Graeme Emerson Bell, AO, MBE (7 September 1914 – 13 June
2012) was an Australian Dixieland and classical jazz pianist, composer and band
leader.
Bell, who was born in the inner-Melbourne suburb of
Richmond
at the beginning of World War I, said his earliest memory was seeing his father hang out flags to mark the end of the war in 1918.. Jazz was born in New Orleans at the turn of the 20th century but was first recorded in 1917. It was a while, however, before jazz and Bell were introduced.
at the beginning of World War I, said his earliest memory was seeing his father hang out flags to mark the end of the war in 1918.. Jazz was born in New Orleans at the turn of the 20th century but was first recorded in 1917. It was a while, however, before jazz and Bell were introduced.
Bell was the first of two sons of John Bell, a comedian
who worked in light theatre and musicals, and his wife, Elva Rogers, a
contralto who had toured Australia as a support singer to Nellie Melba. His father
was also a health fanatic and made sure the boys, Graeme and Roger, exercised
in the backyard in their pyjamas every morning, which the elder Bell sibling
claimed was the reason for his good health and long life. Bell, along with
Roger, showed early promise in music; he had weekly piano lessons for many
years, which he was grateful for in times to come. Thanks to this early
classical training, he could work when jazz wasn't paying its way. Over the
years, to make ends meet, he taught, played accompaniment for singers and wrote
arrangements for other musicians. He made more than 1500 recordings.
The Bell brothers were educated at Scotch College, where
the older boy excelled in art and sport. Roger, however, fell in with a group
of musically minded young men, including "Lazy" Ade Monsbourgh, and
they were the ones who encouraged Bell to
play jazz because they wanted a
pianist. When he left school, Bell spent nine long years working in an
insurance company, but at least it gave him time to continue his art studies in
the
evenings, as well as play. He wanted to be an artist but soon realised music would be an easier life. In his touring days, he would get special early wake-up calls to visit art galleries and for a while after moving to Sydney in the late 1950s, had a private gallery business, which was supportive of women artists.
evenings, as well as play. He wanted to be an artist but soon realised music would be an easier life. In his touring days, he would get special early wake-up calls to visit art galleries and for a while after moving to Sydney in the late 1950s, had a private gallery business, which was supportive of women artists.
During his time with the insurance company, Bell met and
married Margot Bias. He was declared unfit for army service during World War
II, but was offered a job with an army entertainment unit in Mackay,
Queensland. The marriage lasted only about a year and in 1946, he married
Elizabeth Watson, but that marriage didn't last either. He married Dorothy
Gough in early 1961 and this time it lasted. By 1947, Bell was playing
regularly in Melbourne and had a permanent booking with the communist Eureka
Youth League, which sponsored his Australian Jazz Band's participation in that
year's World Youth Festival in Prague. The band was so popular that it stayed
in Czechoslovakia for more than four months.
Bell then took the group on tour through Europe and
Britain, where they were a huge success. The band is often credited with
starting the European "trad jazz" revival of the time and over the
years, returned to Europe, as well as making a study tour of the United States,
where the music journal Downbeat said, "Bell's is unquestionably the
greatest jazz band outside America”. On his
return from Czechoslovakia to
Australia, Bell founded the Swaggie record label - mostly for jazz - and toured
for the ABC. He then went back to Europe in 1951 for a tour. He accompanied the
American blues singer William "Big Bill" Broonzy and played in
London's then-new Festival Hall.
Bell's original band broke up in 1953 and he formed a new group for troop tours to Korea and Japan. He moved to Sydney in 1957 and toured Australia with Johnny Ray. In 1962, he put together a new band, the Graeme Bell All Stars, who played at the Chevron Hotel in Kings Cross, Sydney's poshest night spot of the era. Bell also put on floor shows at other major clubs, made records and
had a national television show, Trad Pad (later Just Jazz) on Channel Seven. He continued to tour in Australia and overseas. He was awarded an MBE in 1978.
When he turned 70 in 1984, he celebrated with a five-week
tour of one-night stands around Victoria. He still looked so young, people
asked him if he was the son of the famous Graeme Bell.
In 1990, Bell took the Graeme Bell All Stars, with the
singer Little Pattie, to China and also went to south-east Asia and played at
Expo '90 in Osaka, Japan. That year, he was also appointed as an Officer of the
Order of Australia (AO) for his services to music. Bell continued to work when
work was to be had. In 1995, he marked turning 85 by narrating a tribute
concert in Melbourne. In 1997, he was inducted into the ARIA Hall of Fame.
