Friday, 29 May 2026

Freddie Redd born 29 May 1928

Freddie Redd (May 29, 1928 – March 17, 2021) was an American hard-bop pianist and composer. 

Redd was born in New York City to Freddie, a porter, and Helen, a homemaker. His father was a pianist but died before the child was two, leaving the keyboard for him to discover. Though his mother moved around New York's various boroughs, the piano always travelled with them. Redd began teaching himself to play as soon as he could comfortably reach the keys from the bench. His primary interest, however, was in the drums. That early obsession influenced his piano playing later on; Redd's sense of rhythmic invention and propulsion proved a distinctive aspect of his formidable style. As a young teen in Harlem, Redd would often skip school to see Count Basie, Duke Ellington, Jay McShann, and Earl Hines at the Apollo Theatre.

Redd was drafted into the U.S. Army in 1946. This is where he spent the next three years learning more about the piano and playing gigs with his friends throughout bases and camps within South Korea. There were pianos in every recreation room, which is where Redd taught himself how to play and formed a band during his time of service. Another GI played him Dizzy Gillespie and Charlie Parker's bebop hit "Shaw 'Nuff," and it changed the direction of Redd's musical life. Discharged in 1949, Redd returned to New York. He had developed his technique while in the service and began getting work at home. He worked in the clubs in New York and Syracuse, New York, in a small group led by drummer Johnny Mills, and in 1951 recorded with Tiny Grimes and toured the South in Cootie Williams's sextet. In 1952 he returned to New York, where in the following year he worked briefly with Oscar Pettiford and Charles Mingus.

Redd belonged to the Jive Bombers with the saxophonist Earl Johnson, the double bass player Clarence Palmer, and the singer and guitarist Pee Wee Tinney (1954), recorded with Art Farmer's and Gigi Grace's quintet and Gene Ammons's All Stars (1955). That same year, Redd shared Piano: East/West (Savoy) with pianist Hampton Hawes -- they each led half the LP -- and released Introducing the Freddie Redd Trio on Prestige. In 1956, he served as pianist on Rolf Ericson & the American All Stars and toured Sweden. In 1957, he led a trio for San Francisco Suite on Riverside, and in 1958 released Get Happy with Freddie Redd for the U.K.'s tiny Nixa label that featured trumpeter Benny Bailey and bassist Tommy Potter. On piano, Redd was never the most dynamic improviser, but his keen ear and deep attunement to song form made him a striking "A busy chorder, he will start rattling away behind a soloist, prompting him and prodding hard," Watrous wrote for The New York Times. "Chords jar and fragment. New rhythmic and harmonic ideas pop up regularly."

                              

                        Here's "Old Man River" from above album.

On returning to the USA he moved to San Francisco, where he played for a brief period with Mingus at the Black Hawk and worked as the house pianist at Bop City. In 1959, Redd was commissioned to compose original music for Jack Gelber's play The Connection. In both the Living Theatre's off-Broadway production and Shirley Clarke's 1961 film, he played the role of musician and actor alongside saxophonist Jackie McLean and others. Blue Note signed Redd and released the recorded score as The Music from "The Connection" in 1960. The following year, Redd issued the quintet offering Shades of Redd with saxophonists McLean and Tina Brooks, bassist Paul Chambers, and drummer Louis Hayes. He recorded a third album for the label, but due to a dispute between Redd and Blue Note's Alfred Lion, it was shelved until 1989.

The pianist left the U.S. in 1962 for an extended stay in Europe. He spent years living and working in Copenhagen, Amsterdam, and France as well as England. His only known recorded appearance between 1961 and 1970 was playing organ on James Taylor's first single, "Carolina in My Mind," at Apple Studios in 1968. In 1971, Redd released the trio outing Under Paris Skies with a French rhythm section, and in 1973 he issued In Sweden accompanied by old friends Potter and drummer Joe Harris. Redd returned to the United States in 1974 and headed for California. He spent the next 15 years between Los Angeles and San Francisco. He became a valued member of the northern and southern California jazz scenes and led a band that played clubs across Mexico -- he even moved for a time to Guadalajara.

In 1977, Redd released Straight Ahead! with bassist Henry Franklin and drummer Carl Burnett on the Interplay label, and followed with the solo outing Extemporaneous a year later. He continued to work bandstands in California, but he spent more and more time playing resort gigs in Mexico -- where he was given free rein in choosing his musicians and material. He gigged more than once with Mexican jazz pioneer/drummer/composer Tino Contreras. Redd also returned to Europe for festivals, club gigs, and occasional tours.

In 1988, Redd's Blues, his unreleased 1961 Blue Note outing, appeared for the first time, and was followed by Mosaic Records' limited-edition The Complete Blue Note Recordings of Freddie Redd, the liner notes of which quoted Jackie McLean as saying: "You never know what town you'll see Freddie in. He's always been itinerant. Freddie just appears from time to time, like some wonderful spirit."

He returned to New York to record 1989's Lonely City for the independent Uptown label, leading a septet that included Clifford Jordan, Ben Riley, and George Duvivier. In 1990, he released Live at the Studio Grill with drummer Billy Higgins and bassist Al McKibbon. He followed with the studio album Everybody Loves a Winner for Milestone in 1991, leading a sextet that included saxophonist Teddy Edwards and trombonist Phil Ranelin.

