Monday, 4 July 2022

Rita Moss born 4 July 1918


Rita Moss (born Loreta L. Waynesboro; July 4, 1918 – July 16, 2015) was an American jazz and ballad singer, notable for her four-octave vocal range.

Lorita Waynesboro was in Cabin Creek, Kanawha, West Virginia and grew up in Long Island, New York to parents Wayne Bernice Waynesboro and Minnie Peters. She had two sisters, Elnore and Frances, three and seven years younger respectively. Although she took piano lessons as a child, she was a mostly self-taught multi-instrumentalist who could play piano, organ and drums. She graduated with honours in 1936 from Garnet High School in Charleston, and played Mendelssohn's "War March of The Priests" on piano at the convocation. She credited the discovery of her vocal range to singing along to saxophonist Freddy Gardner's recording of "Body and Soul", a record she had turned up in a Manhattan store's bargain bin.

In October 1935, she copyrighted a song called "You've Set My Heart On Fire" as Lorita Waynesboro, and in August 1937 she copyrighted another, called "Confusion" under the name of Lorita Waynesboro Davis. Moss appears to have never publicly discussed her family life; records show her father serving jail time as of 1935 and in a court case with Minnie over a property dispute, and as of 1940 the entire family living in an extended household with Fred Waynesboro (to whom Minnie is now married), and Lorita, now 21, married to Melvin Davis.

She married Herbert Richard Moss on March 15, 1944 in Lawrence, Ohio, and retained the Moss surname for the duration of her professional career. She first came to attention following a 1949 debut at New York's Park Avenue Restaurant, where public reception led to a stay of over 7 months. Appearances in London, Ontario and Cleveland, Ohio followed, including performances at jazz DJ and impresario Leonard Feather's concerts. Initially billed as "Reta" Moss, her first single was released in January 1950 on Futurama Records, a local label run by Main Stem record store owner Arthur Bangel.

In the early 1950s, Moss cut a few singles on Debonair, Decca and Mercury, including a four-song EP on Clef (Verve) in 1952 with Chicago's George Williams Orchestra, although her first LP, Introducing Rita Moss, was issued by Epic Records only in 1956. The selections were standards by Hart, Rodgers, Gershwin, Webster and Ellington; the release was notable in that one number was an original by Moss. A brief review in Billboard notes her "remarkable" vocal range and "breezy whimsical style". In 1956, she headlined at the Living Room night club in New York, and in 1957, decided to head for the West Coast.


                             

From 1957 to 1966 Moss appears to have focused on touring and night-club appearances. Sporadic singles cropped up on obscure labels and a four-song EP appeared on Moss's private Los Angeles-based label Rozell, including at least one self-penned song, "Bobby's Blues", copyrighted under the name of Rita Roszelle. This period shows Moss honing exotica type vocal gymnastics in the vein of Yma Sumac to whom she had earlier drawn comparisons. The Gothic single features an arranging credit to Jack Montrose, a key West Coast jazz figure.

The turn of the 1960s saw Moss playing LA area venues including Hollywood's Exotica Club and the Tahitian Village. As of 1964, Rita Moss was married to Bob Roszelle who was also her manager. She did two consecutive extended stints at the Riverside Hotel's Showboat Lounge, playing simultaneous organ and piano with vocal. In 1966 she turned up at a popular San Diego club where her second album, of live material, Rita Moss Reigns at Islandia, was issued on the Islandia's house label and generated considerable local acclaim for her vocal range, Sumac-esque stylizing and scat vocals. Airplay and coverage by radio and TV stations such as KOGO, KFMX and KFMB attracted the attention of Dot Records who went on to issue three albums.

Talk to Me Tiger!, the first Dot LP, consisted of several familiar live club repertoire numbers from the Islandia LP, plus ballad material; the next LP, Superb, was arranged and conducted by Marty Paich. In 1968, the third and last Dot LP produced a now obscure eponymous single, that would become arguably Moss's most enduring song: "Just a Dream Ago", although the LP also included a worthy cover of "Sleep Safe and Warm", the theme from the film Rosemary's Baby.

A captivating night-club performer rather than a recording artist, "Queen Moss" to her performance fans, her impressive vocal talents and musical ambidexterity in a live setting failed to translate into record sales and broad appeal. In the 1970s Moss recorded an LP of spiritual jazz issued on the private Retep label in San Diego. The compositions were mostly self-penned, with a lyrics co-credit to Dr. Russell Paul Schofield, founder-director of Actualism for Lightworkers, a spiritual training regime. Moss continued to perform live in San Diego and Los Angeles into the 2000s. She died on July 16, 2015 at her residence in San Diego, California, at the age of 97.

(Edited from Wikipedia)

6 comments:

boppinbob said...

