Paul LeRoy Bustill Robeson (April 9, 1898–January 23, 1976) was an Afro-American actor of film and stage, All-American and professional athlete, writer, multi-lingual orator, lawyer, and basso profondo concert singer who was also noted for his wide-ranging social justice activism.
A forerunner of the civil rights movement, Robeson was a
trades union activist, peace activist, Phi Beta Kappa Society laureate, and a
recipient of the Spingarn Medal and Stalin Peace Prize. Robeson achieved
worldwide fame and recognition during his life for his artistic
accomplishments, and his outspoken, radical beliefs which largely clashed with
the colonial powers of Western Europe and the Jim Crow climate of pre-civil
rights America.
Paul Robeson was the epitome of the 20th-century
Renaissance man. He was an exceptional athlete, actor, singer, cultural
scholar, author, and political activist. His talents made him a revered man of
his time, yet his radical political beliefs all but erased him from popular
history.
Born in 1898, Paul Robeson grew up in Princeton, New
Jersey. His father had escaped slavery and become a Presbyterian minister,
while his mother was from a distinguished Philadelphia family. At seventeen, he
was given a scholarship to Rutgers University, where he received an
unprecedented twelve major letters in four years and was his class
valedictorian. After graduating he went on to Columbia University Law School,
and, in the early 1920s, took a job with a New York law firm. Racial strife at
the firm ended Robeson’s career as a
lawyer early, but he was soon to find an appreciative home for his talents.
lawyer early, but he was soon to find an appreciative home for his talents.
Returning to his love of public speaking, Robeson began
to find work as an actor. In the mid-1920s he played the lead in Eugene
O’Neill’s “All God’s Chillun Got Wings” (1924) and “The Emperor Jones” (1925).
Throughout the late 1920s and 1930s, he was a widely acclaimed actor and
singer. With songs such as his trademark “Ol’ Man River,” he became one of the
most popular concert singers of his time.
His “Othello” was the longest-running Shakespeare play in
Broadway history, running for nearly three hundred performances. It is still
considered one of the great-American Shakespeare productions.
While his fame grew in the United States, he became equally well-loved internationally. He spoke fifteen languages, and performed benefits throughout the world for causes of social justice. More than any other performer of his time, he believed that the famous have a responsibility to fight for justice and peace.
While his fame grew in the United States, he became equally well-loved internationally. He spoke fifteen languages, and performed benefits throughout the world for causes of social justice. More than any other performer of his time, he believed that the famous have a responsibility to fight for justice and peace.
As an actor, Robeson was one of the first black men to
play serious roles in the primarily white American theatre. He performed in a
number of films as well, including a re-make of “The Emperor Jones” (1933) and
“Song of Freedom” (1936). In a time of deeply entrenched racism, he continually
struggled for further understanding of cultural difference.
At the height of his popularity, Robeson was a national
symbol and a cultural leader in the war against fascism abroad and racism at
home. He was admired and befriended by both the general public and prominent
personalities, including Eleanor Roosevelt, W.E.B. Du Bois, Joe Louis, Pablo
Neruda, Lena Horne, and Harry Truman. While his varied talents and his
outspoken defence of civil liberties brought him many admirers, it also made
him enemies among conservatives trying to maintain the status quo.
During the 1940s, Robeson’s anti-colonialist activities
brought him to the attention of Senator Joseph McCarthy. Despite his
contributions as an entertainer to the Allied forces during World War II,
Robeson was singled out as a major threat to American democracy. Every attempt
was made to silence and discredit him, and in 1950 the persecution reached a
climax when his passport was revoked. He could no longer travel abroad to
perform, and his career was stifled. Of this time, Lloyd Brown, a writer and long-time
colleague of Robeson, states: “Paul Robeson was the most persecuted, the most
ostracized, the most condemned black man in America, then or ever.”
