Donald Percy "Don" Rendell (4 March 1926 – 20 October 2015) was an English jazz musician and arranger. Mainly active as a tenor saxophonist, he also played soprano saxophone, flute, and clarinet.
Born as the son of two musicians in Plymouth, England,
Rendell's jazz career began when he was fifteen, with the alto sax, switching
to tenor after a few years. Don took part in a jam session with Stephane
Grapelli in 1942 while still at school and playing alto sax.
He had formed a band called the Rhythm Racketeers with
friends Denny Termer on piano, Stan Watson, guitar and drummer Laurie Morgan
later to take part in the formation of Club Eleven. They gigged locally until
Termer's uncle took them into his show band
playing variety theatres all over the country. Later they worked in
night clubs and US army bases and by 1945 Don had switched to tenor sax.
playing variety theatres all over the country. Later they worked in
night clubs and US army bases and by 1945 Don had switched to tenor sax.
Dance hall work with Duncan Whytes band at the Astoria
Ballroom in central London followed but this did give the opportunity for
musicians to visit the Soho night clubs to play swing when the ballroom closed.
This was around 1945 and Rendell remembers visiting The Bag O'Nails, The Kit
Kat, The Florida, The Nuthouse and The Blue Lagoon. He also visited the
Downbeat Club held at Mac's rehearsal rooms where he played with visiting
American musicians.
Around 1947 he was with George Evans ten saxophone band at the Hammersmith Palais. By 1948 he was playing with the Oscar Rabin band, and played his first long recorded solo on Cherokee. In the band at the time was trumpeter Leon Calvert, who became a regular at Club Eleven when it opened later in the year.
Johnny Dankworth Seven |
From 1953 to 1955 he played around the clubs before
forming a sextet with Ronnie Ross and when that folded he took the remnants of
his group into Tony Crombie's band. This was followed by a six month spell with
Ted Heath, but left because there was little opportunity to play his kind of
jazz.
In 1956 Stan Kenton came to the UK to tour Europe and
needed a couple of replacement saxophone players. Harry Klein and Don Rendell
were hired. Rendell worked with the band for two or three months and rates it
as one of the highlights of his career. After Kenton he played with Tony Kinsey
for a few months before forming another sextet known as the Jazz Six. He toured
with Woody Herman's Anglo-American Herd in 1959 and led a group accompanying
Billie Holiday when she toured in the UK. From
1960 he led his own groups.
In 1961 he formed a quintet with Graham Bond and it was
about this time that he heard John Coltrane whose style of playing led to a
dramatic change in Rendell's own style. From 1963 to 1969 he led a quintet with
trumpeter Ian Carr. The quintet with Carr is regarded as a high spot in
Rendell's career. During the time they were
together the personnel of the band changed hardly at all, and recorded a number of well received records.
together the personnel of the band changed hardly at all, and recorded a number of well received records.
The quintet used a lot of material written by group
members and over the years built a remarkable sense of unity. By now Rendell
was playing soprano sax and flute as well as tenor and had developed a harder
edge to his sound as he was influenced by Sonny Rollins, Johnny Griffin and
John Coltrane. The group ended when Rendell became reluctant to continue
travelling around the world and his perceived lack of ambition led to a parting
of the ways.
From the 1970s he played concerts, festivals and jazz
clubs as a featured soloist and also got into teaching in schools and colleges.
Through the 1990s he taught saxophone on the jazz courses at the Guildhall
School of Music in London as well as writing books for grade exams, all while
continuing to compose. He has established a reputation as a jazz educator and
was involved with the annual Jazz Summer School in Barry, South Wales for many
years and shared the teaching at the Royal Academy of Music with John
Dankworth. He died on 20th October, 2015 in London after a short illness at the
age of 89. (Edited mainly from henrybebop.co.uk)
1 comment:
For “Don Rendell - Meet Don Rendell” go here:
https://www.upload.ee/files/9653799/Don_Rendell.rar.html
DON RENDELL SEXTET
1. MY HEART BELONGS TO DADDY
2. LITTLE BOY GREEN
3. SINBAD THE TAILOR (Trio only)
4. DIDN'T WE
5. MUSKRAT RAMBLE
6. THAMES WALK
7. DANCE OF THE OOBLIES
DON RENDELL QUARTET
8. YOU STEPPED OUT OF A DREAM
9. SOMETIMES I'M HAPPY
10. ON A SLOW BOAT TO CHINA
11. YESTERDAYS
12. TOP HAT, WHITE TIE AND TAILS
13. THAT OLD FEELING
14. NEW ORLEANS
15. FROM THIS MOMENT ON
16. BODY AND SOUL
17. BLOW, MR. DEXTER
DON RENDELL QUINTET
18. THE GRIFFIN
19. COOL SPARKS
20. CAROLET
21. SOME OF US
1-2 rec. June 9, 1954
3-11 rec. Feb. 22, 1955
12-17 rec. May 2, 1955
18-21 rec. May 16, 1955
Firstly, perhaps as a warm up, or maybe just to test the balance, who knows? This session, which in all produced nine tracks for issue, began by spotlighting pianist Damian Robinson with just bass and drums in bright and swinging mode on Johnny Mandell's "Sinbad The Tailor", an item which could not have been a better pointer to the wonderful quality and expertise of the jazz which was to follow in the four Sextet tracks. (Jasmine notes)
Post a Comment