Saturday 12 December 2020

Dodo Marmarosa born 12 December 1925


Michael "Dodo" Marmarosa (December 12*, 1925 – September 17, 2002) was an American jazz pianist, composer, and arranger. 

Marmarosa was born in Pittsburgh, Pennsylvania and grew up on Paulson Avenue in the East Liberty neighbourhood.  He acquired the nickname of Dodo due to his unusually large head and short thin stature.  Growing up in the 1930’s swing era he was influenced by pianists Art Tatum and Teddy Wilson. With only a few months of practice he was able to fluently play difficult Bach pieces. Marmaroso began playing in the clubs of Pittsburgh in his early teens while attending Peabody High School.  In 1941 the Johnny "Scat" Davis Orchestra came to Pittsburgh with an opening for a piano player. Several Pittsburgh musicians recommended Marmaroso to Johnny David.  Davis hired Dodo and took him on the road at just age 15. 

The Johnny “Scat” Davis Orchestra broke up after a few months on tour.  Mamarosa and several of his band mates joined Gene Krupa's band in 1942.  While in Philadelphia with the Krupa band in 1943 Marmarosa and his friend clarinetist Buddy DeFranco were severely beaten by a gang of sailors who accused them of being draft-dodgers.  The sailors dropped Marmarosa on his head onto a railway line.  Hospitalized he was in a coma for 24 hours and suffered a permanent change in his personality.  But he was still able to continue his exceptional performances. 

When the Krupa band disbanded in 1943 Marmaroso went on the road with Charlie Barnet’s big band.  He  performed on his first recordings on the Barnet band’s hits “The Moose" and "Strollin”.  Barnet said of Mamaroso, "Dodo was a tremendous player, but very mixed up."   I remember once he pushed a small piano off a third-floor balcony to hear what chord it would make when it hit the ground." 

The Grammercy Five

At the age of  only 18, Marmarosa left Barnet's band in early 1944 to join Tommy Dorsey’s band.  He also performed in the Dorsey quartet that included Buddy De Franco, Sidney Block and superstar drummer Buddy Rich.  In November of 1944, he left Dorsey to join one the best big bands the Artie Shaw band.  Marmorsa also played in Shaw’s small side combo, the Grammercy-Five. One night in 1945 at a Midwest club the crowd kept requesting Shaw’s arrangement of "Frenesi". The band played the song twice during the first set and repeated it again opening the second set. Dodo angrily told Shaw he would leave if they played that song again.  Shaw called for "Frenesi" one more time. Marmarosa walked out the door and drove home to Pittsburgh. 


                             

After staying a few weeks in Pittsburgh, Marmarosa moved to Los Angeles in 1946 for freelance studio work.  He worked as the "house" pianist for Lyle Griffin's Atomic record label.  Dodo recorded with Charlie Parker and was a member of the Charlie Parker Trio.  He also recorded in surrealist guitarist Slim Gaillard’s band along with Dizzy Gillespie and Charlie Parker. 

Working with Parker and Dizzie he became an influential leader in the Bebop movement. He continued to record and perform in LA until 1950.  Marmaroso went on the road again in 1950 to do a a few dates with Artie Shaw. 

When he encountered health problems he left the national jazz scene and returned home to Pittsburgh. Marmarosa was drafted into the Army in 1954. He suffered emotional problems in the army, was given electric shock treatments, was hospitalized for several months and was discharged in poor psychological health.  He kept a low profile and remained in Pittsburgh for the rest of his life.

In 1958 he appeared at the Midway Lounge in Downtown Pittsburgh with his close friend Danny Conn.  They made a live recording of their appeared and released the album :Pittsburgh" in 1958.”  The 18 track recording feature 12 live cuts.   Marmarosa performed a two week engagement at Chicago’s Pink Poodle in 1960. He made three recordings in the early 1960’s: the solo album “Dodo’s Back,” (’61), a duo album with tenor saxophonist Gene Ammons, “Jug and Dodo” in 1962, and made a trio record for the local Argo label in 1962, 

In the late '60s, he went to work playing piano at the Colony Restaurant in Mt. Lebanon and worked with the Jimmy Spaniel combo.  He performed at the Colony for several years until diabetes forced him into retirement.  Dodo Marmarosa 'slast public performance was at the Colony restaurant in Pittsburgh in 1968.  He lived with his family for several years.   In 1992 two English newspapers published his obituary due to the fact that when a reporter kept calling for an interview, Marmarosa told the reporter that Mr. Marmarosa had passed away.  Dodo’s sister called the newspapers to report that her brother was very much alive.  

Marmaroso eventually become a resident at the Highland Drive Veterans Hospital in Pittsburgh.  He played piano and organ occasionally for the residents and guests.  On September 17, 2002 Dodo played an informal organ concert at the VA hospital for the residents.  He returned to his room saying he was unwell and passed away 17, September 2002 at age 76.  (Edited from Pittsburg Music History)  *(Some sources state December 6th as birthdate) 

9 comments:

boppinbob said...

