Dwike Mitchell (February 14, 1930 – April 7, 2013) was an American piano player and teacher. He began his career as pianist for the Lionel Hampton Orchestra before joining Willie Ruff to form The Mitchell-Ruff Duo jazz group.
Born Ivory Mitchell Jr. in Dunedin, Florida, he adopted the professional name "Dwike" from a blend of family names suggested by his mother, after beginning to play piano publicly at age five in his local church choir. Family dynamics in the 1940s shaped his access to education; following his parents' divorce around age eight in 1938, his mother relocated to Jacksonville, Florida, while Mitchell remained in Dunedin with his father, continuing his church and school-based training uninterrupted.
By his high school years, local mentor Dr. Jack Mease recognized his potential and offered to fund studies at Juilliard, though his father declined, prompting Mitchell to enlist in the U.S. Army at seventeen in 1947 where he served at Lockbourne Air Force Base near Columbus, Ohio and gained crucial experience in both classical and jazz ensembles as a pianist in the base's renowned band. It was at the Air Force base that he first met Willie Ruff who played French Horn and double bass.
After their military service, they pursued classical music studies under the G.I. Bill which included Mitchell at a Philadelphia conservatory and Ruff at Yale,before reuniting in 1954 as members of Lionel Hampton's orchestra. Leaving Hampton after a year, they established the duo as an independent act, the Mitchell-Ruff Duo who opened for jazz luminaries such as Duke Ellington and Count Basie. The duo's innovative sound blended classical precision with jazz improvisation, highlighted by the rare use of French horn in jazz, paired with Mitchell's virtuoso piano style rooted in gospel and swing influences.
Key performances included a landmark 1961 appearance at Carnegie Hall alongside Dizzy Gillespie, as well as openings for artists like Miles Davis and Sarah Vaughan. The duo's international tours broke cultural barriers, notably in 1959 when they joined the Yale Russian Chorus in the Soviet Union and delivered an impromptu jazz set in Moscow, defying official prohibitions on "bourgeois" music during the Cold War.
In addition to his central work with the Mitchell-Ruff Duo, Dwike Mitchell expanded his ensemble collaborations by incorporating percussion to enrich the group's rhythmic palette. The trio typically featured Mitchell on piano, Willie Ruff on bass or French horn, and rotating drummers such as Charlie Smith or Elcio Milito. By 1965, the trio with Milito performed at New York venues like the Hickory House, where they drew acclaim for their sophisticated arrangements of Brazilian-inflected jazz, reflecting Mitchell's interest in global rhythms during a period of brief but innovative activity through the 1970s.
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| By the Great Wall of China |
In 1981, they performed in China—the first jazz concerts there since the Cultural Revolution—culminating in a lecture-concert at the Shanghai Conservatory, where Ruff, having studied Mandarin, engaged deeply with local musicians. Additional tours spanned Europe and Asia, often in regions where jazz was restricted or unknown, fostering cross-cultural exchange through their accessible, narrative-driven shows.
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| Mitchell & Ruff with Phyllis Curtin |
Their efforts in cultural diplomacy, particularly in politically sensitive locales, underscored jazz's role as a universal language, influencing global perceptions of American music. The partnership of Mitchell and Ruff endured for 56 years, from 1955 until Mitchell's death in 2013.. In his final years, Dwike Mitchell's health declined due to pancreatic disease, prompting him to return to his native South after becoming ill in 2012. He spent his last months in Jacksonville, Florida, where he passed away on April 7, 2013 of a pancreatic illness at the age of 83. That same year Willie Ruff was awarded the Sanford Medal. The Sanford Medal is the highest honor from Yale University's School of Music Willie died in Killen, Alabama on December 24, 2023, at the age of 92.
