Sunday 7 February 2021

Juliette Gréco born 7 February 1927

Juliette Gréco ( 7 February 1927 – 23 September 2020) was a French singer and actress and an icon of post-Second World War French bohemianism. 

Juliette Gréco was born in Montpellier, France, the youngest of two daughters to Gérard Gréco, a Corsican policeman, and Juliette Gréco, née Lafeychine. The pair separated, and Gréco and her sister Charlotte were brought up in part by their maternal grand-parents in Bordeaux. Gréco was twelve when the war began in Europe, and both her mother and her sister survived Nazi prison camps following their involvement in the French Resistance. Gréco, too, was imprisoned for several months, and it was likely during this time she developed an oppositionist stance that never left her. 

With the help of a family friend, the actress Hélène Duc, she took drama lessons while working as a sort of combination hostess and bouncer at Le Tabou, a jazz club in the heart of St.-Germain-des-Prés, the Left Bank neighborhood that had become the city’s center of bohemian life. During this time her habit of wearing men’s clothes, including rolled-up pants, was necessitated by poverty and made possible by the hand-me-downs of male friends who lived in the same pension. The style caught on. Though she had yet to garner attention as an actress, her distinctive look got the attention of leading French photographers, who took and published pictures of her. 

Gréco began singing in cabaret in 1949, after she was offered a job helping organise the first show at the newly reopened Le Bœuf Sur le Toit cabaret club. That was the beginning. The first song she recorded, “Je Suis Comme Je Suis,” was released in 1951. Her first album, “ Chante Ses Derniers Succès,” appeared the next year. But her star-defining triumph was her 1954 concert at Olympia Hall in Paris, after a tour of the United States and South America. During the performance she introduced “Je Hais les Dimanches” (“I Hate Sundays”), a new number by a young songwriter, Charles Aznavour. 

                    

She had made her film debut even before her singing career began, as a nun in “Les Frères Bouquinquant,” a 1948 drama. She went on to appear in almost 30 films, mostly in the 1950s and ’60s. They included Jean Cocteau’s “Orphée” (1950), as Aglaonice, an astronomer-witch; “The Sun Also Rises” (1957), an American adaptation of Hemingway’s novel, with Tyrone Power and Ava Gardner; “The Roots of Heaven” (1958), a drama set in Africa, in which she starred opposite Errol Flynn; and “Crack in the Mirror” (1960), with Orson Welles. She also made a lasting impression in a 1965 French mini-series, “Belphegor, Phantom of the Louvre.” When it was made into a feature film in 2001, she was cast in a small role as a tribute to her influence. 

1n 1953, Ms. Gréco married the actor Philippe Lemaire; they divorced in 1956. Their daughter, Laurence-Marie Lemaire, died in 2016. She was married to the French actor Michel Piccoli from 1966 until their divorce in 1977. She was with the pianist and composer Gérard Jouannest, her third husband, from 1988 until his death in 2018. 

Her longest and best-known romantic relationship may have been with Miles Davis, the celebrated jazz trumpeter, whom she met when he was appearing in Paris in 1949. Sartre reportedly once asked him why he and Ms. Gréco were not married. According to Ms. Gréco, Mr. Davis replied, “I love her too much to make her unhappy.”In 2014, Ms. Gréco told The Guardian, “We saw each other regularly until his death” in 1991. 

After 1970, Gréco became an emblem of what seemed a lost era. She was the last of the great chanteuses, and she toured the world with a constantly changing repertory of songs. They had usually been written for her, and when she sang them her control and concentration was that not only of a great singing actor, but of a survivor. In the 90s she became president of the association to preserve Saint-Germain-des-Prés, the area which, she quipped, had “turned me into a marketable commodity”. 

Gréco’s final acting role was in Jedermanns Fest (2002), though she also appeared in a documentary, Dans les Pas de Marie Curie (2011). She wrote two autobiographies; Jujube (2002) and Je suis faite comme ca (2012). In France, she was made a Commander of the Legion of Honour in 2012; she received the National Order of Merit in 2015, and was made a Commander of the Order of Arts and Letters a year later. 


After a pause of 20 years, she resumed releasing albums, which included Je Me Souviens de Tout (2009). A final album, Gréco Chante Brel, appeared in 2013, and two years later she announced a farewell tour, calling it Merci. Her last-ever live performance took place in 2017 in Paris.  She died of a stroke, on 23 September 2020 at her Ramatuelle house in the south of France, near Saint Tropez. She was 93 years old. 

(Edited from The New York Times & The Guardian)

    

4 comments:

boppinbob said...

For “LES GRANDES CHANSONS DE JULIETTE GRÉCO” go here:

https://krakenfiles.com/view/fef49346ca/file.html

1. SI TU T'IMAGINES
2. COIN DE RUE
3. LE GUINCHE
4. SOUS LE CIEL DE PARIS
5. LA FOURMI
6. CHANSON POUR L'AUVERGNAT
7. CHANDERNAGOR
8. JE HAIS LES DIMANCHES
9. LA FÊTE EST LA
10. ÇA VA 'Le Diable'
11. BONJOUR TRISTESSE
12. COMPLAINTE DU TÉLÉPHONE
13. MUSIQUE MÉCANIQUE
14. LA VALSE DES SI
15. QU' ON EST BIEN
16. JAVA PARTOUT
17. LA MARCHE NUPTIALE
18. LA COMPLAINTE
19. QUE J'AIME
20. LES LUNETTES
21. LES FEUILLES MORTES
22. LA RECETTE DE L'AMOUR FOU
23. LES CROIX
24. LES DAMES DE LA POSTE
25. L'OMBRE

This CD offers a program of songs that are typical of her repertoire; 'Si Tu T'Imagines' was one of her earliest songs to become popular. 'Sous Le Ciel De Paris' is a perfect example of the French chanson, a swirling waltz complete with the familiar wheeze of the accordion. 'La Fourmi' a delightful bit of spoofery about an 18 metre long ant!

Other outstanding interpretations are such popular songs as, 'Je Hais Les Dimanches', 'Les Feuilles Mortes' which of course is one of the greatest songs ever written, again it is perfect to showcase the outstanding talents of la muse de l'existentialisme as Juliette was nicknamed, owing partly to being a close companion of such luminaries in the movement such as Jean-Paul Sartre and Jean Cocteau.

Not to be withheld by her singing talents, the multi-faceted Gréco also found herself drawn into the drama scene, and played roles in many films, such as, Orpheus, The Sun Also Rises and The Crack in the Mirror. (Jasmine notes)

A big thank you to “miw” for the loan of this CD. Here’s my offering…..

For “Juliet Grecco – Golden Hits” go here:

https://krakenfiles.com/view/54ce5a45d8/file.html

01 – La Fete est la
02 – Bonjour tristesse
03 – Complainte du telephone
04 – Musique mechanique
05 – La Valse des si
06 – Qu’on est bien
07 – Java partout
08 – La Marche Nuptiale
09 – La Complainte
10 – Chandernagor
11 – Que j’aime
12 – Les Lunettes
13 – La valse
14 – Chanson de Gervaise
15 – Sans vous aimer
16 – L’amour
17 – Miarka
18 – Mefiez-Vous de Paris
19 – Le guinche
20 – Guinguettes
21 – Le jour
22 – Vous mon coeur
23 – Mon coeur n’etait pas fait pour ça
24 – Romance

(Digital album by JB Productions 2020)

rntcj said...

Hi!

Thanx for these. A "new" artist here = "new" hears here.

Cheers!
Ciao! For now.
rntcj

johneunson said...

A legend. Thank you.

Domenic Ciccone (AKA Martooni) said...

Awesome thank you.