For “Rita Moss – Queen Moss 1951-1959 (2019 Fresh Sound Records)” go here:

https://www.upload.ee/files/14294485/Rita_Moss_-_Queen_Moss.rar.html

01. I Never Was So Surprised (Richard Criger) 2:56
02. I'll Be Waiting for You (Richard Criger) 2:56
03. Darlin' (Reckling-Millinder) 3:20
04. Love Me Or Please Let Me Be (Carrington-Glover) 3:11
05. You Never Had It So Good (Lawton) 3:16
06. When Day Is Done (DeSylva-Katscher) 2:38
07. Happiness Is a Thing Called Joe (Arlen-Harburg) 2:43
08. Memories of You (Razaf-Blake) 3:18
09. Jungle Drums (Lecuona-Lombardo-O’Flynn) 2:39
10. One Hundred Years from Today (Young-Washington) 3:17
11. This Can't Be Love (Rodgers-Hart) 2:26
12. Did I Remember (Donaldson-Adamson) 4:28
13. Take the “A” Train (Billy Strayhorn) 2:18
14. I Got It Bad and that Ain’t Good (Ellington-Webster) 3:09
15. Bopligatto (Rita Moss) 2:27
16. Exactly Like You (McHugh-Fields) 3:42
17. My Romance (Rodgers-Hart) 5:05
18. I Only Have Eyes for You (Warren-Dubin) 2:33
19. Love Is Here to Stay (G. & I. Gershwin) 3:53
20. The Blue Room (Rodgers-Hart) 3:32

Personnel on #1 & 2:
Rita Moss & The Satisfiers with Sonny Dunham's Orchestra
Recorded in New York City, Spring 1951
Personnel on #3 & 4:
Rita Moss with Orchestra Arranged & Conducted by Neal Hefti
Buck Clayton, trumpet; Kai Winding, trombone; Artie Baker, alto sax; George Berg, tenor sax; Bernie Leighton, piano; Art Ryerson, George Barnes, guitar; Irv Manning, bass; Don Lamond, drums.
Recorded in New York City, September 12, 1951
Personnel on #5 to 8:
Rita Moss with Orchestra Arranged and Conducted by George Williams
Al Klink, Boomie Richman, tenor saxes; Teddy Napoleon, piano; Sam Bruno, guitar; Sonny Igoe, drums; Barton Fish, Morris Starzek, Arnold Eidus, Harry Katzman, Julius Schachter, Milton Lomask, violins.
Recorded in New York City, December 1952
Personnel on #9 to 20:
Rita Moss accompanied herself at piano, organ and bongos.
Recorded in New York City, December 1956
Personnel on #21 to 23:
Rita Moss accompanied herself at organ & piano
Recorded in Los Angeles, October 1957 and 1959 (#23)

Tracks 9-20 are a clone of her 1st LP release, a live set, Rita Moss - Introducing Rita Moss. Tracks 3 to 8 have her accompanied by the likes of Buck Clayton, Kai Winding, Boomie Richman, Al Klink. Art Ryerson, George Barnes and Don Lamond. They are all rendered totally anonymous in the background, except for Buck Clayton who emerges on Love Me Or Please Let Me Be. The other tracks are culled from her early shellacs and 45s. For the completist who may have trouble finding the early recordings, this release may be useful, although it would be nice one day to see a comprehensive collection of her entire non-album work. Moss is an exceptionally gifted vocalist who never reached the wider audience she deserved. Her voice and delivery transcend the diminutive package of a barely 5' frame - much like Sugar Pie DeSanto - and has elements of Doris Day, Joanie Sommers, and Yma Sumac. Sadly, she died with music still in her, as early titles she had composed and copyrighted while still in her teens never made it to wax.(Edited reviews from Steve Voce & Ignatz de Fyre)

boppinbob said...

Found a link for this rarity whist scanning the web. A big thank you to La Playa Music blog for the loan of this LP with added bonus tracks.

For “Rita Moss – Just A Dream Ago (1968 Dot Records)” go here:

https://www.upload.ee/files/14294472/Rita_Moss_-_JADeamAway.rar.html

1. Just A Dream Ago 2:38
2. Hushabye Mountain 2:31
3. I Cried For You 3:30
4. Come To Me Slowly 2:20
5. You Are My Sunshine 2:28
6. For Love Of Ivy 2:56
7. The Measure Of A Man 2:10
8. Sleep Safe And Warm 2:40
9. Gotta Say Goodbye 2:22
10. Lullaby Of Birdland 2:22
11. I'm The Singer, You're The Song 2:10
12. Daydream (1966)
13. Jingle bells (1966)

Bob Mac said...

Thanks for both of these, nice to have.

Rob Kopp said...

Thank you for these two

boppinbob said...

Missing on the tracklist for “Rita Moss – Queen Moss was the last 3 songs. (A cut and paste error on my part)
21 I Should Know
22 In My Ole Kentucky Home
23 Daydream

Smokey said...

Thank you for these nice albums and info. I did not have anything from her.