Don Julian (April 7, 1937 – November 6, 1998) was an American rhythm and blues, funk and soul singer, guitarist and songwriter. Most famous for his work as an R&B singer in the 1950s and 1960s, he's also known for composing the soundtrack and songs to the blaxploitation film, Savage!.
Born Donald Ray Julian in Houston, Texas, United States,
in his teens he moved to Los Angeles, California. Unlike many teenagers, Julian
grew up in a non-musical family, and didn't sing in the church choir or have
any formal vocal training to speak of. He was a high-school track star, and it
was during school that he met up with the first group of Meadowlark singers:
Randolph Jones (later a member of both the Penguins and the Coasters), Earl
Jones, Ronald Barrett, and Billy Pruett. The group's lineup changed numerous
times over the years, however, with Julian being the only constant member.
Around 1952, the foursome formed a vocal group, originally calling themselves the Soulinaires, but they later decided that the name was too "church-sounding" and changed it to the Meadowlarks, this at a time when many of the popular vocal groups of the day had "bird" names.
Around 1952, the foursome formed a vocal group, originally calling themselves the Soulinaires, but they later decided that the name was too "church-sounding" and changed it to the Meadowlarks, this at a time when many of the popular vocal groups of the day had "bird" names.
Cornel Gunter of the Flairs (and later one of the
Coasters) introduced the group to Modern Records' Bihari brothers in 1957, who
subsequently released two singles on their RPM subsidiary. Despite the fact
that Maxwell Davis, Modern's legendary producer, was working with the group and
writing all of their vocal arrangements, Julian felt the label wasn't promoting
them and he began looking for a new label.
After auditioning for Dootone label owner
"Dootsie" Williams, the Meadowlarks earned a recording contract;
Julian also ended up working for Dootone as a shipping clerk and learned even
more about the record business. In early 1954, the success of Don Julian &
the Meadowlarks' first single "Heaven and Paradise" -- while the
group was still in high school -- changed their lives forever. The
song became a hit with R&B fans and the burgeoning Mexican-American audience. In all, the Meadowlarks issued five more Dootone singles before Julian and the group left the label in 1957. They moved over to DJ Art Laboe's Original Sound label briefly; their first single, "Please (Say You Love Me)" did well locally. Julian also recorded "Slauson Shuffle" for DJ Rudy Harvey's Dynamite label before eventually ending up with a Central Avenue legend named John Dolphin, a local mini-mogul who had nearly every facet of the record business covered.
song became a hit with R&B fans and the burgeoning Mexican-American audience. In all, the Meadowlarks issued five more Dootone singles before Julian and the group left the label in 1957. They moved over to DJ Art Laboe's Original Sound label briefly; their first single, "Please (Say You Love Me)" did well locally. Julian also recorded "Slauson Shuffle" for DJ Rudy Harvey's Dynamite label before eventually ending up with a Central Avenue legend named John Dolphin, a local mini-mogul who had nearly every facet of the record business covered.
Dolphin operated a group of record stores -- each was
named Dolphin's of Hollywood (despite the fact that the main store, and the
first to use the name, was actually located on East Vernon Ave., near the
corner of Central Avenue). Dolphin also owned his own radio station, KRKD,
which broadcast late-night programs from the store's shop window, and he ran
several small "black" record labels, a few with appropriately
inspired names revealing Dolphin's penchant for making money above all else:
Cash, Money, Lucky, and Recorded in Hollywood Records (which they weren't!).
Three months after leaving Dynamite, Julian's single
"The Jerk"
was released on Money. It was the first to be credited to the Larks (not to be confused with other groups who also used the name, including Eugene Mumford's Larks). By now, the Larks' new lineup featured Ted Walters (who had been friends with Julian since the two graduated from high school), Charlie Morris and Julian. The single, released on the Money label, was Julian's only chart hit. It went to number one on both the Billboard R&B chart and the Cash Box R&B chart and peaked at number seven on the Billboard Hot 100 chart in 1964.
was released on Money. It was the first to be credited to the Larks (not to be confused with other groups who also used the name, including Eugene Mumford's Larks). By now, the Larks' new lineup featured Ted Walters (who had been friends with Julian since the two graduated from high school), Charlie Morris and Julian. The single, released on the Money label, was Julian's only chart hit. It went to number one on both the Billboard R&B chart and the Cash Box R&B chart and peaked at number seven on the Billboard Hot 100 chart in 1964.
They continued touring and recording; Money also released
an album by the group. Julian continued to stay with the label through the '60s
and into the early '70s. In 1968, the
Larks had recorded a tune called "Shorty The Pimp." It featured the
voice of Richard Berry (along with Don Julian, Ted Walters, and Sonny Chaney,
formerly of the Jaguars), and was the last known release on Jerk. Now, in 1973,
someone decided to make a film with that title. The Larks/Meadowlarks were used
in the flick as a lounge band, but for whatever reasons the picture was never
released.
