Monday 18 March 2019

Jean Goldkette born 18 March 1899


John Jean Goldkette (March 18, 1893 – March 24, 1962) was a jazz pianist and bandleader.

Goldkette was reportedly born on March 18, 1893 in Valenciennes, France. But there is evidence that he was born in Patras, Greece. His mother, Angela Goldkette, was a circus performer from Denmark. His father is unknown.

He spent his childhood in Greece and Russia, where he studied piano at the Moscow Conservatory as a child prodigy. The family emigrated to the United States in 1911. He performed in a classical ensemble in Chicago at the age of 15, later joining one of Edgar Benson's dance orchestras.

Goldkette actually had over 20 bands under his name by the mid-'20s, but it was his main unit (which recorded for Victor during 1924-1929) that is the only one remembered today. 




In 1924, the band included Tommy and Jimmy Dorsey and Joe Venuti, with the legendary cornetist Bix Beiderbecke heard on just one selection ("I Didn't Know"); his inability to sight read at the time kept his first stint with Goldkette quite short. However, in 1926, Beiderbecke became the orchestra's top soloist and the jazz line-up was pretty impressive with such musicians as Spiegle Willcox, Bill Rank, Don Murray, Frankie "Tram" Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, and Chauncey Morehouse among the personnel.


                           

With Bill Challis working as chief arranger, the orchestra was among the best of the period, even defeating Fletcher Henderson at a Battle of the Bands contest in New York. Unfortunately, Goldkette's Orchestra was not allowed to cut loose much in the studios and was saddled with indifferent vocalists who were not part of the band. 














Best among their recordings are "My Pretty girl" and "Clementine"; Steve Brown's swinging bass is a major asset on many of the other numbers, particularly during the final choruses.
Others include "My Blackbirds Are Blue Birds Now" and "Take A Good Look At Mine" demonstrate why the Goldkette outfit was one of the hottest white bands of the '20s although Goldkette himself did not perform in any group which bore his name.

Rex Stewart, a member of Henderson's band, wrote that "It was, without any question, the greatest in the world...the original predecessor to any large white dance orchestra that followed, up to Benny Goodman." Brian Rust also called it "the greatest band of them all."

Goldkette was music director for the Detroit Athletic Club for over 20 years and co-owned the Graystone Ballroom in Detroit with Charles Horvath, who performed with the Goldkette Victor Band in its early years. He owned his own entertainment company, Jean Goldkette's Orchestras and Attractions, working out of the Book-Cadillac Hotel in Detroit. He co-wrote the song "It's the Blues (No. 14 Blues)" which was recorded in Detroit and released by Victor.

The Orange Blossoms

In 1927, Paul Whiteman hired most of Goldkette's better players due to Goldkette's inability to meet payroll for his top-notch musicians. Goldkette helped organize McKinney's Cotton Pickers and Glen Gray's Orange Blossoms, which became popular as the Casa Loma Orchestra.

In the early 30’s he left jazz to work as a booking agent and classical pianist.  In 1936 he filed for bankruptcy, but over the next three decades he built up business again as a musician, conductor and promoter. He married Lee McQuillen, a newspaperwoman, on March 4, 1939. During that year he organized the American Symphony Orchestra which debuted at Carnegie Hall. (Frankie Laine worked as Goldkette's librarian).
           
In 1959, Jean Goldkette revived some of the old arrangements (adding some new ones by Sy Oliver) for a Camden "reunion" LP, but few of the sidemen (other than Chauncey Morehouse) were present.



He moved to California in 1961 and the following year died in Santa Barbara, California, of a heart attack at the age of 69. He took a taxi to the hospital by himself and died that same day. He is buried in the Angelus-Rosedale Cemetery in Los Angeles, California.        (Edited from Wikipedia & AllMusic)

1 comment:

boppinbob said...

For “Jean Goldkette Bands 1924-1929” go here:

https://www.upload.ee/files/9715696/Jean_Goldkette_1924-1929.rar.html

1 In The Evening 3:14
2 It's The Blues 2:49
3 Play Me Slow 2:50
4 Dinah 3:04
5 Drifting Apart 3:08
6 'Gimme' A Little Kiss, Will 'Ya'? Huh? 2:43
7 Lonesome And Sorry 3:03
8 My Ohio Home 3:06
9 So Tired 3:18
10 Here Comes The Show Boat 3:13
11 Here Comes The Show Boat 3:11
12 Just A Little Kiss From A Little Miss 3:10
13 Just Imagine 3:01
14 Just Imagine 2:59
15 Just Imagine 3:00
16 That's Just My Way Of Forgetting You 3:02
17 That's What Puts The 'Sweet' In Home Sweet Home 2:51
18 My Blackbirds Are Bluebirds Now 2:53
19 My Blackbirds Are Bluebirds Now 2:54
20 Don't Be Like That 2:59
21 Don't Be Like That 3:02
22 Take A Good Look At Mine 2:56
23 Ya' Comin' Up To Night, Huh? 2:59
24 Birmingham Blues 2:53

This CD of Jean Goldkette bands fills in the gaps with some of Goldkette's best non-Bix sides. Really, though, you don't miss Bix (since he had seldom soloed on Goldkette records in the first place). There are some really snappy numbers here, like "Dinah" with a hot Joe Venuti violin solo and heavy-duty bass slappin' from Steve Brown. "Gimme A Little Kiss, Will Ya, Huh?" is a clever little novelty tune with great "kissing" effects, "My Ohio Home" and "So Tired" were recorded in Kansas City by a group composed mostly of members of the former Royal Peacock Orchestra, featuring Hoagy Carmichael singing the vocals. "Just Imagine," is one of the most haunting of all 1920s dance band numbers, with a brilliant Bix-like cornet obbligato behind Greta Woodson's charming vocal. Others, like "My Blackbirds Are Blue Birds Now" and "Take A Good Look At Mine" demonstrate why the Goldkette outfit was one of the hottest white bands of the '20s. And the final track, "Birmingham Bertha" was somewhat of a fluke: it was meant to be recorded by Goldkette's No. 1 white band, but when the band's bus broke down on the way to the Chicago Victor studios from Detroit, another Goldkette group, the black McKinney's Cotton Pickers was called into to complete the scheduled date (since they had been rehearsing the tune and were already at the studio for their own session later). The McKinney's Cotton Pickers recording turned out so well that it was issued under the regular Goldkette name.

These are excellent examples of the best dance band music the '20s had to offer: innovative and interesting arrangements played with vigour and pep by talented musicians. The sound restoration by Hans Eekhoff is wonderful: the recordings sound crisp and clear, with minimal surface noise, and no digital artifacts. Many of the recordings on this CD were also released on Bill Hebden's "Vintage Music Productions" label at about the same time as this disc, but Hebden's disc suffers from poor remastering. THIS is the set to get.