Betty Wright born 21 December 1953

Bessie Regina Norris (December 21, 1953 – May 10, 2020), better known by her stage name Betty Wright, was an American soul and R&B singer, songwriter and background vocalist who occupied a significant position in African-American music across six decades, beginning with powerhouse gospel in the 1950s and settling on an R&B, soul and funk groove from the 60s onwards that eventually led to work with superstar rappers of the 2000s. 

Born Bessie Regina Norris in Miami, Betty Wright started singing with her siblings as a toddler with the gospel group Echoes of Joy. Wright contributed to vocals on the group's first album, released in 1956. Wright and her siblings performed together until 1965, when she was 11 years old. Following the group's break-up, Wright, who was already using the name Betty Wright, decided to switch musical styles from gospel to rhythm and blues, singing in local talent shows. 

Willie Clarke and Clarence Reid, two Miami-based musicians, were so impressed by the young girl that they signed her to Deep City, the only African-American record label in Florida. Wright’s debut 45, Paralysed, was released in 1965, and it sold well locally. However, Deep City lacked the resources to promote records properly, and so Reid and Clarke eventually passed Wright on to Henry Stone, a distributor with experience and contacts who was launching Alston Records in Miami. 

She scored her first big single in 1968 with the wisdom-dispensing "Girls Can't Do What the Guys Do," another Reid/Clarke composition, which peaked on the Billboard R&B chart at number 15. Atco distributed the concurrent LP, My First Time Around. Although subsequent singles failed to make much of an impression, Wright continued to sing in the Miami clubs on the weekends, building up valuable contacts in the music business. Then chart success returned in 1971 with Clean Up Woman, written by Clarke and Reid, which got to No 6 in the US. Based around a distinctive guitar lick played by Willie Hale, Clean Up Woman’s breezy, danceable funk ensured that Wright would be one of the few school pupils ever to have turned 18 with a million-selling hit record behind her.. The song was nominated for a Grammy in the category of Best R&B Vocal Performance, Female, and earned a gold disc from the RIAA. 

                              

Wright's run with Alston lasted through the '70s. The seven albums the singer released during the decade were highlighted by 1973's Hard to Stop, 1975's Danger High Voltage, and 1978's Betty Wright Live. The last of this sequence was Wright's most successful commercial LP, peaking at number six on the R&B chart. On-stage, Wright took her storytelling to another level and drew from a catalogue that at that point included almost 20 charting singles, including "Where Is the Love" which had won a Grammy for Best Rhythm & Blues Song. 

The set's version of the intimate "Tonight Is the Night," written by Wright and Clarke, became her tenth single to dent the Top 20 of the R&B chart. By the end of the '70s, Wright's collaborative work took off with a featured role on Peter Brown's "Dance with Me," and she co-wrote and produced "All This Love That I'm Givin'" for Gwen McCrae, who she had discovered (along with George McCrae) the previous decade. 

Although she wasn't as prominent as a lead artist in the '80s and '90s, Wright placed another dozen singles on the R&B chart during this time. Among these were the 1981 Stevie Wonder collaboration "What Are You Going to Do with It" and the 1988 hit "No Pain, No Gain," her last Top 20 R&B entry. Her first two albums during this period were released through Epic, after which she set up her own label, Ms. B, her solo outlet on an almost exclusive basis into the early 2000s, and initiated a long-term creative partnership with songwriter, bassist, and musical director Angelo Morris. 

Just as notably, Wright's classics and deep cuts alike were sampled many times over, most prominently for Candyman's "Knockin' Boots" and Color Me Badd's "I Wanna Sex You Up." Wright also filled a number of supporting roles on dozens of albums spanning R&B, jazz, rock, Latin and French pop, and reggae. 

Steady activity for Wright continued in the 2000s with the solo LP Fit for a King and connections made with Erykah Badu, Joss Stone, and Trick Daddy, among many others. In 2006 she appeared as a mentor on the US reality TV talent show Making the Band, and in 2008 produced two songs on Tom Jones’s album 24 Hours. Her 2011 album, Betty Wright: The Movie, featured Snoop Dogg and Lil Wayne, and was praised by reviewers as her best effort in 30 years.

In 2017, Wright was honoured with the National R&B Music Society Unsung Heroine Award at their Black Tie Gala & Awards Ceremony in Philadelphia, Pa. Wright continued to tour almost up to her death – she sold out the Barbican Centre in London in July 2019 – and earned considerable amounts from her back catalogue. Clean Up Woman has often been sampled, while Beyoncé used a section of Girls Can’t Do What the Guys Do for her 2006 single Upgrade U. Her last appearance was on the TV show Unsung on April 5, 2020, which was a month before she died from endometrial cancer on May 10, 2020, at her home in Miami, aged 66.

 (Edited from AllMusic, Wikipedia & The Guardian)