Redd moved to North Carolina to care for his ailing mother in late 1991. After her death in 1995, he returned to New York City, then moved to Pittsburgh for close to a decade. While it was his home base, he continued to work and travel internationally. He released Freddie Redd and His International Jazz Connection in 1998. Redd moved to Baltimore, Maryland, in 2009. He went on a large European tour in 2013 and undertook several recording sessions. In 2015, he issued his SteepleChase debut, Music for You with bassist Jay Anderson and drummer Billy Drummond. The following year, he released the sextet date With Due Respect, featuring the previous set's trio, plus trombonist John Mosca, saxophonist Chris Byars, and clarinetist Stefano Doglioni. 

Redd retired from music at the age of 87 and returned to New York City. In January 2021, Washington, D.C.'s Bleebop Records released the unissued 2013 recordings Baltimore Jazz Loft -- a quartet offering co-led with bassist Butch Warren -- and the quintet album Reminiscing, which included bassist Michael Formanek. Redd died at a Manhattan care facility in New York City on March 17, 2021, aged 92.  His grandson, Leslie Clarke, announced that Redd had died from natural causes in his sleep.

(Edited from AllMusic, New Grove Dictionary of Jazz & Wikipedia) 

2 comments:

boppinbob said...

For "Freddie Redd – In Sweden (1973 Metronome / 2007 re-issue Lone Hill Jazz)" go here:

https://pixeldrain.com/u/Xs64u1XY

1 Dawa Mist
2 Beautiful Adela
3 I'll Remember April
4 Reminiscing
5 Get Happy
6 Bye Bye Blackbird
7 Blues X
8 Farewell To Sweden
9 People's Park
10 A Night In Nalen
11 Blue Hour
12 Studio Blues
Bonus Tracks
13 Debut
14 Lady J. Blues
15 Things We DId Last Summer
16 Ready Freddie
17 I'll Remember April
18 These Foolish Things

1-12: Stockholm, Sweden, September 5-18, 1956.
13-16: Hackensack, New Jersey, February 28, 1955.
17-18: Folkets Park, Varnama, Sweden, July 30, 1956.

For "Freddie Redd Trio – San Francisco Suite (1958 Riverside)" go here:

https://pixeldrain.com/u/7DMTyBT1

San Francisco Suite: (13:26)
1.1 View Of The Golden Gate Bridge From Sausalito
1.2 Grant Street (Chinatown)
1.3 Barbary Coast
1.4 Cousin Jimbo's Between 3 And 7 A.M.
1.5 Dawn In The City
2 Blue Hour 3:33
3 By Myself 3:43
4 Old Man River 4:01
5 Minor Interlude 4:57
6 This Is New 6:31
7 Nica Steps Out 4:19

Recorded in New York; October 2, 1957.

For "Freddie Redd – The Complete Blue Note Recordings (1989 Mosaic)" go here:

https://pixeldrain.com/u/sbETvNfx

The Music From "The Connection"
1-1 Who Killed Cock Robin 5:20
1-2 Wigglin' 5:55
1-3 Music Forever 5:35
1-4 Time To Smile 6:25
1-5 Theme For Sister Salvation 4:45
1-6 Jim Dunn's Dilemma 5:35
1-7 O. D. 4:40
Shades Of Redd
1-8 The Thespian 7:00
1-9 Blues-Blues-Blues 6:00
1-10 Shadows 7:20
1-11 Melanie (alternate take) 5:25
2-1 Melanie 5:05
2-2 Swift 4:09
2-3 Just A Ballad For My Baby 4:10
2-4 Ole 6:25
2-5 Ole (alternate take) 7:50
Redd's Blues
2-6 Now 7:14
2-7 Cute Doot 6:15
2-8 Old Spice 7:02
2-9 Blues For Betsy 5:00
2-10 Somewhere 5:55
2-11 Love Lost 7:10

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on February 15, 1960 (1-1 to 1-7), August 13, 1960 (1-8 to 2-5) & January 17, 1961 (2-6 to 2-11).

For "Freddie Redd – Reminiscing (2021 Bleebop)" go here:

https://pixeldrain.com/u/LUPNg37J

1 Oh! So Good
2 Love Is Love
3 Shadows
4 Blues Extra
5 Once In A Lifetime
6 Reminiscing
7 Blues X
8 There I Found You

Recorded at An Die Musik in Baltimore, MD on January 24-25, 2013

For "Freddie Redd – Music For You (2015 Steeplechase)" go here;

https://pixeldrain.com/u/MtaoTVrf

1 There Will Never Be Another You 7:21
2 Blues For You 7:43
3 How High The Moon 6:34
4 All The Things You Are 10:43
5 Cherokee 6:34
6 Round About Midnight 7:37
7 Perdido 8:45
8 Lover Man 8:35
9 I'll Remember April 10:08

Recorded November 2014.

For "Freddie Redd – With Due Respect (2016 Steeplechase)" go here:

1 A Night In Nalen 6:54
2 Reminiscing 7:13
3 Blue Hue 7:23
4 With Due Respect 3:23
5 I'm Gonna Be Happy 7:19
6 O.D. 7:16
7 Olé 6:26
8 Lady J Blues 8:13
9 Melanie 9:18

Recorded November 2014 & February 2015.

D said...

thanks BB
btw made a re-up request here;
https://fromthevaults-boppinbob.blogspot.com/2014/10/anita-kerr-born-31-october-1927.html
thanks