(Edited from Grokipedia & Wikipedia)





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3 comments:
For “Mitchell And Ruff – Brazilian Trip / Campus Concert (2002 Collectables)” go here:’
https://pixeldrain.com/u/4XqCHTKy
1 Tanto Canto
2 Deixa Pra La
3 Nao Deixa
4 Chuva
5 Sonhando
6 Ah, Voce
7 Nos
8 Companheiro
9 Sem Mais Chorar
10 Nada Mais
11 They Can't Take That Away From Me
12 Red Sails In The Sunset
13 My Heart Stood Still
14 Little Girl Blue
15 I'll Take Romance
16 Body And Soul
17 'Round Midnight
18 But Beautiful
19 Out Of This World
Acoustic Guitar – Candinho (tracks: 1 to 10), Durval Ferreira (tracks: 1 to 10), Sergio Augusto (tracks: 1 to 10)
Bass, French Horn – Willie Ruff
Drums – Chico Batera (tracks: 1 to 10)
Piano – Dwike Mitchell
Because so few of the recordings by the Mitchell-Ruff Duo have been reissued during the CD era, the reappearance of their recordings on various Collectables releases has been very welcome. Two separate LPs, recorded nearly a decade apart for Epic, make up this two-CD compilation. Brazilian Trip, though recorded in New York City in the summer of 1966, finds the American duo working with a rotating cast of young Brazilian musicians, playing ten sambas written by the visitors, only one of whom, drummer Chico Batera, was a full-time musician. The original title of the other disc, Campus Concert, is rather misleading, as it actually consists of four separate studio recordings between May 22 and August 31, 1956. Although they evidently haven't recorded together since 2000, every album that Dwike Mitchell and Willie Ruff have made in a group setting is worth acquiring; this compilation is a good starting point for anyone unfamiliar with their work.
For “The Mitchell-Ruff Duo - Breaking The Silence: Standards, Strayhorn & Lullabies (2000)” go here:
https://pixeldrain.com/u/8eSQSFKV
1. Autumn Leaves (Joseph Kosma) 7:49
2. Laura (Raksin) 9:15
3. Passion Flower (Strayhorn) 5:16
4. Raincheck (Strayhorn) 1:17
5. A Train (Strayhorn) 4:39
6. Lullaby (Brahms) 9:15
7. Firebird (Stravinsky) 11:30
8. Lullaby Of Broadway (Harry Warren) 5:53
Horn, Bass – Willie Ruff
Piano – Dwike Mitchell
Sprague Hall, Yale University, New Haven 2000.
The above albums are @ 320. Thr two albums below are@ 192 and are available on most streamers
https://pixeldrain.com/u/sRQRm92v
The Mitchell-Ruff Duo – Strayhorn: A Mitchell-Ruff Interpretation (1971 Mainstream)
1. Take The 'A' Train 4:28
2. Passion Flower 5:24
3. Suite For The Duo 12:23
4. Chelsea Bridge 4:23
5. Upper-Manhattan Medical Group 3:50
6. Raincheck 1:18
7. Lush Life 6:25
Dizzy Gillespie And The Mitchell-Ruff Duo – In Concert (1971 Mainstream)
1. Con-Alma 8:50
2. Dartmouth Duet 3:10
3. Woodyn' You 4:47
4. Blues People 11:15
5. Bella Bella 8:30
Here is a potential subject for your ongoing "From The Vaults" series:
Karen Brown, jazz vocalist.
I used to hear her music played on KTIM AM radio in the San Francisco Bay Area back in the 80's. Still active in NYC she really is an excellent jazz vocalist who should be better known. Her albums are not available digitally so far as I know. But I do have these two tracks I recorded off of the radio back in the '80's:
https://www.swisstransfer.com/d/23d03ac6-191a-4bab-b242-7119eacf9106
Here is her Facebook page:
https://www.facebook.com/entertainer7
And the Discogs link to her albums:
https://www.discogs.com/artist/567119-Karen-Brown-5
I was unable to find a way to contact you privately, so please forgive the intrusion onto this page.
Hello Earthbound, thanks for the suggestion and audio tracks. I had about a 40 minute peruse on the internet and came up with bits and pieces of information but not enough to to do a profile on her. Couldn't even find a date of birth (although her face book states June 26th but no year!) Also I cannot find any of her 3 albums. At the moment I have 20 names as contenders for the next June 36th spot, so I'm afraid to say Karen Brown is way down on the list unless I can get something more substantial about her plus an album or two of her music .
Regards, Bob.
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