John Patton (July 12, 1935 – March 19, 2002) was an
American jazz, blues and R&B pianist and organist, often known by his
nickname, Big John Patton.
John Patton, born in Kansas City, Missouri, on July 12,
1935, His mother was a church pianist who taught him how to play fundamentals.
When he was about 13 years old, in 1948, he began to teach himself. He was
inspired by the music he heard in his
hometown, but he wanted to play beyond the Kansas City jazz scene. After high school, he headed East and found professional work. In 1954 in Washington, D.C., he found out that R&B star Lloyd Price was playing at the Howard Theater, and that Price had just fired his pianist and needed a new player. Patton played a few bars from the introduction to "Lawdy, Miss Clawdy". He was given the job.
hometown, but he wanted to play beyond the Kansas City jazz scene. After high school, he headed East and found professional work. In 1954 in Washington, D.C., he found out that R&B star Lloyd Price was playing at the Howard Theater, and that Price had just fired his pianist and needed a new player. Patton played a few bars from the introduction to "Lawdy, Miss Clawdy". He was given the job.
It was a relationship that would last until 1959. "I
learned everything with Lloyd," Patton said. "I was his 'straw boss'
and the leader and he dumped all this on me and that was an experience that I
got a chance to deal with." He recruited top players for Lloyd, including
drummer Ben Dixon. Dixon, another self-taught player,
encouraged John to check out the Hammond B-3 organ when
they played in clubs that had one. "Some of the clubs that we would play in would have an organ off to the side and every time I would have a chance to get with that organ, man, it was just fascinating to me...especially the bass line."
encouraged John to check out the Hammond B-3 organ when
they played in clubs that had one. "Some of the clubs that we would play in would have an organ off to the side and every time I would have a chance to get with that organ, man, it was just fascinating to me...especially the bass line."
A man called "Butts" first showed Patton how to
set up the organ and find the right registrations. When he moved to New York in
late 1959, and began playing gigs around town, Herman Green, a friend who
played with Lionel Hampton's band, took him to a Hammond in Asbury Park, New
Jersey, and helped him learn how to play it. Patton was fascinated with the
differences in the nuance of the sound that an electric organ could produce. He
developed the
nickname "Big John", not because of his size, but because of a song.
nickname "Big John", not because of his size, but because of a song.
Patton set up his own Hammond organ trio in 1959.Blue
Note artist Ike Quebec became his mentor, introducing him into Blue Note and to
one of the most important relationships in his career, with guitarist Grant
Green. He worked as a sideman for Lou Donaldson for three and a half years,
until 1964. "He says 'Play the Blues," Patton recalled. "You
don't mess with Lou 'cause Lou knows how to play the Be Bop and Blues and
Rhythm and Blues ... I am very fortunate that I got a chance to spend that much
time with him and I can't thank him enough."
During the 1960s in New York and on the road, Patton
became one of the most recognizable figures in jazz, and was a driving force of
the sound of electric organ. He recorded for the Blue Note label with artists
such as Harold Alexander and George
Coleman on LPs under his name as leader such as Understanding (1968) and Accent on the Blues (1969). He was a sideman for George Braith, Don Wilkerson and Lou Donaldson. Patton worked as a sideman for other labels as well. On one Limelight recording "Hold On, I'm Coming," with Art Blakey, he appears under the pseudonym Malcom Bass.
Coleman on LPs under his name as leader such as Understanding (1968) and Accent on the Blues (1969). He was a sideman for George Braith, Don Wilkerson and Lou Donaldson. Patton worked as a sideman for other labels as well. On one Limelight recording "Hold On, I'm Coming," with Art Blakey, he appears under the pseudonym Malcom Bass.
It was in the organ trio of guitarist Grant Green with
drummer Ben Dixon in the soul-jazz fusion genre, that he did some of his best
work. He also worked with Johnny Griffin, Harold Vick and Clifford Jordan, and
some of the early experimentalists, including many who worked with SunRa
Records during its heyday:
trombonist Grachan Moncur III, guitarist James Blood
Ulmer, and saxophonists John Gilmore and Marshall Allen.
Grant Green & John Patton |
Patton's style on the Hammond B-3 has been resistant to
imitation because of its space and economy. Some have called it minimalist, but
Patton claimed that he emulated the sounds of his favorite trumpet and reed
players. "I love trumpet, I love trombone, I love reeds...I love it
all...Musicians like Fred Jackson, Richard Williams, Grant Green, Ben Dixon and
Johnny Griffin...I can go on and on ...This is where I got my concept."
