Vaughn De Leath (September 26, 1894 – May 28, 1943) was an American female singer who gained popularity in the 1920s, earning the sobriquets "The Original Radio Girl" and the "First Lady of Radio." Although very popular in the 1920s, De Leath is obscure in modern times.She was an early exponent, and often credited as inventor, of a style of vocalizing known as crooning. One of her hit songs, "Are You Lonesome Tonight?," recorded in 1927, achieved fame when it became a hit for Elvis Presley in 1960.
Born Leonore Vonderlieth in the town of Mount Pulaski, Illinois in 1894, her parents were George and Catherine Vonderlieth. At age 12, Leonore relocated to Los Angeles with her mother and sister, where she finished high school and studied music. While at Mills College, she began writing songs, but dropped out to pursue a singing career. She then adopted the stage name "Vaughn De Leath." Her vocals ranged from soprano to deep contralto. De Leath adapted to the emerging, less restrictive jazz vocal style of the late 1910s and early 1920s.
In January 1920, inventor and radio pioneer Lee DeForest brought her to the cramped studio of his station, 2XG, located in New York City's World's Tower, where De Leath broadcast "Swanee River". Although not, as is sometimes stated, the first broadcast of live singing, she established herself as a skilled radio performer, and De Forest would later note: "She was an instant success. Her voice and her cordial, unassuming microphone presence were ideally suited to the novel task. Without instruction she seemed to sense exactly what was necessary in song and patter to successfully put herself across". According to some historical accounts of this incident, having been advised that high notes sung in her natural soprano might shatter the fragile vacuum tubes of her carbon microphone's amplifier, De Leath switched to a deep contralto and in the process invented "crooning", which became the dominant pop vocal styling for the next three decades.
By 1921, in the formative years of commercial radio, De Leath began singing at WJZ, in Newark, New Jersey (a station later known as WABC in New York City). She also performed on the New York stage in the early to mid-1920s, but radio became her primary medium, and she made a name for herself as a radio entertainer. Her recording career began in 1921. Over the next decade she recorded for a number of labels, including Edison, Columbia, Victor, Okeh, Gennett, and Brunswick.
She occasionally recorded for the subsidiary labels of some of these companies under various pseudonyms. These included Gloria Geer, Mamie Lee, Sadie Green, Betty Brown, Nancy Foster, Marion Ross, Glory Clarke, Angelina Marco, and Gertrude Dwyer. De Leath had a highly versatile range of styles, and as material required could adapt as a serious balladeer, playful girl, vampish coquette, or vaudeville comedian.
De Leath also recorded songs for silent films, and composed songs, such as "Oliver Twist", written by the singer herself, for the 1922 silent film Oliver Twist. De Leath's recording accompanists included some of the major jazz musicians of the 1920s, including cornetist Red Nichols, trombonist Miff Mole, guitarists Dick McDonough and Eddie Lang, and bandleader Paul Whiteman. She demonstrated a high level of instrumental ability on the ukulele, and occasionally accompanied herself on recordings, including the 1925 hit "Ukulele Lady" (which was used in the 1999 film, The Cider House Rules). In performance she played banjo, guitar, and piano. In 1925 she narrated and sang on a May Singhi Breen ukulele instruction record for the Victor label.
In 1923, she became one of the first women to manage a radio station, WDT in New York City, over which she also performed and led a sixty-piece orchestra. In 1928 she appeared on an experimental television broadcast, and later became a special guest for the debut broadcast of The Voice of Firestone radio show. She also was one of the first American entertainers to broadcast to Europe via transatlantic radio transmission. De Leath made her last recording in 1931 for the Crown label. She made her final nationwide network performances in the early 1930s. In her waning years, she made radio appearances on local New York stations, including WBEN in Buffalo.
De Leath was married twice. In 1924 she wed artist Leon Geer, from whom she was divorced in 1935. The following year, she married musician Irwin Rosenbloom, from whom she was divorced in 1941. In 1931, De Leath sued Kate Smith for using the "First Lady of the Radio" designation. Although Smith desisted for a time, she resumed the mantle after De Leath's death.
