Thursday 23 November 2023

Al Smith born 23 November 1923

Al Smith (November 23, 1923 – February 7, 1974) was an American songwriter, band leader and  record producer from Chicago. 

Albert B. Smith was born in Bolivar County, Mississippi. His family moved to Pace, Mississippi, in 1927. He danced with a jug band on the streets of Rosedale, Mississippi, when he was 7. He learned how to play the string bass in a school band after hearing Big Joe Williams and other Delta bluesmen at his mother's barrelhouse. 

After shipping out with the Merchant Marine in 1940, he arrived in Chicago in 1943. In 1945 he started what he referred to as a "bebop" band. According to Rowe, it had 8 pieces plus blues singer Tiny Topsy. Smith and band were working on the South Side sporadically playing at various Clubs and Lounge bars until June 1948 when he was playing as Al Smith and the Band that Rocks at the Sawdust Trail. It was after the Sawdust Trail gig that Smith latched onto something steadier. He reappeared in June 1949 with an "indefinite" deal with the Apex Club in Robbins, Illinois. 

Between the Fall of 1952 and the Spring of 1959, Al Smith had recording sessions sewed up at four different independent labels in Chicago. He led house bands at Chance (1952-1954), Parrot/Blue Lake (1953-1955), United and States (1953-1956), and, most importantly, Vee-Jay (1954-1959) where he ran the house band. His primary employment in all cases was backing vocal groups, plus an occasional solo singer who didn't have a band. Instrumental tracks (except in the case of his valedictory session in 1959) were done during the studio time left over from vocal sessions. 

                                  

Among the better-known Chicago musicians who worked with Al Smith were Sonny Cohn, Booby Floyd, Red Holloway, Harold Ashby, Johnny Board, Leon Washington, Eddie Johnson, Lucius Washington (Little Wash), Von Freeman, Mac Easton, Horace Palm, Norman Simmons, Willie Jones, Sun Ra, Lefty Bates, Matt Murphy, Quinn Wilson, Vernel Fournier, Paul Gusman, and Alrock "Al" Duncan. 

Al Smith 1957

Smith booked club dates with some regularlty through the first half of 1956, but worked just one gig as a leader in 1957, after which essentially retired from the Chicago club scene. He hung up his studio bandleader role in 1959, as Vee-Jay moved toward "middle of the road" accompaniment provided by Riley Hampton, a schooled arranger. In his later days, Al Smith was Jimmy Reed's manager and bandleader, then, after Vee-Jay folded in 1966, Reed quickly resurfaced at ABC Bluesway, where Smith became a producer. Smith handled sessions by Reed, John Lee Hooker, and other blues and R&B artists. Al Smith's business relationship with Jimmy Reed ended in 1971. 

During the frenetic final days of ABC, Smith inked a 25-LP production deal in 1973 with the reactivated Bluesway operation. Twenty of these albums subsequently appeared. They were generally regarded as slapdash affairs, but they provided an opportunity for many bluesmen to record for a major label. 

Al Smith died in Chicago, on February 7, 1974, of a heart attack. He had been suffering for some time from heart disease and diabetes. 

(Edited from Robert Campbell’s Al Smith discography)

4 comments:

boppinbob said...

For “Al Smith – Fooling Around Slowly - 1952-1958 (2023 Jasmine)” go here:

https://www.imagenetz.de/dbDSC

1 Al Smith And His Orchestra Featuring "Red" Holloway – Smoke Gets In Your Eyes
2 Al Smith And His Orchestra Featuring "Red" Holloway – Slow Mood
3 Big Bertha Henderson With Al Smith Orchestra – Rock, Daddy, Rock
4 Big Bertha Henderson With Al Smith Orchestra – Tears In My Eyes
5 Bobby Prince With Al Smith's Orchestra – Tell Me Why, Why, Why
6 Bobby Prince With Al Smith's Orchestra – I Want To Hold You
7 Bobby Prince With Al Smith's Orchestra – Better Think It Over
8 Bobby Prince With Al Smith's Orchestra – If You Only Knew
9 Al Smith Combo – Fooling Around Slowly
10 Al Smith Combo – Annie's Answer
11 Al Smith Combo – Living With Vivian
12 Dizzy Dixon With Al Smith's Combo – Soup Line
13 Al Smith – One, Two, Cha Cha Cha
14 Al Smith – Get Up And Go
15 Al Smith – Road House
16 The Dells With Al Smith's Orch – A Distant Love
17 Little Junior Parker With Al Smith Orchestra – Peaches
18 Little Junior Parker With Al Smith Orchestra – Pretty Little Doll
19 Lucius Washington Quintet – Jammin' For Diggy
20 Al Smith – Quarter Party
21 The Lyrics – Come On Home
22 The Lyrics – Why Don't You Stop
23 The Falcons With Al Smith's Orch – My Only Love
24 The Falcons With Al Smith's Orch – Now That It's Over
25 Larry Birdsong With Al Smith's Orchestra – Fannie's Place
26 Larry Birdsong With Al Smith's Orchestra – Goodbye Goodbye
27 Al Smith – Christopher Columbus
28 Al Smith – Wabash Blues
29 Al Smith - Left Field

Jasmine's ongoing 'In Session' series turns its attention to Al Smith. The first six titles in October 1952, were the start of his recording career. They were for Art Sheridan's Chance label, the first of which, under Smith's own name, was the ghostly 'Smoke Gets in Your Eyes'. Big Bertha Henderson rocks her way through 'Rock, Daddy, Rock' before Bobby Prince finished out the session and has another couple before Sheridan closed Chance into VeeJay giving Al Smith even more artists to contend with.

His early VeeJay sessions produced The El Dorado's 'Annie's Answer' an answer to Hank Ballard's 'Annie Had a Baby' but this time explaining that 'Annie Ain't Had no Baby'. The instrumental 'Living With Vivian' seems to be a reference to Vivian Carter, VeeJay' owner. Poor old Dizzy Dizon dreams he's stuck on a soup line & his money troubles getting there. Moving to a VeeJay subsidiary Falcon The Dells murmur their way 'One, Two, Cha Cha Cha' which incorporates the famous Bo Diddley penned riff from 'Love is Strange'.

Such was Smith's reputation that Duke Records from Houston, Texas sent Little Junior Parker to Chicago to record with Al Smith's Orchestra the result of which was 'Peaches' & 'Pretty Little Doll', both present here. DooWop enters the frame with sessions with The Lyrics who become The Falcons, but not to be confused with the famous Detroit group of the same name. Larry Birdsong name drops his way down in 'Fannie's Place' before we end with three more Smith instrumentals including a latin flavoured 'Left Field'.

This collection gives a slightly different view of the Chicago music scene away from the blues and R&B of Chess records but showed it had just as much talent especially with the Al Smith Combo and Orchestra. (Jasmine notes)

Guitarradeplastico,scraping oddities said...

Many thanks,The Falcons,Junior Parker and others new for me...

T.G. said...

Thanks a lot!

Anton said...

Thank You!!