Thursday 24 October 2024

Sanford Clark born 24 October 1935

Sanford Clark (October 24, 1935 – July 4, 2021) was an American country-rockabilly singer and guitarist, best known for his hit "The Fool". 

Tulsa-born Sanford Clark moved with his family to Phoenix, Arizona, at age nine and began playing guitar at the age of twelve. Until 1953 he played around Phoenix, then he enlisted for four years in the U.S. Air Force, which initially took him to Johnston Island in the Pacific. His next assignment was back home in Phoenix where he returned to the clubs when off-duty. Guitarist Al Casey, Clark's lifelong friend, persuaded him to get on stage at the Arizona Hayride. Casey brought along Lee Hazlewood, a 27-year old deejay from KTYL who was looking for someone to record a song he had written. Hazlewood liked Clark's style and in March 1956 the three men pooled $ 215 to cut "The Fool" at a Phoenix studio owned by Floyd Ramsey. 

"The Fool" was meant to be a country song, but after Al Casey came up with a guitar riff out of an R&B song ("Smokestack Lightning" by Howlin' Wolf), Hazlewood felt that the song shouldn't be released on his own Viv label, which was strictly country, but on MCI, a label jointly owned by Hazlewood, Floyd Ramsey, Jimmy Wilcox and Connie Conway. Wilcox, who played bass on the session, remembers that it took more than 100 takes of "The Fool" before Hazlewood was satisfied. This wasn't Clark's fault, though, it was more a matter of Hazlewood experimenting with all kinds of tape echo, trying to get a certain sound. 

                                   

1500 MCI copies were pressed but nothing happened until influential Cleveland deejay Bill Randle started pushing the record. Randle also tipped off Randy Wood, who reissued "The Fool" on Dot in June 1956. With Dot's superior distribution behind the record, it reached # 7 on the Billboard pop charts in September also # 5 R&B and # 14 country. Following the song's success, Clark and Casey opened on tour for Ray Price, Roy Orbison and toured with Johnny Cash and Carl Perkins. 

Clark's 1957 follow-up single, "The Cheat", gave him a second minor hit, peaking at No. 74  on the pop charts. Five more Dot singles followed in 1957-58, but nothing charted. Sanford was having trouble with Dot honcho Randy Wood, who tried to turn him into another Pat Boone. In the spring of 1958, Clark, Hazlewood and Casey moved to the Jamie label, where Duane Eddy was just starting his long string of hits. Duane played on some of Clark's Jamie recordings, but to no commercial avail. Al Casey quit touring with Sanford in the summer of 1958 to join Duane on tour as a bassist. All of the ten Jamie sides were released in the UK, on London American, unlike the Dot recordings, which were limited to one single and one EP on London. 

After leaving Jamie in 1960, Clark recorded only sporadically for several years which included one single for 3-Trey in 1961 and another one-off single for Project Records in 1964. After moving to Hollywood, he and Lee Hazlewood tried their luck at Warner Bros Records in 1964. Clark nearly had a hit in 1965 with Hazlewood's composition "Houston", until Dean Martin covered it later that year, scoring a # 21 hit. Next, Sanford had five country-tinged singles released on Floyd Ramsey's Ramco label in 1966-67, including a remake of "The Fool", with Waylon Jennings on guitar, but "A Cheat" would remain Clark's last chart entry. There were enough Ramco tracks for an album, but Ramsey didn't release one at the time. 

Eventually Clark wound up on Hazlewood's independent LHI label, for which he cut an album ("The Return Of the Fool") in 1968. It included one of the first versions of "The Son Of Hickory Holler's Tramp", soon an international hit for O.C. Smith. Clark was far from happy with the hasty way he had to record his vocals over the pre-recorded backing tracks. By the 1970s he was no longer playing music full-time and made his living in the construction business and in gambling, as a highly skilled blackjack player. 

In March 1982 he recorded again, with his old buddies Al Casey and Lee Hazlewood, in Los Angeles. But only two of the eleven recordings were released at the time, The remaining nine tracks stayed in the can until Bear Family released them in 1993. In the 21st century Sanford has occasionally returned to the stage, with performances at Hemsby, England (2001, 2009), Viva Las Vegas (2002) and Green Bay, Wisconsin (2002), joined by Al Casey, his original guitar player. 

Clark's publicist and fellow performer, Johnny Vallis, said that Clark died on July 4, 2021, at Mercy Hospital in Joplin, Missouri, where he had been receiving cancer treatment before contracting COVID-19. He was 85 years old. 

(Edited from This Is My Story & Wikipedia)

1 comment:

boppinbob said...