Don Julian with Arthur Lee Maye
|
Julian went on to record several solo albums for a
variety of record labels in the 1970s, including Amazon and Magnum. Don Julian’s final recordings were done for the
Classic Artists label in 1989.
Though not a musical innovator, Don Julian was always a
businesslike musician and organiser who kept his band together as part of the
California oldies scene right up until his death in Los Angeles (of pneumonia) in 1998 at the
age of 61. His longevity in the music business went far beyond that of most of
his peers.
(Edited from various sources but mainly from an AllMusic
bio by Brian Thomas. Name tagged photos from Marv Goldbergs R & B Notebook)
4 comments:
For “Don Julian & The Meadowlarks - Heaven And Paradise” go here:
http://www.mediafire.com/file/99ih1bar6unvgdy/DJ%26TMHAP.rar
01. Don Julian & The Meadowlarks - Heaven And Paradise
02. Don Julian & The Meadowlarks - Love Only You
03. Don Julian & The Meadowlarks - I Got Tore Up (45RPM Version)
04. Don Julian & The Meadowlarks - Untrue
05. Don Julian & The Meadowlarks - Oop Boopy Oop
06. Don Julian & The Meadowlarks - Devil Or Angel (Previously Unissued)
07. Don Julian & The Meadowlarks - Boogie Woogie Teenage
08. Don Julian & The Meadowlarks - Blue Moon
09. Don Julian & The Meadowlarks - Pass The Gin
10. Don Julian & The Meadowlarks - Doin' The Cha-Cha
11. Don Julian & The Meadowlarks - Always And Always
12. Don Julian & The Meadowlarks - Embarrassing Moments
13. Don Julian & The Meadowlarks - L.F.M.S.T. Blues
14. Don Julian & The Meadowlarks - Thrill Me Night And Day
15. Don Julian & The Meadowlarks - Please Love A Fool
16. Don Julian & The Meadowlarks - Big Mama Wants To Rock
17. Don Julian & The Meadowlarks - I Am A Believer
18. Don Julian & The Meadowlarks - Real Pretty Mama
19. Don Julian & The Meadowlarks - This Must Be Paradise
20. Don Julian & The Meadowlarks - Mine All Mine
21. Don Julian & The Meadowlarks - Please (Say You Love Me)
22. Don Julian & The Meadowlarks - I Got Tore Up (LP Version)
A big thank you to Chi Town for active link.
Anyone who's suffered through the sound quality of Collectables Records' Golden Classics should seriously consider Ace's collection as an alternative. The Meadowlarks' best work on Dootone, RPM, and Original Sound are all represented. The sound isn't perfect, but it is very, very good, and all of the songs from Golden Classics are here, along with ten more that are just as good. This CD covers a wide range: hauntingly ethereal slow ballads such as "Heaven And Paradise," "Untrue," and "Devil or Angel" (the latter previously unreleased); upbeat dance numbers like "Love Only You," "Oop Boopy Oop," and "Boogie Woogie Teenage"; and rip-roaring rockers like "I Got Tore Up," all of them impressive in their vocal dexterity. Perhaps the best track here is "Blue Moon," a reverent yet bluesy harmony rendition that might've charmed even Richard Rodgers. Some of the stuff leans toward conventionality, such as "Doin' the Cha Cha," but even it is so surprising in its sultry vocalizing, that's it's well worth the three-minute digression. On the other end of the spectrum is the endlessly witty, comical "Embarrassing Moments," the epitome of teenage libido in action. The moody "L.F.M.S.T. Blues" and the presence of some highly detailed annotation kind of seal the deal; this is the CD to get on the Meadowlarks.
(AllMusic Review by Bruce Eder)
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For “Don Julian & The Larks – The Jerk-The Money Recordings” go here:
http://www.imagenetz.de/ffa5fdaa3/Larks.rar.html
1 The Jerk
2 Keep On Jerkin'
3 Mickey's East Coast Jerk
4 Do The Jerk
5 Jerkin' U.S.A.
6 Soul Jerk
7 You Must Believe Me
8 Jerk Once More
9 Slauson Shuffle #1 (Inst)
10 Slauson Shuffle #2
11 The Roman
12 The Philly Jerk
13 Forget Me
14 Heavenly Father
15 Heaven Only Knows
16 Sad,Sad Boy
17 What Chance Has A Man
18 Lemme See You Philly
19 Can You Do The Duck
20 Answer Came Too Late
21 I Want You (Back)
22 Lost My Love Yesterday
23 Philly Dog
24 The Skate
25 Come Back Baby
26 The Jerk (Alt.Take)
Thanks to Jake for active link.
Thank you boppinbob. These vocal group harmony groups of the early fifties are enjoyable.
Thank you
Thank you, Bob!
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