Vaughn De Leath died in Buffalo, New York on May 28, 1943 at the age of only 48. A weight problem along with financial difficulties led to bouts of depression and illness in the early 1940’s. Her early demise has been blamed at least in part on her heavy consumption of alcohol in her battle against depression. Her ashes were buried in her childhood home of Mount Pulaski, Illinois. (Edited from Wikipedia & Easton Courier News)
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For “Vaughn De Leath - The Original Radio Girl (2015 Vintage mp3 albums) (@192)” go here:
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Vol.1 (1920's Jazz Vocals) [Recorded 1924-1927]
1. Ain't Got Nobody to Love (Recorded December 1924) 02:51
2. Nobody Knows What a Red Headed Mama Can Do (Recorded December 1924) 02:55
3. Banana Oil (Recorded April 1925) 03:01
4. Ukulele Lady (Recorded April 1925) 03:22
5. Cross You Heart (with Ed Smalle) (Recorded July 1926) (with Ed Smalle) 03:05
6. Whadda You Say We Get Together? (with Ed Smalle) (Recorded July 1926) 02:59
7. The Good Bad Girl (Recorded August 1926) 03:05
8. Looking at the World Through Rose Colored Glasses (Recorded August 1926) 02:56
9. What Can I Say After I've Said I'm Sorry? (Recorded September 1926) 02:31
10. I've Found a Roundabout Way to Heaven (Recorded September 1926) 02:49
11. Give Me a Ukulele (with Gerald Macy) (Recorded September 1926) 03:01
12. Love Me All the Time (with Gerald Macy) [Recorded September 1926] 03:16
13. Susie’s Feller (Recorded October 1926) 02:45
14. That's a Good Girl (Recorded October 1926) 03:04
15. So Will I (with Irving Kaufman) [Recorded December 1926] 03:04
16. You Know Everything's Made for Love (with Irving Kaufman) [Recorded December 1926] 03:19
17. There Ain't No Maybe In My Baby's Eyes (Recorded January 1927) 03:04
18. Blue Skies (Recorded January 1927)
Vol. 2 (1920's Jazz Vocals) [Recorded 1927]
1. Crazy Words Crazy Tune (Recorded January 1927) 02:51
2. Since I Found You (Recorded January 1927) 03:05
3. By the Side of the Omelet Sea (Recorded January 1927) 03:02
4. Laughing Record (Comic Sketch) [Recorded January 1927] 02:58
5. I Gotta Get Myself Somebody to Love (Recorded January 1927) 03:16
6. I'm Tellin' the Birds, Tellin' the Bees That I Love You (Recorded January 1927) 02:47
7. Down in the Old Neighborhood (with Irving Kaufman) [Recorded March 1927] 03:18
8. Oh Baby Don't Get Along? (with Irving Kaufman) [Recorded March 1927] 03:14
9. I'm In Love Again (Recorded March 1927) 02:54
10. Just Wondering (Recorded March 1927) 03:00
11. Down Along the Side the Docks (with Irving Kaufman) [Recorded April 1927] 03:19
12. Oh, How I Love My Volga Boatman (Recorded April 1927) 03:10
13. Song of the Wanderer (Recorded April 1927) 03:26
14. Mighty Lak a Rose (Recorded May 1927) 02:46
15. Kentucky Babe (Recorded May 1927) 03:03
16. I'm Gonna Dance with the Guy What Brung Me (with Irving Kaufman) [Recorded May 1927] 03:16
17. Just a Little Old School House (with Irving Kaufman) [Recorded May 1927] 03:11