It was eight years before his passport was reinstated. A
weary and triumphant Robeson began again to travel and give concerts in England
and Australia. But the years of hardship had taken their toll. After several
bouts of depression, he was admitted to a hospital in London, where he was
administered continued shock treatments. When Robeson returned to the United
States in 1963, he was misdiagnosed several times and treated for a variety of
physical and psychological problems. Realizing that he was no longer the
powerful singer or agile orator of his prime, he decided to step out of the
public eye. He retired to Philadelphia and lived in self-imposed seclusion.
Americans, however, didn't forget him. On April 15, 1973, admirers gathered at New York's Carnegie Hall to celebrate his 75th birthday. Robeson was admitted to Presbyterian University Hospital in Philadelphia on December 28, 1975 following a massive stroke. He died on January 23, 1976. . (Edited mainly from socialistwebzine.blogspot.com)
Americans, however, didn't forget him. On April 15, 1973, admirers gathered at New York's Carnegie Hall to celebrate his 75th birthday. Robeson was admitted to Presbyterian University Hospital in Philadelphia on December 28, 1975 following a massive stroke. He died on January 23, 1976. . (Edited mainly from socialistwebzine.blogspot.com)
2 comments:
I have the 7cd set of Pauls’ complete EMI sides (1928 – 1939) but alas it would take ages to rip. So just to highlight the mastery of Mr. Robeson, I have a selected a disc from the Readers Digest box set titled “Treasury of Golden Voices.”
For “Paul Robeson – Treasury of a Golden Voice” go here:
https://pixeldrain.com/u/sQo3bpcR
1 - Ma Curly Headed Baby
2 - Canoe Song
3 - Mighty lak a rose
4 - Steal Away
5 - Water Boy
6 - It ain't necessarily so
7 - Cobbler's Song
8 - Summertime
9 - Swing low, sweet chariot
10 - Trees
11 - Ol' Man River
12 - Lonesome Road
13 - Joshua fit de Battle of Jericho
14 - Song of the Volga Boatman
15 - Just Awearying for you
16 - Rockin' Chair
17 - Deep River
18 - Were you there ?
19 - My old Kentucky Home
20 - Old folks at home
21 - All through the night
22 - Carry me back to Green Pastures
I have added a scan of the box set front, plus a fitting cover borrowed from Discogs.
----------------------------------------------------------------------------------------
I found this album whist having a quick search…
For “Paul Robeson - Ballad For Americans (1958)”go here:
https://yadi.sk/d/6wDCJyIQHRUmLw
1 Shenandoah 2:53
2 Deep River 2:16
3 Go Down, Moses 1:56
4 On My Journey 1:26
5 Water Boy 2:47
6 The Minstrel Boy 1:47
7 Londonderry Air (Danny Boy) 2:47
8 Loch Lomond 2:06
9 Joshua Fought The Battle Of Jericho 1:26
10 Get On Board, Little Children 1:15
11 Scandalize My Name 1:46
12 Sometimes I Feel Like A Motherless Child 2:49
13 Eriskay Love Lilt 2:37
14 Now Sleeps The Crimson Petal 2:06
15 Mexican Lullaby 2:18
16 All Through The Night 2:03
17 Jerusalem 2:00
18 Drink To Me Only With Thine Eyes 3:01
19 The Four Rivers 2:43
20 John Brown's Body 2:46
21 The House I Live In 2:24
22 Ballad For Americans 10:08
Paul Robeson - Vocals, Narrator
Alan Booth, Harriet Wingreen - Piano
American Peoples Chorus
Victor Symphony Orchestra
Milt Okum, Nathaniel Shilkret - Conductor
This 22-song CD is a superb account of the singer's late career, with one major work from his pre-blacklist years represented as well. In the late '50s, Robeson, like the Weavers -- who also were persona non grata at the major labels due to their leftist political views -- began recording for Vanguard Records, a New York-based independent label that wasn't afraid of controversial artists. These sides captured his last great years as an artist and reminded the public that the singer had not been silenced, despite his decade in the artistic wilderness. (Bruce Elder review)
A big thank you to The Blues That Jazz for active link.
Thank you!
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