starday REM Sessions (Ace 1999)” go here:
https://workupload.com/start/AXyNfLqAxxK
01 - Shanty Boat Blues
02 - Hub Cap
03 - Tears In The Eyes Of A Potato
04 - Heart Of Brass
05 - Big Train
06 - He's Always The Same
07 - Electricity
08 - Little Black Train
09 - Jhon The Baptist
10 - Little David
11 - You Better Get Ready
12 - Jesus Is My Only Friend
13 - Jesus Is Coming To Reign
14 - I Feel Jesus
15 - Holy Ghost Millionaire
16 - Jesus Have Saved My Soul
17 - I Believe
18 - Wake Me Up Sweet Jesus
19 - My Feet On A Solid Ground
20 - Half A Loaf Of Bread
21 - Take This Message To Mother
Only nine of the 21 songs on this collection of 1960s recordings were previously released, showing up on obscure independent singles and albums between 1964 and 1969. The precise dates of recordings are not known, although the liner notes speculate that some could date from the early 1960s. Regardless of the exact vintage, the album offers interesting, sparse country that sounds tangled between its roots in the 1920s and 1930s and the modern post-war sound. It's a one-man show, with the exception of a few harmony vocals by his wife Florine (who takes lead on "I Feel Jesus (My My My)" Murphy sticks largely to sacred material on this compilation, with a few witty, more contemporary tunes, such as "Hub Cap" and "Tears in the Eyes of a Potato." (AllMusic review)
A big thank you goes to Uncle Gil for the quick response to my request and the loan of above CD.
Thank you for these 2 albums.
Thanks Bob. Another singer I had not heard of.
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