18. Like an Angel You Flew Into Everyone's Heart [Recorded May 1927] 02:52
Vol. 3 (1920's Jazz Vocals) [Recorded 1927]
1. Who Are You Fooling Tonight? (Recorded June 1927) 02:56
2. Sing Me a Baby Song (Recorded July 1927) 03:04
3. I Walked Back from the Buggy Ride (with Irving Kaufman) [Recorded August 1927] 03:31
4. Baby Your Mother (Recorded August 1927) 03:04
5. Baby Feet Go Pitter Patter Across the Floor (Recorded August 1927) 03:34
6. Sometimes I'm Happy (Recorded August 1927) 02:49
7. Jimmy and Mary's Christmas Eve, Pt. 1 (with Irving Kaufman) [Recorded October 1927] 03:28
8. Jimmy and Mary's Christmas Eve, Pt. 2 (with Irving Kaufman) [Recorded October 1927] 03:10
9. There's a Rickety Rackety Shack (with Ed Smalle) [Recorded October 1927] 02:54
10. Tin Pan Parade (Recorded October 1927) 02:54
11. Mister Aeroplane Man (Recorded October 1927) 03:18
12. Just Around the Corner from an A & P (with Irving Kaufman) [Recorded November 1927] 03:13
13. Go Home and Tell Your Mother (with Irving Kaufman) [Recorded November 1927] 03:06
14. Wherever You Are (with Franklyn Baur) [Recorded November 1927] 03:10
15. Playground in the Sky (with Irving Kaufman) [Recorded November 1927] 03:01
16. The Man I Love (Recorded December 1927) 02:57
17. Linger Longer Lane (Recorded December 1927) 03:07
Vol. 4 (1920's Jazz Vocals) [Recorded 1927-1931]
1. Up in the Clouds (with Franklyn Baur) [Recorded December 1927] 02:49
2. Thinking of You (with Franklyn Baur) [Recorded December 1927] 03:01
3. After My Laughter Came Tears (Recorded February 1928) 03:11
4. Bluebird Sing Me Song (Recorded February 1928) 02:36
5. I Just Roll Along (Recorded February 1928) 03:00
6. Watching for the Boogie Man (Recorded February 1928) 02:52
7. Louisiana Lullaby (Recorded March 1928) 03:19
8. Little Mother (Recorded March 1928) 03:07
9. Sorry for Me (Recorded May 1928) 02:51
10. I'm Away from the World When I'm Away from You (Recorded May 1928) 03:26
11. Dirty Hands! Dirty Face! (Recorded July 1928) 03:17
12. The Little Brown Shoe (Recorded July 1928) 03:25
13. You Took Advantage of Me (with Irving Kaufman) [Recorded July 1928] 03:12
14. Do I Hear You Saying? I Love You (with Irving Kaufman) [Recorded July 1928] 03:07
15. Pat's Night Out (with Irving Kaufman) [Recorded September 1928] 03:21
16. Ho Ho Hogan (with Irving Kaufman) [Recorded September 1928] 03:02
17. I Faw Down and Go Boom (Recorded February 1929) 03:02
18. Me and the Man in the Moon (Recorded February 1929) 02:46
19. The Wedding of the Painted Doll (Recorded April 1929) 02:35
20. He's so Unusual (Recorded October 1929) 03:09
21. Chant of the Jungle (Recorded October 1929) 03:12
22. Guily (Recorded October 1931) 03:14
These four volumes demonstrate the many singing styles and talents of Vaughn De Leath. It includes her popular recordings from the Victor, Columbia, Okeh and Brunswick labels.She displays a lot of personality in these recordings. Most are recorded electrically, so her voice is has more presence than her earliest acoustic recordings.