The acid jazz movement in the 1980s caused a resurgence
in interest in Patton's music in the UK. Blue Note released many sessions that
had not previously been released, including Blue John with Grant Green and
George Braith (listed as Braithwaite on the LP). Blue Note later released two
forward-looking albums Boogaloo and Memphis to New York Spirit. Patton made
several trips to England where he was embraced by the acid jazz community.
Patton continued recording until the late 1990s. In these
later years he developed a loyal following in both Japan and Europe, both of
which he toured in addition to his dates in the United States. Several dates
were recorded by collectors.
Patton died from complications arising from diabetes, in
Montclair, New Jersey, on March 19, 2002. He was overshadowed by organists who
for one reason or another enjoyed greater popularity, and still underestimated
by many jazz critics and historians (Edited from Wikipedia)
3 comments:
Today's birthday celeb was suggested by egroj @ egroj world blog.
For “John Patton – Mosaic Select (2003)” go here:
https://www.upload.ee/files/11998294/John_Patton_-_CD1.rar.html
1-1 The Silver Meter 5:40
1-2 I'll Never Be Free 5:03
1-3 Spiffy Diffy 6:00
1-4 Along Come John 6:02
1-5 Gee Gee 6:02
1-6 Pig Foots 5:44
1-7 The Rock 7:29
1-8 The Way I Feel 8:38
1-9 Jerry 6:45
1-10 Davene 7:25
1-11 Just 3/4 6:51
https://www.upload.ee/files/11998295/John_Patton_-_CD2.rar.html
2-1 Fat Judy 7:40
2-2 Oh Baby 6:17
2-3 Each Time 5:39
2-4 One To Twelve 7:52
2-5 Night Fight 6:35
2-6 Good Juice 6:31
2-7 String Bean 5:42
2-8 I Want To Go Home 8:36
2-9 Early A.M. 7:17
https://www.upload.ee/files/11998299/John_Patton_-_CD3.rar.html
3-1 Dirty Fingers 6:09
3-2 Minor Swing 6:38
3-3 Daddy James 6:47
3-4 Ding Dong 5:34
3-5 Congo Chant 9:11
3-6 Alfie's Theme 4:41
3-7 Soul Man 6:11
3-8 Understanding 6:56
3-9 Chitlins Con Carne 6:36
#1-1 to 1-6
Recorded on April 5, 1963.
Originally issued as John Patton - Along Came John (Blue Note BST 84130)
#1-7 to 1-11
Recorded on June 19, 1964.
Originally issued as 'Big' John Patton* - 'The Way I Feel' (Blue Note BST 84174)
#2-1 to 2-6
Recorded on March 8, 1965.
Originally issued as Big John Patton* - Oh Baby! (Blue Note BST 84192)
#2-7 to 3-3
Recorded March 8, 1968.
Originally issued as John Patton - That Certain Feeling (Blue Note BST 84281)
#3-4 to 3-9
Recorded October 25, 1968.
Originally issued as John Patton - Understanding (Blue Note BST 84306)
Recorded at the Van Gelder Studio, Englewood Cliffs, NJ.
All selections are stereo.
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Below is a selected discography found on various music blogs. Thanking all credired up-loaders for active links.
(1) Mike1985 @ jazznblues club
(2) bluesforever @ theblues-thatjazz
(3) egroj @ egroj world (PASSWORD: egroj)
1963 – Blue John (1) (flac)
https://filecat.net/f/OxsVny
1966 – Let ‘Em Roll (2)
https://yadi.sk/d/_iUsXKtdXrHnY
1966 - Got A Good Thing Goin' (3)
https://ulozto.net/file/ZWfBHTWjS/big-john-patton-got-a-good-thing-goin-rar
1968 – Boogaloo (flac) (1)
https://filecat.net/f/fp5vlp
1969 – Accent On The Blues (3)
https://ulozto.net/file/eUp9wcNjS/john-patton-accent-on-the-blues-rar
1969 – Memphis To New York Spirit (1)
https://filecat.net/f/bdn8uf
1996 – This One’s For JA (1) (flac)
https://filecat.net/f/16rJlq
1994 - The Organization! The Best of 'Big' John Patton (1963 – 1970 recordings) (3)
https://ulozto.net/hledej?q=big-john-patton-the-organization-the-best-of-big-john-patton-rar
1995 - Minor Swing (3)
https://ulozto.net/file/RDhSaVPUV/john-patton-minor-swing-rar
The link below is bringing up multiple files, could you please check on it. Thanks.
1994 - The Organization! The Best of 'Big' John Patton (1963 – 1970 recordings) (3)
https://ulozto.net/hledej?q=big-john-patton-the-organization-the-best-of-big-john-patton-rar
Thanks for pointing out the mistake.Here's the correct link (Password: egroj)
https://ulozto.net/file/o94tV2DW4/big-john-patton-the-organization-the-best-of-big-john-patton-rar
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