For “Dodo Marmarosa - The chronological classics 1945-1950” go here:

https://www.upload.ee/files/12631632/Dodo_Marmarosa_-_1945_1950.rar.html

1 Barney Kessel's All Stars Atom Buster 2:47
2 Barney Kessel's All Stars What Is This Thing Called Love 2:47
3 Barney Kessel's All Stars Slick Chick 2:35
4 Barney Kessel's All Stars The Man I Love 3:13
5 Dodo Marmarosa Trio Mellow mood 3:12
6 Dodo Marmarosa Trio How High The Moon 2:51
7 Dodo Marmarosa Trio Dodo's Blues 3:11
8 Dodo Marmarosa Trio I Surrender, Dear 2:18
9 Dodo Marmarosa Trio Raindrops 2:47
10 Dodo Marmarosa Trio I've Got News For You 2:57
11 Miss Dana With Dodo Marmarosa Trio Black And Blue 2:59
12 Miss Dana With Dodo Marmarosa Trio Remember I Knew You When 2:50
13 Dodo Marmarosa Bopmatism 3:08
14 Dodo Marmarosa Dodo's Dance 3:05
15 Dodo Marmarosa Trade Winds 3:09
16 Dodo Marmarosa Dary Departs 2:45
17 Dodo Marmarosa Cosmo Street 3:28
18 Dodo Marmarosa My Foolish Heart 2:36
19 Dodo Marmarosa Blue Room 3:05
20 Dodo Marmarosa Why Was I Born 3:13
21 Dodo Marmarosa The Night Was Young 2:47

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For “Dodo Marmarosa ‎– Dodo's Bounce (Freshsound Records 1991)” go here:

https://www.upload.ee/files/12631710/Dodo_Marmarosa_-Dodo_s_Bounce.rar.html

01. Dodo’s Bounce (Dodo Marmarosa) 1:44
02. Opus #5 (Dodo Marmarosa) 1:48
03. You Thrill Me (Dodo Marmarosa) 2:47
04. Compadoo (Dodo Marmarosa) 2:19
05. I’m in Love (Fritz Kreisler, William Le Baron) 2:37
06. Bopmatism (Dodo Marmarosa) 1:23
07. Lover Come Back to Me (Oscar Hammerstein II, Sigmund Romberg) 2:51
08. Raindrops (Dodo Marmarosa) 2:11
09. Smoke Gets in Your Eyes (Otto Harbach, Jerome Kern) 2:40
10. Escape (Dodo Marmarosa) 1:43
11. Deep Purple (Michael Parish, Pete Derose) 2:18
12. Tea for Two (Vincent Youmans, Sid Caesar) 1:33
13. Tone Paintings I (Dodo Marmarosa) 3:01
14. Tone Paintings II (Dodo Marmarosa) 2:47
15. Bopmatism (Dodo Marmarosa) 2:58
16. Dodo’s Dance (Dodo Marmarosa) 3:09
17. Trade Winds (Dodo Marmarosa) 3:08
18. Dary Departs (Dodo Marmarosa) 2:48
19. Cosmo Street (Dodo Marmarosa) 2:54
20. Dodo’s Bounce (Dodo Marmarosa) 2:40
21. Dodo’s Lament (Dodo Marmarosa) 2:52
22. Slam’s Mishap (Lucky Thompson) 2:30
23. Shuffle That Riff (Lucky Thompson) 2:32
24. Smooth Sailing (Lucky Thompson) 2:40
25. Commercial Eyes (Lucky Thompson) 2:38
26. Bopmatism (Dodo Marmarosa) 3:10
27. Dodos’s Dance (Dodo Marmarosa) 3:06
28. Trade Winds (Dodo Marmarosa) 3:11
29. Dary Departs (Dodo Marmarosa) 2:46
30. Cosmo Street (Dodo Marmarosa) 3:27

Bass – Gene Englund (tracks: 1 to 10), Red Callender (tracks: 15 to 19, 26 to 30)
Bass, Cello – Harry Babasin (tracks: 20 to 25)
Drums – Jackie Mills (tracks: 15 to 30)
Guitar – Barney Kessel (tracks: 1 to 10)
Piano – Dodo Marmarosa
Tenor Saxophone – Lucky Thompson (tracks: 15 to 19, 26 to 30)

Recorded in Hollywood:
Track 1 to 10: 1947
Track 11, 12: 1946
Track 13, 14: 1947
Track 15 to 19, 26 to 30: 1946
Track 20 to 25: December 3, 1947

"Dodo Marmarosa was one of the most brilliant pianists of the classic bebop era. If he had not had emotional problems that largely forced him off the scene after 1950, he would have become an influential force, extending the innovations of Bud Powell. This generous 30-song CD is a real gap filler for much of the music from the five sessions had not been reissued in many years. These concise performances are full of fire and creative ideas, making this CD essential for all collectors of bebop piano." (All Music Guide)

rntcj said...

Hi!

Thanx for these. Know of the artist = a few years back, while teaching, if a student misbehaved & there was one particular student, the retort was "Stop being a Dodo Marmarosa!" Noted emphasis on the "Dodo" part.

Cheers!
Ciao! For now.
rntcj

Eric said...

https://mega.nz/file/f04zkCCB#XDhxvfn5F2nWW6ZZJ0GF_KV-GyBPGzKzzUo4-NIvkIs
Up in Dodo's Room. Not my rip-a-dee-Dodo. Thanks for all treasures from he vault.

boppinbob said...

Thanks Eric Up In Dodo's room was issued in 1996 on the Jazz Classics label. I noted 3 tracks not on any of the above CD's. As they were recorded between 1946 & 1947 I'm surprised they were not on the chronological classics album. Regards Bob
track 3 - Bird Lore 03:03
track 4 - Dialated Pupils 02:30
track 5 - Up In Dodo's Room 03:07

styles said...

Thank you boppinbob, Eric, brilliant bop pianist remembered.

egroj.jazz said...

thanks a lot

JazzWax said...

Thanks, Boppin' Bob!!!

Johnny said...

I don't think that is Dodo Marmarosa in the last photograph (Pittsburgh 1958).
I think it is composer arranger George Handy.

boppinbob said...

Hi Johnny, the photo in question has appeared on many web pages. Including this one..
https://jazzprofiles.blogspot.com/2018/05/the-mysterious-michael-marmarosa-aka.html