For “Sanford Clark – The Fool (1992 Bear Family)” go here:

https://www.imagenetz.de/fGM8K

1. The Fool
2. Lonesome For A Letter
3. Don't Care
4. Usta Be My Baby
5. Nine Pound Hammer
6. Darling Dear
7. Ooo Baby
8. Ain't Nobody Here But Us Chicken
9. A Cheat (Master)
10. Every Minute Of The Day
11. Promise Me Baby
12. A Cross Eyed Alley Cat
13. The Glory Of Love
14. Lou Be Dou
15. Love Charms
16. Don't Cry
17. Modern Romance
18. That's The Way I Feel (Ooh Wee)
19. The Man Who Made An Angel Cry
20. Till My Baby Comes Home
21. Why Did I Choose You
22. Swanee River Rock
23. Travelin' Man
24. A Cheat (With Snare Overdub)
25. Sing 'Em Some Blues
26. Still As The Night
27. Son Of A Gun
28. I Can't Help It
29. Bad Luck
30. Run Boy Run
31. My Jealousy
32. New Kind Of Fool
33. Go On Home
34. Pledging My Love

No discussion of really great records from the Fifties is complete without "The Fool". The original version is here, remastered from the original tape for incredible sound, as well as 33 more of Sanford's Dot and Jamie recordings. One of the most incredible, unique and original sounds in Fifties rock and country.

For “Sanford Clark – Shades (1993 Bear Family)” go here:

https://www.imagenetz.de/b4UTM

1. Better Go Home (Throw That Blade Away)
2. Pledging My Love
3. The Girl On Death Row
4. Step Aside
5. (They Call Me) Country
6. Shades
7. The Fool
8. Climbin' The Walls
9. Once Upon A Time
10. It's Nothing To Me
11. Where's The Door
12. The Big Lie
13. Calling All Hearts
14. Black Jack County Chain
15. Big, Big Day Tomorrow
16. Bad Case Of You
17. Wind Will Blow (Demo)
18. Streets Of San Francisco (Demo)
19. Oh Julie
20. Kung Fu U
21. Mother Texas (You've Been A Mother To Me)
22. A Taste Of You
23. Movin' On
24. Wind Will Blow
25. Feathers
26. Now I Know I'm Not In Kansas
27. Nine Pound Hammer

"Shades" picks up Sanford Clark's story. His deep soulful baritone is heard on 1960 recordings with Don Cole, 1967-8 sides with Waylon Jennings and others, and 1973 and 1982 recordings, as well as previously unissued demo's.

For “Sanford Clark – Rocks (2023 Bear Family)” go here:

https://www.imagenetz.de/cC7zS

1 Ooo Baby 1:53
2 Modern Romance 2:01
3 Love Charms 2:13
4 Cross-Eyed Alley Cat 2:01
5 The Fool 2:43
6 It's Nothing To Me 2:28
7 Nine Pound Hammer 2:21
8 Lonesome For A Letter 1:50
9 Houston 2:40
10 Usta Be My Baby 2:02
11 A Cheat (With Snare Overdub) 2:39
12 Don't Care 1:51
13 Lou Be Doo 1:54
14 Till My Baby Comes Home 2:02
15 Guess It's Love 1:59
16 Ain't Nobody Here But Us Chickens 2:37
17 Just Bluesin' 2:59
18 Every Minute Of The Day 1:57
19 Tennessee Walk 2:31
20 Travelin' Man 2:13
21 Give The Boy Love 2:16
22 That's The Way I Feel (Ooh Wee) 1:57
23 The Fool (Ramco Version) 2:36
24 (They Call Me) Country 2:46
25 The Man Who Made An Angel Cry 2:13
26 Hard Feelings 2:19
27 Swanee River Rock 2:53
28 Don't Cry 2:35
29 Black Jack County Chain 1:47
30 It Hurts Me Too 3:21
31 A Cheat (Without Snare Overdub) 2:40

Bear Family's 'Sanford Clark Rocks' surveys the very best of Sanford's Dot output -Usta Be My Baby, A Cheat (both the original Dot release and the snare drum overdub version), Ooo Baby, Love Charms, Lou Be Doo, an unissued-at-the-time Cross-Eyed Alley Cat. There's also a motherlode of rarities, including one-off 1961 singles for the Project and Trey labels, three sides for Warner Bros. including his original 1965 pre-Dean Martin reading of Hazlewood's Houston, and four tracks from later in the decade, notably his '66 Ramco remake of The Fool and a 1967 rendition of the Leon Payne-penned offhandedly violent It's Nothing To Me. Sanford always made it all sound disarmingly easy and relaxed, with Hazlewood doing the rest behind the board. (Product description)