Audrey
Morris (born 12 November 1928), a self-described "saloon singer,"
sings love songs and caresses the blues with lyrical grace that leaves her many
fans begging for more. She has been enchanting night club audiences for more
than a half century, performing in such clubs as Mister Kelly's, the Embers,
Yvette, as well as Maxim's.
Audrey
Morris grew up on the South Side of Chicago, where her relationship with songs
began. Studying classical piano as a child, she was drawn to the radio, which
played all the latest tunes from the Hit Parade, and she sat in school writing
lyrics in her notebook while pretending to do her lessons. Her favourites were
Billie Holiday, Lee Wiley, Mildred Bailey, and Peggy Lee. In 1950, Morris began
singing and playing at the Capitol Lounge on State Street, and in 1954 moved to
the newly-opened Mister Kelly's. She quickly became a magnet for other
performers, from the fine local singers to visiting jazz royalty.
"Guess I'll Hang My Tears Out To Dry" from above 1955 LP
Morris
made her first album on the tiny "X" label, a division of RCA, in
1955—Bistro Ballads—and the next year, Bethlehem Records signed her to record
The Voice of Audrey Morris with arranger Marty Paich. Warner Brothers offered
her an exclusive
Instead
she began a five-year stint as leader of the intermission trio at Chicago's
London House, a jazz piano club. There she shared bills with virtually every
great jazz pianist, notably George Shearing and Oscar Peterson, both of whom
became lifelong friends and fans.
In
the late sixties, Morris reduced her work schedule to a night or two a week in
order to raise her newborn son. Not until 1981 did she accept another full-time
booking, at Chicago's Palmer House. Over the past three decades, she has played
top rooms in Chicago, including the Embers, Yvette's, Toulouse, Maxim's, the
Big House and the Whitehall Hotel. She may currently be seen frequently at
Cornelia's.
Morris has introduced several generations of audiences to the
glories of the Great American Songbook.
UPDATE: Morris died at the age of 89 on April 1, 2018 at the
Presence Resurrection Medical Center in Norwood Park, Chicago.
(info edited from Chicago Jazz magazine & AMG)
The
legendary Audrey Morris performs Fats Waller's "Blue Turning Gray Over
You" at the Paul Marinaro Trio's evening of tribute to Audrey on October
13, 2011 at Katerina's in Chicago. Audrey performs here with Joe Policastro on
bass. (video by Friedman Films)
3 comments:
Not sure what protocol is here, but I would love to see this again, please.
Hello Todd,
For “BISTRO BALLADS + THE VOICE OF AUDREY MORRIS (2 LP ON 1 CD)” go here:
https://krakenfiles.com/view/28b79ac669/file.html
01. Nobody’s Heart Belongs to Me (Rodgers-Hart) 2:52
02. Where Are You (McHugh-Adamson) 3:46
03. Good Morning Heartache (Higginbotham-Drake-Fisher) 3:15
04. Come In Out of the Rain (Russell-Sigman) 3:07
05. Sweet William (Wayne-Sherman) 3:43
06. Blah, Blah, Blah (G. & I. Gershwin) 2:24
07. Guess Who I Saw Today (Grand-Boyd) 2:46
08. Guess I’ll Hang My Tears Out to Dry (Styne-Cahn) 3:18
09. April Fool (Charles Waldman) 3:23
10. The End of a Love Affair (Edward C. Redding) 2:58
11. I Never Mention Your Name (Oh, No) (Kent-George-Davis) 2:59
12. It’s Always You (Van Heusen-Burke) 3:18
13. How ‘Dja Like to Love Me (Lane-Loesser) 3:00
14. Glad to Be Unhappy (Rodgers-Hart) 3:18
15. What More Can a Woman Do (Lee-Barbour) 3:19
16. If Love Were All (Noel Coward) 2:50
17. Blue Turning Gray Over You (Waller-Razaf) 2:38
18. If You Could See Me Now (Dameron-Sigman) 2:26
19. I Go for That (Malneck-Loesser) 3:29
20. I Wonder What Became of Me (Arlen-Mercer) 3:11
21. You Irritate Me So (Cole Porter) 3:08
22. My Old Flame (Johnston-Coslow) 2:32
Sources:
Tracks #1-10, from the album “Bistro Ballads” (Vik LXA 1028)
Tracks #11-22, from the album “The Voice of Audrey Morris” (Bethlehem BCP-6010)
Personnel on "Bistro Ballads":
Audrey Morris, vocals and piano; Johnnie Pate, bass; Charles Walton, cymbals.
Recorded in Chicago, March 31 and April 1, 1955
Personnel on "The Voice of Audrey Morris":
Audrey Morris, vocals, accompanied by Marty Paich and His Orchestra
Marty Paich, conductor, arranger, piano & celeste; Stu Williamson, trumpet Bill Pitman, guitar; Joe Mondragon, bass; Irv Cottler or Alvin Stoller (#11-14), drums; Felix Slatkin and the Hollywood Strings
Recorded in Hollywood, July, 1956
From the early 50s, Audrey Morris’ delicate piano and forceful voice was an asset to any intimate Chicago club —or bistros, whatever be the case— into the wee hours, bucking the current taste for bawdy chanteuses and cultivating a repertoire of obscure, understated material, as she displayed in her two first albums. On the first, “Bistro Ballads”, she provides her own spare, sophisticated piano accompaniment, supported by the sensitive bass of Johnny Pate and the hushed cymbals of Charles Walton, as she brings her soulful style to bear on some untarnished ballads worthy of her skill and intelligence.
On “The Voice of Audrey Morris,” she’s backed by a group of jazzmen plus a superb string section conducted and arranged by Marty Paich. It’s a relaxed, well balanced session on which she is heard to advantage backed by the wholly enticing sound of Stu Williamson’s muted trumpet, while the warm guitar of Bill Pitman and Paich’s ruminative piano engage effectively behind them. She sings a dozen warm standards with uncommon intimacy and assurance, and a quietly swinging approach, without letting the creative tension of her interpretations falter for a moment.
Thanks so much!
My Dad knew Audrey, but I've never heard her early stuff.
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