In 2003, members of the All Stars reformed as the Graeme Bell Reunion Band, played some concerts and made a record. In the week after he turned 90 in 2004, he played two concerts. The Australian jazz awards, which started in 2003, are named The Bell Awards in his honour. In 2006, Live Performance Australia gave him the James Cassius Williamson Award, which is to "recognise examples of outstanding contribution to and lifetime achievement in the Australian live performance industry".
Graeme Bell died on 13 June 2012 in the Prince of Wales
Hospital, Sydney, after a stroke. He was 97.
(Edited from article
by Harriet Veitch @ Obituaries Australia)
2 comments:
For “Graeme Bell and His Australian Jazz Band
- Swaggie Sessions - 1949 – 1950” go here:
https://www.upload.ee/files/12245321/Graeme_Bell_-_1949_-_1950.rar.html
1 At A Georgia Camp Meeting
2 Mississippi Mud
3 I Wish I Could Shimmy Like My Sister Kate
4 Fidgety Feet
5 Play It Along Papa
6 Black And White Rag
7 Summertime
8 Wolverine Blues
9 Sobbin' Blues
10 Maple Leaf Rag
11 Irish Black Bottom
12 My Baby Just Cares For Me
13 Mobile Bay
14 Jumbuck Jamboree
15 Ole Miss
16 Big Bear Stomp
17 I'm Gonna Stomp Mr. Henry Lee
18 Shake Your Feet
19 Body And Soul
20 Muskrat Ramble
21 Big Chief Battle Axe
22 Ostrich Walk
23 Bienville Blues
24 That's A Plenty
25 See See Rider Blues
26 Shake It Break It
For "Big Bill Broonzy with Graeme Bell - In Concert, Germany 1951" go here:
https://www.upload.ee/files/12245338/Big_Bill_Broonzy_-In_Concert.rar.html
Graeme Bell & His Australian Jazz Band
1. GET OUT OF HERE
2. MUSKRAT RAMBLE
3. BULL ANT BLUES
4. BIG CHIEF BATTLE AXE
5. Announcement by Olaf Hudtwalker
6. KANSAS CITY STOMPS
7. HIGH SOCIETY
Big Bill Broonzy
8. JOHN HENRY
9. IN THE EVENING
Big Bill Broonzy with the Graeme Bell Band
10. I FEEL SO GOOD
11. WHO'S SORRY NOW
12. Introduction of Big Bill Broonzy by Olaf Hudtwalker
Big Bill Broonzy
13. TROUBLE IN MIND
14. KEEP YOUR HANDS OFF HER
Big Bill Broonzy with the Graeme Bell Band
15. MAMA DON'T ALLOW
16. Introduction of piano solo by Hudtwalker
Graeme Bell's Ragtime Four
17. BLACK AND WHITE RAG
18. Introduction of Johnny Sangster by Olaf Hudtwalker
Graeme Bell & His Australian Jazz Band
19. IT DON'T MEAN A THING
20. Introduction of Lazy Ade by Olaf Hudtwalker
Lazy Ade's Late Hour Boys
21. WHO STOLE THE LOCK
22. HELLO JIM EADIE
Graeme Bell & His Australian Jazz Band with Big Bill Broonzy
23. WHEN THE SAINTS GO MARCHING IN
"Get Out Of Here" was the Bell band’s opener. The rest of the first set includes two tunes from the classic jazz period in "Muskrat Ramble" and "High Society", together with "Big Chief Battle Axe" which is associated with Bunk Johnson. "Kansas City Stomps" is a Jelly Roll Morton tune and is given a fine rolling treatment. To complete the set we have Graeme Bell’s original composition, "Bull Ant Blues". "High Society" with which the set finished is, of course, a march and the mobile members of the band performed it while marching round the stage. Big Bill opens with "John Henry". Leroy Carr’s "In The Evening" is a song that demands and gets an evocative performance in contrast to the joyful tunes that finished the set, "I Feel So Good" and the popular song "Who’s Sorry Now”. On his second set, Big Bill returned to the classic blues with "Trouble In Mind" and then the folk/blues standard "Keep Your Hands Off Her" extolling the virtues of his lady and warning off any predatory males. His set is completed by the arrival of the Bell band for the novelty number "Mama Don’t Allow". Graeme Bell shows his ragtime skills on "Black And White Rag" in a nicely paced version before the band’s drummer is featured on cornet with the Ellington favourite "It Don’t Mean a Thing”. The concert closed with "When The Saints" on which the vocal is shared between Lazy Ade and Big Bill. (Jasmine notes)
Many thanks
Post a Comment