Pete Brown (November 9, 1906 - September 20, 1963,) was an American jazz alto saxophonist and bandleader.
James Ostend "Pete" Brown was born in Baltimore, Maryland. His father, who came to the U.S. from the island of Barbados, blew the trombone, and Pete learned to play piano from his mother. He took up the ukulele, then switched to the violin, an instrument he played in theater orchestras beginning at the age of 12 until swapping the fiddle for alto and tenor saxophones in 1924. Although he occasionally used the trumpet, the alto soon became his instrument of choice. Brown worked with a series of now-forgotten groups, including the Southern Star Jazz Band, the Baltimore Melody Boys, and the Johnny Jones Orchestra. In 1927 he joined a group led by Banjo Bernie Robinson in Atlantic City and followed the band to New York.
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| Brown with Frankie Newton |
During the 1930s Brown gigged with Charlie Skeets and Clarence Williams, formed a trio with pianist Don Frye and drummer Fred Moore, and joined the first of many bands led by bassist John Kirby. In 1937 he entered into a maelstrom of recording activity that involved clarinetist Buster Bailey's Rhythm Busters, trumpeter Frankie Newton's Uptown Serenaders, pianist Willie "The Lion" Smith & His Cubs, clarinetist Jimmie Noone, and vibraphonist Lionel Hampton.
Brown also accompanied vocalists Maxine Sullivan, Midge Williams & Her Jazz Jesters, and Jerry Kruger & Her Knights of Rhythm. He sat in with two different all-star bands fronted by Leonard Feather, with Jimmie Gordon's Vip Vop Band, and with Joe Marsala's Delta Four. A return engagement with Newton was greatly enhanced by the presence of pianist James P. Johnson.
Pete Brown started recording under his own name in April 1939 and one might say that he hit the ground running, calling his first group a "Jump Band" and peppering the ensemble with players as seasoned and capable as himself. Stylistic changes were in the air when he assembled a sextet in 1942 with Dizzy Gillespie, Jimmy Hamilton, and pianist Sammy Price. Brown worked the clubs incessantly, and was often on the road between New York, Boston, and Chicago.
In 1943 he fronted Louis Jordan's band while the rising R&B star conducted a solo tour. In January of 1944, Brown included trumpeter Jonah Jones in a group that cut a handful of titles for the World Broadcasting Radio Transcription Service.
A quartet date featuring guitarist "Jim Daddy" Walker and a series of Savoy and Keynote sessions from this period show him at the peak of his powers as a swinging balladeer and a restless, brusquely inventive improviser. His penchant for quirky titles was given free rein as he came up with "Boot Zoot," "Ooh-Wee," and "Bellevue for You," a cynical reference to the infamous psychiatric ward of New York's oldest public hospital. Appropriately, in 1946 Pete Brown's Brooklyn Blue Blazers backed the volatile and at times homicidal-sounding blues shouter Cousin Joe (aka Pleasant Joseph).
Pete Brown was a large man who suffered from diabetes and other health problems that gradually limited his professional activity and affected his musicianship, at times causing him to coast rather than innovate. He led a session for Bethlehem Records in November 1954 with trumpeter Joe Wilder and pianist Wade Legge.
In 1955 he was heard with Sammy Price & His Kaycee Stompers on Barrelhouse and Blues, an exciting but little-known album released by the mail-order record company Jazztone Society. The following year found him sitting in on Big Joe Turner's Atlantic LP Boss of the Blues. In 1958, Brown held his own as a tough contributor to Champion Jack Dupree's celebrated Atlantic album Blues from the Gutter.
In 1959 Pete Brown cut an LP for Verve and called it From the Heart. He now held down a standing gig at the Club Arlington in Brooklyn and periodically blew his horns in the Bronx or on-stage at the Village Gate. His last recording date took place in a subterranean soundproof studio at 272 W. 84th Street in New York City on October 21, 1961. This session was co-led by veteran swing guitarist Bernard Addison and brought together trumpeter Johnny Lettman, bassist Hayes Alvis, and ex-Ellington drummer Sonny Greer.
A victim of ailments brought on by years of unhealthy behavior, Pete Brown passed away in New York City on September 20, 1963. For most of his life he gave lessons to aspiring saxophonists. Two who are known to have learned their craft from him were Flip Phillips and Cecil Payne.
(Edited from AllMusic)







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Pete Brown – 1942-1945 (1998 Classics)
1. Pete Brown And His Band– Cannon Ball 2:46
2. Pete Brown Quartet– Jim's Idea 4:07
3. Pete Brown Quartet– Pete's Idea 4:24
4. Pete Brown Quintette– Ooh-Wee 2:44
5. Pete Brown Quintette– Bellevue For You 2:43
6. Pete Brown Quintette– Pete Brown's Boogie (P.B. Boogie) 2:56
7. Pete Brown Quintette– Moppin' The Blues 2:59
8. Pete Brown All Star Quintet– It All Depends On You 4:24
9. Pete Brown All Star Quintet– That's My Weakness Now 4:06
10. Pete Brown All Star Quintet– It's The Talk Of The Town 4:33
11. Pete Brown All Star Quintet– I May Be Wrong 4:00
12. Pete Brown's Band– Boot Zoot 2:59
13. Pete Brown's Band– It's Great 3:03
14. Pete Brown's Band– Lazy Day 3:06
15. Pete Brown's Band– Sunshine Blues 3:07
16. Pete Brown's Sextette– Fat Man's Boogie (Big Boy Boogie) 2:53
17. Pete Brown's Sextette– That's The Curfew 2:42
18. Pete Brown's Sextette– Midnite Blues 2:57
19. Pete Brown's Sextette– That's It 2:43
20. Pete Brown's Sextette– Just Plain Shuffle 2:56
21. Pete Brown's Sextette– Pushin' The Mop 2:47
22. Pete Brown's Sextette– Back Talk Boogie 2:38
Pete Brown Sextette – Peter The Great (1955 Bethlehem)
1. There Will Never Be Another You
2. I Can't Believe That You're In Love With Me
3. Used Blues
4. Moonlight In Vermont
5. The World Is Waiting For The Sunrise
6. Tea For Two
7. Delta Blues
Both albums are available on most streamers and can be found here @192
https://pixeldrain.com/u/GdJgnDaG
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