For “Vaughn De Leath – Encore - Edison Diamond Discs (1926 – 1929) (2014 Vintage mp3 albums) (@192)” go here:
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VAUGHN DE LEATH - RADIO FAVORITE– ENCORE 1 (RECORDED 1926-1927)
1- I'M TELLING THE BIRD, TELLING THE BEES - REC 11/1926 - EDISON 51874
2- HELLO BLUEBIRD - REC 11/1926 - EDISON 51874
3- EVERYTHING’S MADE FOR LOVE - REC 12/1926 - EDISON 51904
4- HERE OR THERE - REC 12/1926 - EDISON 51904
5- BLUE SKIES - REC 2/1927 - EDISON 51948
6- SINCE I FOUND YOU - REC 2/1927 - EDISON 51948
7- IT MADE YOU HAPPY WHEN YOU MADE ME CRY - REC 3/1927 - EDISON 51966
8- POSITIVELY ABSOLUTELY - REC 3/1927 - EDISON 51966
9- SO BLUE - REC 4/1927 - EDISON 52016
10- WHAT DO I CARE WHAT SOMEBODY SAID - REC 4/1927 - EDISON 52016
11- WHEN PUSSIE WILLOW WHISPERS TO CATNIP - REC 5/1927 - EDISON 52018
12- I’M IN LOVE AGAIN - REC 5/1927 - EDISON 52018
13- IT’S A MILLION TO ONE YOU’RE IN LOVE - REC 6/1927 - EDISON 52044
14- ARE YOU LONESOME TONIGHT? - REC 6/1927 - EDISON 52044
15- BABY FEET GO PITTER PATTER - REC 7/1927 - EDISON 52073
16- YEP! ’LONG ABOUT JUNE - REC 7/1927 - EDISON 52073
VAUGHN DE LEATH - RADIO FAVORITE– ENCORE 2 (RECORDED 1927-1928)
1- SOMEDAY YOU’LL SAY O.K. - REC 8/1927 - EDISON 52093
2- THERE’S A CRADLE IN CAROLINE - REC 8/1927 - EDISON 52093
3- HERE COMES THE SHOWBOAT - REC 9/1927 - EDISON 52104
4- BLOW BLOW BLOW - REC 9/1927 - EDISON 52104
5- MAKE MY COT WHERE COT-COTTON GROWS - REC 10/1927 - EDISON 52120
6- LONELY LIGHTS ALONG THE SHORE - REC 10/1927 - EDISON 52120
7- THERE MUST BE SOMEBODY ELSE - REC 12/1927 - EDISON 52159
8- WHAT’LL YOU DO? - REC 12/1927 - EDISON 52159
9- MY BLUE HEAVEN - REC 1/1928 - EDISON 52192
10- KEEP SWEEPING COBWEBS OFF THE MOOON - REC 1/1928 - EDISON 52192
11- THERE MUST BE A SILVER LINING - REC 2/1928 - EDISON 52212
12- RAMBLER ROSES RAMBLE - REC 2/1928 - EDISON 52212
13- I JUST ROLL ALONG - REC 2/1928 - EDISON 52222
14- SUNSHINE - REC 2/1928 - EDISON 52222
15- TIN PAN PARADE - REC 5/1928 - EDISON 52306
16- BABY YOUR MOTHER - REC 5/1928 - EDISON 52306
VAUGHN DE LEATH - RADIO FAVORITE– ENCORE 3 (RECORDED 1928-1929)
1- COME BACK, CHIQUITA - REC 7/1928 - EDISON 52374
2- IS IT GONNA BE LONG TILL YOU BELONG TO ME - REC 7/1928 - EDISON 52374
3- I CAN’T GIVE YOU ANYTHING BUT LOVE - REC 8/1928 - EDISON 52388
4- NOBODY BUT BABY - REC 8/1928 - EDISON 52388
5- EVERYTHING WE LIKE WE LIKE ALIKE - REC 9/1928 - EDISON 52428
6- JEANNE, I DREAM OF LILAC TIME - REC 10/1928 - EDISON 52428
7- ME AND THE MAN IN THE MOON - REC 1/1929 - EDISON 52517
8- HAPPY DAYS AND LONELY NIGHTS - REC 1/1929 - EDISON 52517
9- WHEN I’M WALKING WITH MY SWEETNESS - REC 3/1929 - EDISON 52543
10- I’M KA-RAZY FOR YOU - REC 3/1929 - EDISON 52543
11- I’VE GOT A FEELING I’M FALLING - REC 4/1929 - EDISON 52569
12- SOME SWEET DAY - REC 4/1929 - EDISON 52575
13- I’VE GOT A “CODE” IN MY “DOSE” - REC 4/1929 - EDISON 52575
14- MARIANA - REC 9/1928 - EDISON 52614 (LATE RELEASE)
15- MAH LINDY LOU - REC 9/1928 - EDISON 52614 (LATE RELEASE)
16- IF I WERE YOU I’D FALL IN LOVE WITH ME - REC 6/1929 - EDISON 52627
These three volumes include her many songs recorded for Edison Diamond Discs. Her association with Edison started in 1926 and lasted until 1929 when they ceased their phonograph operation. Her interpretations are more personalized for Edison as longer times up to 5 minutes per side were possible. The Edison recordings demonstrate how she would have presented herself on radio and capture her voice and personality the best.
Awesome compilation, great work.
Totally new to me - thank you.
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